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Materialities - Books, Readers, and the Chanson in Sixteenth-Century Europe (Hardcover)
Loot Price: R1,827
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Materialities - Books, Readers, and the Chanson in Sixteenth-Century Europe (Hardcover)
Series: The New Cultural History of Music Series
Expected to ship within 12 - 17 working days
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Ephemeral, fragile, often left unbound, sixteenth-century songbooks
led fleeting lives in the pockets of singers and on the music desks
of instrumentalists. Constantly in action, they were forever being
used up, replaced, or abandoned as ways of reading changed. As such
they document the acts of early musicians and the practices of
everyday life at the unseen margins of elite society. Materialities
is a cultural history of song on the page. It addresses a series of
central questions concerning the audiences for written music by
concentrating on the first genre to be commercialized by music
printers: the French chanson. Scholars have long stressed that
chansons represent the most broadly disseminated polyphony of the
sixteenth century, but Materialities is the first book to account
for the cultural reach of the chanson across a considerable
cross-section of European society. Musicologist Kate van Orden
brings extensive primary research and new analytical models to bear
in this remarkable history of songbooks, music literacy, and social
transformation during the first century of music printing. By
tracking chansons into private libraries and schoolrooms and
putting chansonniers into dialogue with catechisms, civility
manuals, and chapbooks, Materialities charts the social
distribution of songbooks, the gradual moralization of song, and
the ways children learned their letters and notes. Its fresh
conclusions revise several common assumptions about the value early
moderns attributed to printed music, the levels of literacy
required to perform polyphony, and the way musicians did or did not
"read" their songbooks. With musical perspectives that can
invigorate studies of print culture and the history of reading,
Materialities is an essential guide for musicologists working with
original sources and historians of the book interested in the vocal
performances that operated alongside print.
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