Using the slave narratives of Henry Bibb and Frederick Douglass,
as well as the work of W. E. B. Du Bois, James Baldwin, Walter
Mosley, and Barack Obama, Ronda C. Henry Anthony examines how
women's bodies are used in African American literature to fund the
production of black masculine ideality and power. In tracing
representations of ideal black masculinities and femininities,
Henry Anthony shows how black men's struggles for gendered agency
are inextricably bound up with their complicated relation to white
men and normative masculinity. The historical context in which
Henry Anthony couches these struggles highlights the extent to
which shifting socioeconomic circumstances dictate the ideological,
cultural, and emotional terms upon which black men conceptualize
identity.
Yet, Henry Anthony quickly moves to texts that challenge
traditional constructions of black masculinity. In these texts
Henry Anthony traces how the emergence of collaboratively-gendered
discourses, or a blending of black female/male feminist
consciousnesses, are reshaping black masculinities, femininities,
and intraracial relations for a new century.
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