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Art and Visual Culture on the French Riviera, 1956-1971 - The Ecole de Nice (Paperback)
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Art and Visual Culture on the French Riviera, 1956-1971 - The Ecole de Nice (Paperback)
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The Riviera in the 1950s and 1960s was culturally rich with
modernist icons such as Matisse and Picasso in residence, but also
a burgeoning tourist culture, that established the Cote d'Azur as a
center of indigenous artists associated with Nouveau Realisme,
Fluxus, and Supports/Surfaces, emerged under the mantle of the
"Ecole de Nice." Drawing on the primary sources and little known
publications generated during the period from museum archives,
collections in the region, and privately owned archives, this study
integrates material published in monographic studies of individuals
and art movements, to offer the first in-depth study of this
important movement in twentieth-century art. The author situates
the work of the Ecole de Nice within the broader social currents
that are so important in contextualizing this phenomenon within
this internal region of France, and underscores why this work was
so significant at this historical moment within the context of the
broader European art scene, and contemporary American art, with
which it shared affinities. Despite their stylistic differences,
and associations with groups that are generally considered
distinct, O'Neill discloses that these artists shared conceptual
affinities"theatrical modes of presentation based on appropriation,
use of the ready-made, and a determination to counter style-driven
painting associated with the postwar Ecole de Paris. Art and Visual
Culture on the Riviera, 1956-1971 suggests that the emergence of an
Ecole de Nice internally eroded the dominance of Paris as the
national standard at this moment of French decentralization
efforts, and that these artists fostered a model of aesthetic
pluralism that remained locally distinct yet fully engaged with
international vanguard trends of the 1960s.
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