In May 2008, five temporary art events by artists Alastair
MacLennan, Maura Hazelden, Simon Whitehead, Anna Lucas and Yvonne
Buchheim, took place in public spaces in Cardigan exploring themes
of ritual, community and place. Holy Hiatus sought to examine the
ways that artists can draw audiences into different, often
unexpected experiences of place through ritual. The temporary,
mobile and in some cases, understated nature of the works meant
that the impact was often subtle, but the artworks nonetheless
created a ripple of effect for audiences, leading witnesses to
wonder what they had just seen and to what extent had they
knowingly, or unknowingly, participated in it? The book also offers
a contextual framework for the project within a field of cultural
theory that ranges from contemporary art to anthropology, sociology
and religious studies
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