Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Supernatural Fiction in Early Modern Drama & Culture (Hardcover, New)
Loot Price: R3,301
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Supernatural Fiction in Early Modern Drama & Culture (Hardcover, New)
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Magic and the supernatural are common themes in the philosophy and
fiction of the sixteenth and seventeenth centuries. This book
explores varieties of scepticism and belief exhibited by a
selection of philosophers and playwrights, including Heinrich
Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe,
William Shakespeare, Ben Jonson, and Thomas Middleton, explicating
how each author defines the supernatural, whether he assumes magic
to operate in the world, and how he uses occult principles to
explain what can be known and what is ethical. Beliefs and claims
concerning impossible phenomena and superhuman agency require
literary historians to determine whether an occult system of
magical operation is being described in a given text. Each chapter
in this volume evaluates whether a chosen early modern author is
endorsing magic as efficacious or divinely sanctioned, or
criticising it for being fraudulent or unholy. By examining works
of fiction, it is possible to explore fantastic settings which were
not intended to be synonymous with the early modern audience's
everyday experience, settings where magic exists and operates
according to the playwrights' designs. This book also sets out to
determine what historical sources provided given authors with
knowledge of the occult and speculates on how aware an audience
would have been of academic, classical, or popular contexts
surrounding the text at hand.
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