Literature on Trial traces the rise of modern literary criticism
in Central and Eastern Europe during the eighteenth century. S.D.
Chrostowska juxtaposes the discourse's written forms in three
linguistic-cultural regions -- Germany, Poland, and Russia -- to
show how fluid the relationship once was between the genres of
criticism and those of literature.
An alternative history of literary criticism, Literature on
Trial marks a shift from earlier studies' focus on aesthetic
principles to an emphasis on the development of literary-critical
forms. Chrostowska relates cultural and institutional changes in
these areas to the formation of literary-critical knowledge. She
accounts for the ways in which critical discourse organized itself
formally and deemed some genres 'proper' while eliminating others.
Analysing works by Lessing, Goethe, and Karamzin, among others,
Literature on Trial brings a fresh theoretical perspective to the
links between genre as a discursive strategy and socio-political
life.
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