Reading semiotically against the backdrop of medieval mirrors of
princes, Arthurian narratives, and chronicles, this study examines
how Rene d'Anjou (1409-1480), Geoffrey Chaucer's "House of Fame"
(ca. 1375-1380), and Edward the Black Prince (1330-1376) explore
fame's visual power. While very different in approach, all three
individuals reject the classical suggestion that fame is bestowed
and understand that particularly in positions of leadership, it is
necessary to communicate effectively with audiences in order to
secure fame. This sweeping study sheds light on fame's intoxicating
but deceptively simple promise of elite glory.
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