Russia's interactions with the West have been a perennial theme of
Slavic Studies, and of Russian culture and politics. Likewise,
representations of Russia have shaped the identities of many
western cultures. No longer providing the 'Evil Empire' of 20th
American popular consciousness, images of Russia have more recently
bifurcated along two streams: that of the impoverished refugee and
that of the sinister mafia gang. Focusing on film as an engine of
intercultural communication, this is the first book to explore
mutual perceptions of the foreign Other in the cinema of Russia and
the West during, and after, communism. The book's structure
reflects both sides of this fascinating dialogue: Part 1 covers
Russian/Soviet cinematic representations of otherness, and Part 2
treats western representations of Russia and the Soviet Union. An
extensive Introduction sets the dialogue in a theoretical context.
The contributors include leading film scholars from the USA, Europe
and Russia.
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