Mina Loy is recognised today as one of the most innovative
modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna
Barnes and T.S. Eliot amongst her admirers. Drawing on substantial
new archival research, this book challenges the existing critical
myth of Loy as a 'modern woman' through an analysis of her
unpublished autobiographical prose. Reading Mina Loy's
Autobiographies explores this major twentieth century writer's
ideas about the 'modern' and how they apply to the 'modernist'
writer-based on her engagement with twentieth-century avant-garde
aesthetics-and charts how Loy herself uniquely defined modernity in
her essays on literature and art. Sandeep Parmar here shows how,
ultimately, Loy's autobiographies extend the modernist project by
rejecting earlier impressions of avant-garde futurity and newness
in favour of a 'late modernist' aesthetic, one that is more
pessimistic, inward and interested in the fragmentary interplay
between the past and present.
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