From documentary to art-house cinema - and from an abundance of
onscreen images to their complete absence - films that experiment
variously with narration, voice-over and soundscapes do not only
engage viewers' thoughts and senses. They also make an appeal to
visualise more than is perceptible on screen. This book explores
the extraordinary ways in which film can stimulate and direct the
image-making capacity of the imagination. Bringing together an
international range of films with debates in philosophy, film
theory, literary scholarship and cognitive psychology, author Sarah
Cooper charts the key processes that serve the imagining of images
in the light of the mind. Through its navigation of a labile and
vivid mental terrain, this innovative work makes a profound
contribution to the study of spectatorship.
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