On the basis of a body of reggae songs from the 1970s and late
1990s, this book offers a sociological analysis of memory, hope and
redemption in reggae music. From Dennis Brown to Sizzla, the way in
which reggae music constructs a musical, religious and
socio-political memory in rupture with dominant models is vividly
illustrated by the lyrics themselves. How is the past remembered in
the present? How does remembering the past allow for imagining the
future? How does collective memory participate in the historical
grounding of collective identity? What is the relationship between
tradition and revolution, between the recollection of the past and
the imagination of the future, between passivity and action?
Ultimately, this case study of 'memory at work' opens up a
theoretical problem: the conceptualization of time and its
relationship with memory. -- .
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