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Seeing Renaissance Glass - Art, Optics, and Glass of Early Modern Italy, 1250-1425 (Hardcover, New edition)
Loot Price: R2,206
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Seeing Renaissance Glass - Art, Optics, and Glass of Early Modern Italy, 1250-1425 (Hardcover, New edition)
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With the invention of eyeglasses around 1280 near Pisa, the mundane
medium of glass transformed early modern optical technology and
visuality. It also significantly influenced contemporaneous art,
religion, and science. References to glass are found throughout the
Bible and in medieval hagiography and poetry. For instance, glass
is mentioned in descriptions of Heavenly Jerusalem, the Beatific
Vision, and the Incarnation. At the same time, a well-known Islamic
scientific treatise, which likened a portion of the eye's anatomy
to glass, entered the scientific circles of the Latin West. Amidst
this complex web of glass-related phenomena early modern Italian
artists used glass in some of their most important artworks but,
until now, no study has offered a comprehensive consideration of
the important role glass played in shaping the art of the Italian
Renaissance. Seeing Renaissance Glass explores how artists such as
Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed
the medium of glass-whether it be depictions of glass or actual
glass in the form of stained glass, gilded glass, and transparent
glass-to resonate with the period's complex visuality and achieve
their artistic goals. Such an interdisciplinary approach to the
visual culture of early modern Italy is particularly well-suited to
an introductory humanities course as well as classes on media
studies and late medieval and early Renaissance art history. It is
also ideal for a general reader interested in art history or issues
of materiality.
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