In this revisionary study of Ezra Pound's poetics, Scott
Hamilton exposes the extent of the modernist poet's debt to the
French romantic and symbolist traditions. Whereas previous critics
have focused on a single influence, Hamilton explores a broad
spectrum of French poets, including Thophile Gautier, Tristan
Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules
Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This
exploration of Pound's canon demonstrates his logic in borrowing
from the French tradition as well as a paradoxical circularity to
his poetic development. Hamilton begins by explaining how Pound
read Gautier's poetry as an example of Parnassianism and of the
"satirical realism" of Flaubert and the modern novelistic
tradition. He reveals, however, a crucial blind spot in Pound's
poetic vision that facilitated his return to precisely those
romantic and proto-symbolist elements in Gautier that were
celebrated by Baudelaire and Mallarm, and that Pound, as a modern
poet, felt obliged to repress. Arguing that Pound's response to
symbolism was not specifically modernist, Hamilton shows how his
dual attraction to the lyric and prose traditions, to symbolism and
realism, and to the visionary and the historical helps us better to
understand our own post-modern sensibility.
Originally published in 1992.
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