What happens when a critique of modernity -- a "revolt against
the traditions of the Western world" -- is situated within a
non-European context, where the concept of the modern has been
inevitably tied to the image of the West?
Seiji M. Lippit offers the first comprehensive study in English
of Japanese modernist fiction of the 1920s and 1930s. Through close
readings of four leading figures of this movement -- Akutagawa,
Yokomitsu, Kawabata, and Hayashi -- Lippit aims to establish a
theoretical and historical framework for the analysis of Japanese
modernism.
The 1920s and 1930s witnessed a general sense of crisis
surrounding the institution of literature, marked by both the
radical politicization of literary practice and the explosion of
new forms of cultural production represented by mass culture.
Against this backdrop, this study traces the heterogeneous literary
topographies of modernist writings. Through an engagement with
questions of representation, subjectivity, and ideology, it
situates the disintegration of literary form in these texts within
the writers' exploration of the fluid borderlines of Japanese
modernity.
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