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Medieval Boundaries - Rethinking Difference in Old French Literature (Hardcover)
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Medieval Boundaries - Rethinking Difference in Old French Literature (Hardcover)
Series: The Middle Ages Series
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Medieval Boundaries Rethinking Difference in Old French Literature
Sharon Kinoshita "From beginning to end, Kinoshita drives home her
innovative thesis: that the formation of French literary texts
between 1150 and 1225 cannot adequately be understood without
reference to various types of cross-cultural contact between
French-speaking nobles and those perceived by them as cultural,
religious, and linguistic 'others.'"--E. Jane Burns, University of
North Carolina "Kinoshita has produced a book of major importance.
Her command of the Francophone Middle Ages should exert an
important critical influence on the greater field of Middle English
and should also be recognized as an important contribution to the
prehistory of postcolonial studies."--David Wallace, University of
Pennsylvania "I highly recommend this timely study as one of the
most innovative, cohesive, and ambitious I have read--one that is
capable of reinvigorating medieval literary studies in the Romance
languages at the undergraduate and graduate level and will be a "de
rigueur" citation in any future bibliography of the
period."--"Medieval Review" In "Medieval Boundaries," Sharon
Kinoshita examines the role of cross-cultural contact in twelfth-
and early thirteenth-century French literature. Starting from the
observation that many of the earliest and best-known works of the
French literary tradition are set on or beyond the borders of the
French-speaking world, she reads the "Chanson de Roland," the
"lais" of Marie de France, and a variety of other texts in an
expanded geographical frame that includes the Iberian peninsula,
the Welsh marches, and the eastern Mediterranean. In Kinoshita's
reconceptualization of the geographical and cultural boundaries of
the medieval West, such places become significant not only as sites
of conflict but also as spaces of intense political, economic, and
cultural negotiation. An important contribution to the emerging
field of medieval postcolonialism, Kinoshita's work explores the
limitations of reading the literature of the French Middle Ages as
an inevitable link in the historical construction of modern
discourses of Orientalism, colonialism, race, and Christian-Muslim
conflict. Rather, drawing on recent historical and art historical
scholarship, Kinoshita uncovers a vernacular culture at odds with
official discourses of crusade and conquest. Situating each work in
its specific context, she brings to light the lived experiences of
the knights and nobles for whom this literature was first composed
and--in a series of close readings informed by postcolonial and
feminist theory--demonstrates that literary representations of
cultural encounters often provided the pretext for questioning the
most basic categories of medieval identity. Awarded honorable
mention for the 2007 Modern Language Association Aldo and Jeanne
Scaglione Prize for French and Francophone Studies Sharon Kinoshita
is Professor of Literature at the University of California, Santa
Cruz. The Middle Ages Series 2006 320 pages 6 x 9 11 illus. ISBN
978-0-8122-3919-5 Cloth $59.95s 39.00 ISBN 978-0-8122-0248-9 Ebook
$59.95s 39.00 World Rights Literature Short copy: "Kinoshita has
produced a book of major importance. Her command of the Francophone
Middle Ages should exert an important critical influence on the
greater field of Middle English and should also be recognized as an
important contribution to the prehistory of postcolonial
studies."--David Wallace, University of Pennsylvania
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