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From Historicity to Fictionality - The Chinese Poetics of Narrative (Paperback)
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From Historicity to Fictionality - The Chinese Poetics of Narrative (Paperback)
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This is the first comprehensive work in English on the complex
history and theory of traditional Chinese narrative. It describes
the major Chinese conventions and strategies for interpreting
narrative works, both historical and fictional, from the earliest
narratives through those of the Ch'ing dynasty. For most of China's
recorded history, historical authenticity and factual accuracy were
paramount in the production and reception of narrative texts.
Fictional narratives were theorized and judged in accordance with
the standards of historical narratives. In short, narrative was
history, and fiction was defective history. Furthermore, the state
made great efforts to control fiction by suppression (censorship)
and disavowal (denigration and trivialization). It was only with
the widespread popularity of novels in the Ming and Ch'ing
dynasties that Chinese theorists were able to come to terms with
fiction and dehistoricize the poetics of narrative by allowing and
recognizing invention and fabrication in narrative texts. At this
time, the Chinese poetics of narrative moved away from the
long-held centrality of historicity, and critics acknowledged that
good fiction can penetrate the nature and feelings of human beings
in ways that other writings cannot, and that a reader is able to
discover the uttermost principles of life in fiction just as in the
Confucian classics and historical writings. Narrative was no longer
assigned the function it had, for some 2,000 years, of being a
"factual record" or "credible history." Its existence was justified
because it conjured up a world that was lifelike and credible. In
the process of tracing the long history of Chinese narrative, the
author employs both Chinese and Western theoretical writings to
chart convergences and differences in Chinese and Western literary
theory and criticism.
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