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Signs of Our Times: From Calligraphy to Calligraffiti (Hardcover)
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Signs of Our Times: From Calligraphy to Calligraffiti (Hardcover)
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Signs of Our Times: From Calligraphy to Calligraffiti covers six
decades of an art trend led by artists from the Arab world and
Iran. Starting in the early 1950s, this alternative and original
approach to modernism began with artists who took inspiration from
their own cultural sources and combined them with international
aesthetics and concepts. This publication considers the work of 50
key artists, ranging from important pioneers of the calligraphic
movement to those who use the written word in their work today. The
book begins with a contribution from Venetia Porter, curator of
Islamic and contemporary Middle Eastern art at the British Museum,
who provides a historical contextualization of the movement and its
relationship to lettrism in Europe. In a second essay, the writer
and curator Rose Issa presents an overview of 60 years of the art
movement in Arab countries and Iran, from the independences of the
late 1940s and 1950s to the present day. A timeline by Juliet
Cestar, an expert on contemporary Middle Eastern art, then sets out
major cultural and historical events in the Middle East over the
course of the last 60 years. The main part of the book is divided
into three sections, each devoted to a different generation of
artists: the first generation of pioneers, who created a new
aesthetic language following the independence of their countries;
the second generation of artists, who mostly live in exile and who
reference their own cultures and languages in their work; and the
third generation, comprising contemporary artists who have absorbed
international aesthetics, concepts and languages and who
occasionally use Arabic and Persian script, or the morphology of
letters, in their work. The entry for each artist includes a
concise biography and a statement from the artist about their work.
The artworks, in a variety of media, are also interspersed with
poems and relevant literature, putting into personal and historical
contexts the innovative use of words in art.
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