Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare's Props - Memory and Cognition (Paperback)
Loot Price: R1,278
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Shakespeare's Props - Memory and Cognition (Paperback)
Series: Routledge Studies in Shakespeare
Expected to ship within 12 - 17 working days
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Cognitive approaches to drama have enriched our understanding of
Early Modern playtexts, acting and spectatorship. This monograph is
the first full-length study of Shakespeare's props and their
cognitive impact. Shakespeare's most iconic props have become
transhistorical, transnational metonyms for their plays: a
strawberry-spotted handkerchief instantly recalls Othello; a skull
Hamlet. One reason for stage properties' neglect by cognitive
theorists may be the longstanding tendency to conceptualise props
as detachable body parts: instead, this monograph argues for props
as detachable parts of the mind. Through props, Shakespeare's
characters offload, reveal and intervene in each other's cognition,
illuminating and extending their affect. Shakespeare's props are
neither static icons nor substitutes for the body, but volatile,
malleable, and dangerously exposed extensions of his characters'
minds. Recognising them as such offers new readings of the plays,
from the way memory becomes a weapon in Hamlet's Elsinore, to the
pleasures and perils of Early Modern gift culture in Othello. The
monograph illuminates Shakespeare's exploration of extended
cognition, recollection and remembrance at a time when the growth
of printing was forcing Renaissance culture to rethink the
relationship between memory and the object. Readings in
Shakespearean stage history reveal how props both carry audience
affect and reveal cultural priorities: some accrue cultural
memories, while others decay and are forgotten as detritus of the
stage.
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