Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Conceptual art
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Unconcealed: The International Network of Conceptual Artists, 1967-77 - Dealers, Exhibitions and Public Collections (Paperback)
Loot Price: R1,132
Discovery Miles 11 320
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Unconcealed: The International Network of Conceptual Artists, 1967-77 - Dealers, Exhibitions and Public Collections (Paperback)
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"The book is an impressive work of scholarship" - Studio
International "Richard set about to produce a study of distribution
networks, and achieved this through immaculate and thorough
research. It is no criticism of the book to say that there are many
questions left unexplored ... As scholars of the future think
through these and other questions, they will remain grateful to
Richard's extraordinary and meticulous scholarship." - Mark
Godfrey, Frieze Emerging in the late 1960s, conceptual art was
spurred by a network of artists, dealers, curators and critics.
These little-known connections are detailed for the first time in
this highly significant volume. By focusing on 15 artists -
including Marcel Broodthaers, Richard Long, Lawrence Weiner, Hanne
Darboven and Daniel Buren - and a specific network of
dealer-galleries, private and public institutions and collectors
around them, author Sophie Richard documents the role of art
dealers in the development of conceptual art - which ultimately led
to the structure of today's art world. We learn how conceptual
artworks entered private collections and public institutions, how
value was conferred to them, and the distribution networks that
drove these artists' success. A detailed account of artistic
activity in the decade 1967-77 is accompanied by extensive and
previously unpublished data, charting the exhibitions and sales of
conceptual works. The relationships, support structures and
strategies of dealer-galleries - such as Konrad Fischer, Wide White
Space and Lisson Gallery - are revealed and make fascinating
reading. Including numerous interviews with key figures of the
period, 'Unconcealed' exposes the new dealing, curatorial,
collecting and teaching methods formed in this decade that continue
to be critical to today's art world.
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