Stephen Pattemore examines passages within Revelation 4:1-22:21
that depict the people of God as actors in the apocalyptic drama
and infers what impact these passages would have had on the
self-understanding and behaviour of the original audience of the
work. He uses Relevance Theory, a development in the linguistic
field of pragmatics, to help understand the text against the
background of allusion to other texts. Three important images are
traced. The picture of the souls under the altar (6:9-11) is found
to govern much of the direction of the text with its call to
faithful witness and willingness for martyrdom. Even the militant
image of a messianic army (7:1-8, 14:1-5) urges the audience in
precisely the same direction. Both images combine in the final
image of the bride, the culmination of challenge and hope traced
briefly in the New Jerusalem visions.
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