In perceiving all rap and Hip-Hop music as violent,
misogynistic, and sexually charged, are we denying the way in which
it is attentive to the lived experiences, both positive and
negative, of many therapy clients? This question is explored in
great depth in this anthology, the first to examine the use of this
musical genre in the therapeutic context. The contributors are all
experienced therapists who examine the multiple ways that rap and
Hip-Hop can be used in therapy by listening and discussing,
performing, creating, or improvising.
The text is divided into three sections that explore the historical
and theoretical perspectives of rap and Hip-Hop in therapy,
describe the first-hand experiences of using the music with at-risk
youth, and discuss the ways in which contributors have used rap and
Hip-Hop with clients with specific diagnoses, respectively.
Within these sections, the contributors provide rationale for the
use of rap and Hip-Hop in therapy and encourage therapists to
validate the experiences for those for whom rap music is a
significant mode of expression. Editors Susan Hadley and George
Yancy go beyond promoting culturally competent therapy to creating
a paradigm shift in the field, one that speaks to the problematic
ways in which rap and Hip-Hop have been dismissed as expressive of
meaningless violence and of little social value. More than
providing tools to incorporate rap into therapy, this text enhances
the therapist's cultural and professional repertoire.
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