Recent revisions of the idea of separate spheres, which governed
Victorian scholarship of the past two decades, have provoked
considerable interest in both domestic and political fiction of the
period and in the political dimensions of domestic life. This book
challenges arguments about the division of the political from other
fictional genres and divisions of the private from the public
sphere. It shows that Victorian literature identified the household
as the space in which the political rights-bearer came into being.
While some thinkers maintained that the rights-bearer is defined by
purely formal reasoning, this volume claims that Locke and other
educational writers conceived reason as embodying emotion. It looks
at works by Mary Wollstonecraft, Amelia Opie, Maria Edgeworth,
Elizabeth Gaskell, and Charles Dickens to reveal how the emotional
relations of the household shaped the political self and how women
gained identity as rights-bearers.
The book argues that the intimate space of the household does
not exist separately from public, political, and economic domains.
It revises generic understandings of political fiction and shows
that domestic plots are integral to political plots. This is so
because domestic fiction focuses on the cultivation of the liberal
self in the household and the disclosure of that self in terms of
its vision of the good. The volume concludes that domestic space is
the foundation of liberal polity, and that an account of the
household in which the liberal self is disclosed is at the heart of
both Victorian political fiction and philosophy.
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