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Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)

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Citation and Authority in Medieval and Renaissance Musical Culture - Learning from the Learned. Essays in Honour of Margaret Bent (Hardcover) Loot Price: R2,329
Discovery Miles 23 290
Citation and Authority in Medieval and Renaissance Musical Culture - Learning from the Learned. Essays in Honour of Margaret...

Citation and Authority in Medieval and Renaissance Musical Culture - Learning from the Learned. Essays in Honour of Margaret Bent (Hardcover)

Suzannah Clark, Elizabeth Eva Leach; Contributions by Alice V. Clark, Andrew Wathey, Barbara Haggh, Bonnie Blackburn, Christian Leitmeir, Cristle Collins Judd, David R. Howlett, Elizabeth Eva Leach

Series: Studies in Medieval and Renaissance Music

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Loot Price R2,329 Discovery Miles 23 290 | Repayment Terms: R218 pm x 12*

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Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors. Essays in honour of Margaret Bent. The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as they learned their craft. Several contributors to this volume investigate general models, which often drew on earlier musical works, internalized in the process of composers' own training as singers. In written theoretical musical pedagogy, conversely, citation of authority is deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority. Further kinds of citation occur in specific musical texts, either within the words set to music or in the music itself. The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. In doing so, this volume is a fitting tribute to Margaret Bent, whose pedagogy, publications, and presence are honoured in this Festschrift. Contributors: SUSAN RANKIN, GILLES RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC HOLFORD-STREVENS, ANDREW WATHEY, KEVIN BROWNLEE, ALICE V. CLARK, LAWRENCE M. EARP, VIRGINIA NEWES, JOHN MILSOM, DAVID HOWLETT, REINHARD STROHM, THEODOR DUMITRESCU, CRISTLE COLLINS JUDD, BONNIE J. BLACKBURN

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Series: Studies in Medieval and Renaissance Music
Release date: December 2005
First published: 2005
Editors: Suzannah Clark (Author) • Elizabeth Eva Leach
Contributors: Alice V. Clark (Contributor) • Andrew Wathey • Barbara Haggh (Contributor) • Bonnie Blackburn • Christian Leitmeir • Cristle Collins Judd (Contributor) • David R. Howlett • Elizabeth Eva Leach
Dimensions: 234 x 156 x 22mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 282
ISBN-13: 978-1-84383-166-2
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
LSN: 1-84383-166-X
Barcode: 9781843831662

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