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Citation and Authority in Medieval and Renaissance Musical Culture - Learning from the Learned. Essays in Honour of Margaret Bent (Hardcover)
Loot Price: R2,187
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Citation and Authority in Medieval and Renaissance Musical Culture - Learning from the Learned. Essays in Honour of Margaret Bent (Hardcover)
Series: Studies in Medieval and Renaissance Music
Expected to ship within 12 - 17 working days
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Essays - collected in honour of Margaret Bent - examining how
medieval and Renaissance composers responded to the tradition in
which they worked through a process of citation of and commentary
on earlier authors. Essays in honour of Margaret Bent. The chapters
of this book probe the varied functions of citation and allusion in
medieval and renaissance musical culture. At its most fundamental
level musical culture relied on shared models for musical practice,
used by singers and composers as they learned their craft. Several
contributors to this volume investigate general models, which often
drew on earlier musical works, internalized in the process of
composers' own training as singers. In written theoretical musical
pedagogy, conversely, citation of authority is deliberate and
intentional. The adaptation of accepted wisdom in theoretical
treatises was the means by which newer authors stamped their own
authority. Further kinds of citation occur in specific musical
texts, either within the words set to music or in the music itself.
The diverse functions of citation and allusion for the creator,
reader, scribe, performer and listener are here given due
consideration. In doing so, this volume is a fitting tribute to
Margaret Bent, whose pedagogy, publications, and presence are
honoured in this Festschrift. Contributors: SUSAN RANKIN, GILLES
RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC
HOLFORD-STREVENS, ANDREW WATHEY, KEVIN BROWNLEE, ALICE V. CLARK,
LAWRENCE M. EARP, VIRGINIA NEWES, JOHN MILSOM, DAVID HOWLETT,
REINHARD STROHM, THEODOR DUMITRESCU, CRISTLE COLLINS JUDD, BONNIE
J. BLACKBURN
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