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The Great American Songbooks - Musical Texts, Modernism, and the Value of Popular Culture (Hardcover)
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The Great American Songbooks - Musical Texts, Modernism, and the Value of Popular Culture (Hardcover)
Series: Modernist Literature and Culture
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The Great American Songbooks shows how popular music shapes and
permeates a host of modernism's hallmark texts. Austin Graham
begins his study of 20th-century texts with a discussion of
American popular music and literature in the 19th century. He
posits Walt Whitman as a proto-modernist who drew on his love of
opera to create the epic free-verse poetry that would heavily
influence his bardic successors. One can witness this in T. S.
Eliot, whose poem The Waste Land relies on Whitman's verse style to
emphasize how 19th-century structures of feeling regarding music
persist into the 20th century. From opera and standards of the
Victorian musical hall, Graham moves to the blues to reveal the
multifaceted ways it shaped works in the Harlem Renaissance, most
notably in the verse of Langston Hughes and Jean Toomer's
stream-of-consciousness masterpiece, Cane. The second half of
Songbooks advances an argument for a musical eclecticism that arose
alongside rapid industrialization. Writers like Scott Fitzgerald
and John Dos Passos, Graham argues, developed a notion of musical
eclecticism to help them process-or cope-with the unprecedented
invasiveness of popular music, particularly in major cities. This
eclecticism runs counter to critics like Adorno who equate popular
music with mass produced mechanisms such as the phonograph and
radio, and thus with degraded, cultural forms. In conclusion,
Graham suggests how modernist writers experienced, and sometimes
theorized, a more nuanced, sophisticated, and fluid mode of
interaction with popular music.
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