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Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world

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Minos and the Moderns - Cretan Myth in Twentieth-Century Literature and Art (Hardcover) Loot Price: R2,139
Discovery Miles 21 390
Minos and the Moderns - Cretan Myth in Twentieth-Century Literature and Art (Hardcover): Theodore Ziolkowski

Minos and the Moderns - Cretan Myth in Twentieth-Century Literature and Art (Hardcover)

Theodore Ziolkowski

Series: Classical Presences

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Loot Price R2,139 Discovery Miles 21 390 | Repayment Terms: R200 pm x 12*

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Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.
Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.
Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readersinterested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Series: Classical Presences
Release date: July 2008
First published: July 2008
Authors: Theodore Ziolkowski (Professor of Modern Languages Emeritus, Professor of German and Comparative Literature, Emeritus)
Dimensions: 226 x 148 x 20mm (L x W x T)
Format: Hardcover
Pages: 192
ISBN-13: 978-0-19-533691-7
Categories: Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
Books > Humanities > Religion & beliefs > Myths & mythology
Books > Language & Literature > Literature: history & criticism > Literary studies > Classical, early & medieval
Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
Books > Religion & Spirituality > Myths & mythology
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LSN: 0-19-533691-7
Barcode: 9780195336917

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