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Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting - Essays in Honour of Otto Demus (Hardcover)
Loot Price: R3,017
Discovery Miles 30 170
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Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting - Essays in Honour of Otto Demus (Hardcover)
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Romanesque mural painting was arguably the most visible field for
religious images in Western churches between the eleventh and
thirteenth centuries. Beyond its traditional justification as Bible
of the illiterate mural painting demarcated the principal
functional spaces within the church and propagated the sacred
narratives, the systems of belief and institutional politics. The
present volume provides the first accessible collection of essays
devoted exclusively to the contextual interpretation of Romanesque
mural painting. They are offered in homage to Otto Demus, who
established the essential parameters for the field with his
unsurpassed survey of the field over thirty years ago. Presenting
previously unpublished research on individual case studies from
Italy, France and Spain, the collection of essays published here
pursues Demuss premise that mural painting was designed both to
shape the experience and ritual use of distinctive spaces within
the medieval church, and to advertise certain institutional
affiliations and political agendas. The introduction, by Thomas
Dale, provides a methodological overview to the field, assessing
Demuss contribution to the study of Romanesque mural painting and
surveying the scholarship of the past thirty years. It also
furnishes the first overview of primary texts that refer to the
functions and exegesis of mural painting between the tenth and
thirteenth centuries. The ten essays are grouped under four topics:
1. Patterns of Narrative Disposition in Sacred Space 2. Reinforcing
the Praesentia of the Saints: The Church as Locus Sanctus 3. The
Burial Crypt as Mediator between the Living and the Dead,
Terrestrial and Celestial Space 4. Ecclesiastical Politics and
Institutional Identity.
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