This book situates Louis Zukofsky's poetics (and the lineage of
Objectivist poetics more broadly) within a set of ethical concerns
in American poetic modernism. The book makes a strong case for
perceiving Zukofsky as a missing key figure within this ethical
matrix of modernism. Viewing Zukofsy's poetry through the lens of
the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods
argues for an ethical genealogy of American poetics leading from
Zukofsky through the contemporary school of LANGUAGE poetry. Woods
brings together modernism and postmodernism, ethics and aesthetics,
in interesting and innovative ways which shed new light on our
understanding of this neglected strain of modernist poetics.
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