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Against Affective Formalism - Matisse, Bergson, Modernism (Paperback)
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Against Affective Formalism - Matisse, Bergson, Modernism (Paperback)
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For nearly fifty years the humanities have been confined by a
series of critiques: of the subject, of representation, of the
visual, of modernism, of autonomy, of intention, of art itself. In
their place various "materialities" have appeared: signs,
identities, bodies, history, and works. Against Affective Formalism
challenges these orthodoxies. "What I am after, above all, is
expression," Henri Matisse declared. Matisse believed that through
the careful arrangement of line and color he could transmit his
feelings directly to the minds and bodies of his viewers. Yet
Matisse continually struggled with the reality that his feelings
were misunderstood-or simply ignored-by viewers of his art. Matisse
oscillates between a desire for expressive command over the viewer
and a sense of the impossibility of making himself known. Against
Affective Formalism confronts modernism's dissatisfactions with
representation. As Todd Cronan explains, a central tenet of
modernist thought turns on the effort to overcome representation in
the name of something more explicit in its capacity to generate
bodily or affective experience. Henri Bergson was one of the most
influential advocates of the antirepresentational impulse; his
novel theories of memory and freedom gripped a generation of
writers, philosophers, psychologists, and artists. Matisse and
Bergson worked within and against the context of form and
expression that remains in force today. Writing in opposition to
prevailing theories and assumptions about the relation of intention
and form-most of which accept the "death of the author" as a basic
fact of interpretation-Cronan argues that the beholder's response
to art, outside a framework of intentionality, is irrelevant to a
work's meaning. Intentions are not a matter of method at all: no
letter, biography, document, archive, or key will recover an
intention. What matters is that intentions make works of art
different from objects in the world.
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