This title was first published in 2002: An intensive study of
Shakespeare's most ambitious and complex achievement in the
historical mode. The book offers an account of the play's critical
history from 1700 until the 1980s, deals with the aspects of Tudor
history relevant to an understanding, and offers close readings of
the text structured around what the author believes to be the
play's three dominant concepts: time; truth; and grace. In an
attempt to correct what he sees as a certain falsification of
critical history, the author aligns his account of the play's
reception with one of its major preoccupations - the inescapable
and informing presence of the past.
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