This book spotlights a complex art collection established at the
intersection of modern art and social justice. In 1963, as civil
rights protests swirled across the fiercely segregated state, this
historically Black college became an unlikely hub in Mississippi
envisioned as “an interracial oasis in which the fine arts are
the focus and magnet.” Since its founding in 1869 by the
abolitionist-led American Missionary Association, Tougaloo College
has made the fight for equality central to its mission. In 1963,
Tougaloo became the nexus for modern art in Mississippi, when
leaders of the New York art world began a rich program of art
acquisitions. This publication features two essays and
approximately thirty-five selections from this distinctive
collection by diverse artists such as Francis Picabia, Jacob
Lawrence, and Alma Thomas.
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