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Cinema Derrida - The Law of Inspection in the Age of Global Spectral Media (Hardcover, New edition)
Loot Price: R1,939
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Cinema Derrida - The Law of Inspection in the Age of Global Spectral Media (Hardcover, New edition)
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Cinema Derrida charts Jacques Derrida's collaborations and
appearances in film, video, and television beginning with 1983's
Ghost Dance (dir. Ken McMullen, West Germany/UK) and ending with
2002's biographical documentary Derrida (dir. Dick and Ziering,
USA). In the last half of his working life, Derrida embraced
popular art forms and media in more ways than one: not only did he
start making more media appearances after years of refusing to have
his photo taken in the 1960s and 1970s, but his philosophy also
started to draw more explicitly from visual culture and artistic
endeavours. While this book offers explanations of this transition,
it contends the image of "Jacques Derrida" that emerges from film
and TV appearances remains spectral, constantly deferring a
complete grasp of him. Tyson Stewart draws out the main tenets of
spectrality from Derrida's seminal texts Of Grammatology and
Specters of Marx and other writings, like Echographies of
Television, in order to fill a gap in studies of Derrida and film.
Throughout the book, he explains how various techniques and
spectral effects such as slow motion, stillness, repetition,
mise-en-abime, direct address, and focus on body parts/bodily
presence bring about a structure of spectrality wherein the past
other returns to make impressions and ethical demands on the
viewer. Drawing on communication theory and film and media studies,
Cinema Derrida makes a major intervention in classical
communication thought.
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