In Everything Ancient Was Once New, Emalani Case explores Indigenous persistence through the concept of Kahiki, a term that is at once both an ancestral homeland for Kanaka Maoli (Hawaiians) and the knowledge that there is life to be found beyond Hawai'i's shores. It is therefore both a symbol of ancestral connection and the potential that comes with remembering and acting upon that connection. Tracing physical, historical, intellectual, and spiritual journeys to and from Kahiki, Emalani frames it as a place of refuge and sanctuary, a place where ancient knowledge can constantly be made anew. It is in Kahiki, she argues, and in the sanctuary it creates, that today's Kanaka Maoli can find safety and reprieve from the continued onslaught of settler colonial violence, while also confronting some of the often uncomfortable and challenging realities of being Indigenous in Hawai'i, in the Pacific, and in the world. Each chapter of the book engages with Kahiki as a shifting term, employed by Kanaka Maoli to explain their lives and experiences to themselves at different points in history. In doing so, Everything Ancient Was Once New proposes and argues for reactivated and reinvigorated engagements with Kahiki, each supporting ongoing work aimed at decolonizing physical and ideological spaces, and reconnecting Kanaka Maoli to other peoples and places in the Pacific region and beyond in ways that are both purposeful and meaningful. In the book, Kahiki is therefore traced through pivotal moments in history and critical moments in contemporary times, explaining that while not always mentioned by name, the idea of Kahiki was, and is, always full of potential. In writing that is both personal and theoretical, Emalani weaves the past and the present together, reflecting on ancient concepts and their continued relevance in movements to protect lands, waters, and oceans; to fight for social justice; to reexamine our responsibilities and obligations to each other across the Pacific region; and to open space for continued dialogue on what it means to be Indigenous both when at home and when away. Combining personal narrative and reflection with research and critical analysis, Everything Ancient Was Once New journeys to and from Kahiki, the sanctuary for reflection, deep learning, and continued dreaming with the past, in the present, and far into the future.

The book gathers several contributions by historians of physics, philosophers of science and scientists as new essays in the history of physics ranging across the entire field, related in most instances to the works of Salvo D'Agostino (1921-2020), one of the field's most prominent scholars since the second half of the past century. A phenomenon is an observable measurable fact, including data modelling, assumptions/laws. A mechanical phenomenon is associated to equilibrium/motion. Are all mechanisms mechanisms of a phenomenon? Scholars with different backgrounds discuss mechanism/phenomena from an historical point of view. The book is also devoted to understanding of causations of disequilibrium (shock, gravitational, attraction/repulsion, inertia, entropy, etc.), including changes/interaction in the framework of irregular cases of modern physics as well. The book is an accessible avenue to understanding phenomena, ideas and mechanisms by leading authorities who offer much-needed historical insights into the field and on the relationship Physics–Mathematics. It provides an absorbing and revealing read for historians, philosophers and scientists alike.

Included in this volume is an introduction by the translator, J.M.D. Meiklejohn. Revised edition, originally published by The Colonial Press in 1899.

Included in this volume is an introduction by the translator, J.M.D. Meiklejohn. Revised edition, originally published by The Colonial Press in 1899.

The second edition of this popular text, updated throughout and now including Covid-19 and the 2020 presidential election and aftermath, introduces students to the research into conspiracy theories and the people who propagate and believe them. In doing so, Uscinski and Enders address the psychological, sociological, and political sources of conspiracy theorizing. They rigorously analyze the most current arguments and evidence while providing numerous real-world examples so students can contextualize the current debates. Each chapter addresses important current questions, provides conceptual tools, defines important terms, and introduces the appropriate methods of analysis.

When we talk about delusions we may refer to symptoms of mental health problems, such as clinical delusions in schizophrenia, or simply the beliefs that people cling to which are implausible and resistant to counterevidence; these can include anything from beliefs about the benefits of homeopathy to concerns about the threat of alien abduction. Why do people adopt delusional beliefs and why are they so reluctant to part with them? In Why Delusions Matter, Lisa Bortolotti explains what delusions really are and argues that, despite their negative reputation, they can also play a positive role in people's lives, imposing some meaning on adverse experiences and strengthening personal or social identities. In a clear and accessible style, Bortolotti contributes to the growing research on the philosophy of the cognitive sciences, offering a novel and nuanced view of delusions.

Notes from the Crawl Room employs the lens and methods of horror writing to critique the excesses and absurdities of philosophy. Each story reveals disastrous and de-humanising effects of philosophies that are separated from real, lived experience (e.g. the absurdity of arguing over a sentence in Kant while the world burns around us). From a Kafkaesque exploration of administrative absurdities to the horrors of discursive violence, white supremacy and the living spectres of patriarchy, A.M. Moskovitz doesn't shy away from addressing the complex aspects of our lives. In addition to offering often humourous critiques of philosophy, these works are also, somewhat ironically, pieces of philosophy themselves. Each story seeks to move a subject area forward offering the reader the capacity to think through ideas in a weirder and more open way than traditional philosophy usually allows. An antidote to philosophy that seeks to close down and shut off the imaginative potential of human thought, Notes from the Crawl Room revels in the unsettling and creative potential of stories for revealing what thinking philosophically might really mean.

Winner of the Pulitzer Prize in 1974 and the culmination of a life's work, The Denial of Death is Ernest Becker's brilliant and impassioned answer to the 'why' of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie - man's refusal to acknowledge his own mortality.

The book argues that human civilisation is a defence against the knowledge that we are mortal beings. Becker states that humans live in both the physical world and a symbolic world of meaning, which is where our 'immortality project' resides. We create in order to become immortal - to become part of something we believe will last forever. In this way we hope to give our lives meaning.

In The Denial of Death, Becker sheds new light on the nature of humanity and issues a call to life and its living that still resonates decades after it was written.

Challenging existing methodological conceptions of the analytic approach to aesthetics, Jukka Mikkonen brings together philosophy, literary studies and cognitive psychology to offer a new theory on the cognitive value of reading fiction. Philosophy, Literature and Understanding defends the epistemic significance of narratives, arguing that it should be explained in terms of understanding rather than knowledge. Mikkonen formulates understanding as a cognitive process, which he connects to narrative imagining in order to assert that narrative is a central tool for communicating understanding. Demonstrating the effects that literary works have on their readers, he examines academic critical analysis, responses of the reading public and nonfictional writings that include autobiographical testimony to their writer's influences and attitudes to life. In doing so, he provides empirical evidence of the cognitive benefits of literature and of how readers demonstrate the growth of their understanding. By drawing on the written testimony of the reader, this book is an important intervention into debates on the value of literature that incorporates understanding in new and imaginative ways.

This collection provides the first in-depth introduction to the theory of the religious imagination put forward by renowned philosopher Douglas Hedley, from his earliest essays to his principal writings. Featuring Hedley's inaugural lecture delivered at Cambridge University in 2018, the book sheds light on his robust concept of religious imagination as the chief power of the soul's knowledge of the Divine and reveals its importance in contemporary metaphysics, ethics and politics. Chapters trace the development of the religious imagination in Christian Platonism from Late Antiquity to British Romanticism, drawing on Origen, Henry More and Samuel Taylor Coleridge, before providing a survey of alternative contemporary versions of the concept as outlined by Karl Rahner, Rene Girard and William P. Alston, as well as within Indian philosophy. By bringing Christian Platonist thought into dialogue with contemporary philosophy and theology, the volume systematically reveals the relevance of Hedley's work to current debates in religious epistemology and metaphysics. It offers a comprehensive appraisal of the historical contribution of imagination to religious understanding and, as such, will be of great interest to philosophers, theologians and historians alike.