In Everything Ancient Was Once New, Emalani Case explores
Indigenous persistence through the concept of Kahiki, a term that
is at once both an ancestral homeland for Kanaka Maoli (Hawaiians)
and the knowledge that there is life to be found beyond Hawai'i's
shores. It is therefore both a symbol of ancestral connection and
the potential that comes with remembering and acting upon that
connection. Tracing physical, historical, intellectual, and
spiritual journeys to and from Kahiki, Emalani frames it as a place
of refuge and sanctuary, a place where ancient knowledge can
constantly be made anew. It is in Kahiki, she argues, and in the
sanctuary it creates, that today's Kanaka Maoli can find safety and
reprieve from the continued onslaught of settler colonial violence,
while also confronting some of the often uncomfortable and
challenging realities of being Indigenous in Hawai'i, in the
Pacific, and in the world. Each chapter of the book engages with
Kahiki as a shifting term, employed by Kanaka Maoli to explain
their lives and experiences to themselves at different points in
history. In doing so, Everything Ancient Was Once New proposes and
argues for reactivated and reinvigorated engagements with Kahiki,
each supporting ongoing work aimed at decolonizing physical and
ideological spaces, and reconnecting Kanaka Maoli to other peoples
and places in the Pacific region and beyond in ways that are both
purposeful and meaningful. In the book, Kahiki is therefore traced
through pivotal moments in history and critical moments in
contemporary times, explaining that while not always mentioned by
name, the idea of Kahiki was, and is, always full of potential. In
writing that is both personal and theoretical, Emalani weaves the
past and the present together, reflecting on ancient concepts and
their continued relevance in movements to protect lands, waters,
and oceans; to fight for social justice; to reexamine our
responsibilities and obligations to each other across the Pacific
region; and to open space for continued dialogue on what it means
to be Indigenous both when at home and when away. Combining
personal narrative and reflection with research and critical
analysis, Everything Ancient Was Once New journeys to and from
Kahiki, the sanctuary for reflection, deep learning, and continued
dreaming with the past, in the present, and far into the future.
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