Acoustic signals, voice, sound, articulation, music and spatial
networking are dispositifs of radiophonic transmission which have
brought forth a great number of artistic practices. Up to and into
the digital present radio has been and is employed and explored as
an apparatus-based structure as well as an expanded model for
performance and perception. This volume investigates a broad range
of aesthetic experiments with the broadcasting technology of radio,
and the use of radio as a means of disseminating artistic concepts.
With exemplary case studies, its contributions link conceptual,
recipient-response-related, and sociocultural issues to matters of
relevance to radio art's mediation.
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