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Books > Arts & Architecture > Performing arts > Radio
What is the origin of the word ‘bluetooth’? Which UK football ground is flanked by Bloemfontein & South Africa roads? When walking round Rondebosch Common, why is it wise not to go widdershins?
These are a few of the questions put to John Maytham by 567 CapeTalk listeners in the Rapid Fire insert on the late drive-time show. Join him on a tour of the oddest, arcane and most surprising questions – and be tickled by the weird and wonderful answers.
The most successful weekend show on Radio 2, Sounds of the Sixties
has over 3.5 million listeners every Saturday morning. Presented by
Brian Matthew, the programme has become an institution. This new
book contains fascinating facts about memorable hits from key
Sixties artists, hard-to-find tracks alongside many hidden gems
that have never before been made available on any CD or compilation
album since their initial Sixties release plus fascinating stories
and behind-the-scenes info from producer Phil The Collector Swern.
This is a comprehensive collection that music fans and hardened
Sixties collectors will cherish.
Phone-in programmes on public and commercial radio channels have
been a staple of popular Hong Kong politics since the 1990s. In the
absence of a fully democratic system, they have played an
influential role in channeling and mediating public opinion. This
work examines the phenomenon of talk radio in Hong Kong, using as
its analytical framework the idea of re-mediation. It argues that
the circulation and re-circulation of talk radio content through
the mainstream media is crucial in explaining the medium's social
prominence and influence. The process has not only widened the
dissemination of talk radio content, but has also established talk
radio as a channel for free political expression, giving it a role
in shaping serious debate not seen in many other societies. Drawing
on interviews with radio personnel, analysis of radio and newspaper
content, and audience surveys, Talk Radio explores the vital and
influential world of Hong Kong's phone-in programmes. The book will
be of interest to scholars of politics, media studies, and cultural
studies both in Hong Kong and overseas.
The media play a key role in post-apartheid South Africa and is
often positioned at the centre of debates around politics, identity
and culture. Media, such as radio, are often said to also play a
role in deepening democracy, while simultaneously holding the power
to frame political events, shape public discourse and impact
citizens' perceptions of reality. Broadcasting Democracy: Radio and
Identity in South Africa provides an exciting look into the diverse
world of South African radio, exploring how various radio formats
and stations play a role in constructing post-apartheid identities.
At the centre of the book is the argument that various types of
radio stations represent autonomous systems of cultural activity,
and are 'consumed' as such by listeners. In this sense, it argues
that South African radio is 'broadcasting democracy'. Broadcasting
Democracy will be of interest to media scholars and radio listeners
alike.
In the 1970s, '80s and '90s Britain witnessed what many in the
business saw as the second great age of radio. It was a period when
FM radio blossomed and local stations opened and broadcast across
the land. It was a step away from the output of the national
broadcaster, the BBC, which had held a monopoly on the airways
since its inception. Broadcaster, station manager and regulator for
over forty years David Lloyd was very much a part of this
revolution and is, amongst his peers, well placed to tell that
story. Lloyd describes the period as one of innovation, his aim to
create a timeline of radio of this era through to the present day,
to capture those heady days, the characters, the fun and heartache,
life on the air, life off the air. And to revisit those station
launches, company consolidations, the successes and the failures.
Told with the insight of an insider, with his characteristic wit
and a huge dollop of nostalgia, David Lloyd brings to life a unique
age in broadcasting in this fascinating account.
Guerrilla Radios in Southern Africa is a collection of essays on the histories of the different radios of the liberation movements in the region during the era of the armed struggle.
From Angola and Mozambique, to Namibia, Zimbabwe and South Africa, the new
technology of radio provided the liberation movements in exile with a platform to
address their followers at home, to propagate their ideologies and to counter the
propaganda of the oppressive white minority regimes. As the cheapest and most direct
medium, guerrilla radios transcended the boundaries imposed by the settler regimes and
were widely listened to, albeit within the realm of illegality.
Transnational in its approach, the book explores the workings of these radios from
their areas of broadcast in exile, international solidarity, to reception at home where
listeners often huddled around their receivers to listen to the messages from the
liberation movements, often beyond the gaze of the state. These radios shaped the
nature of resistance campaigns that the liberation movements embarked upon in the
various countries in the region.
This is not a book of facts; it's a book of 'facts'. Should you
finish it believing we became the planet's dominant species because
predators found us too smelly to eat; or that the living bloodline
of Christ is a family of Japanese garlic farmers - well, that's on
you. Why are we here? Do ghosts exist? Did life on Earth begin
after a badly tidied-up picnic? Was it just an iceberg that sank
the Titanic? Are authors stealing their plotlines from the future?
Will we ever talk to animals? And why, when you're in the shower,
does the shower curtain always billow in towards you? We don't know
the answers to any of these questions. But don't worry, no matter
what questions you have, you can bet on the fact that there is
someone (or something) out there, investigating it on your behalf.
From the sports stars who use cosmic energy to office plants
investigating murders, The Theory of Everything Else will act as a
handbook for those who want to think differently.
As the candidacies of Donald Trump and Bernie Sanders have proven,
Americans are mad as hell about the problems facing our country.
George Noory hears these problems every night, all night, and this
is how he would deal with them. This is Mad as Hell. --- I'm angry
because sometimes I feel like a stranger in America. We live in a
dangerous world that is sorely in need of an effective political
system that deals with the ongoing destruction of the middle class,
an aging population, permeable borders, technology out of control,
and shocking, mindless violence and wars. But we can bring back the
America that makes us proud. It will take hard work and pulling
together as a society. People are stressed because they don't know
where the world is heading or where it is taking them. With a radio
show heard by millions, I consider myself not an entertainer or
someone to dictate how we should live, but a facilitator who can
help guide the path chosen. I have been called a voice in the
darkness. The concepts I deal with are not only on the cutting edge
of science and technology, but with subjects as provocative as
aliens and angels, as challenging as supervolcanos and the fire and
brimstone of the End Time. Join me by reading why I am mad . . .
and maybe you will get as angry as I am about conditions in the
country we love.
The Bloomsbury Handbook of Radio presents exciting new research on
radio and audio, including broadcasting and podcasting. Since the
birth of radio studies as a distinct subject in the 1990s, it has
matured into a second wave of inquiry and scholarship. As broadcast
radio has partly given way to podcasting and as community
initiatives have pioneered more diverse and innovative approaches
so scholars have embarked on new areas of inquiry. Divided into
seven sections, the Handbook covers: - Communities - Entertainment
- Democracy - Emotions - Listening - Studying Radio - Futures The
Bloomsbury Handbook of Radio is designed to offer academics,
researchers and practitioners an international, comprehensive
collection of original essays written by a combination of
well-established experts, new scholars and industry practitioners.
Each section begins with an introduction by Hugh Chignell and
Kathryn McDonald, putting into context each contribution, mapping
the discipline and capturing new directions of radio research,
while providing an invaluable resource for radio studies.
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