Often described as 'the father of realism', Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare. Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman. Ibsen's A Doll's House is relocated to 1879 India in Tanika Gupta's Audio Drama Award-winning dramatisation, while the provocative and scandalous Ghosts is adapted by Richard Eyre, with the cast of his Olivier Award-winning Almeida Theatre production. Also featured are vibrant dramatisations of Hedda Gabler, whose desperate heroine is trapped in a suffocating marriage; The Lady from the Sea, about a woman torn between security and passion; and An Enemy of the People, in which a whistleblower reveals an inconvenient truth and is vilified for it. The casts of these stunning dramas include David Threlfall, Nicholas Farrell, Helen Baxendale, Indira Varma, Lesley Manville and Harriet Walter.

A full-cast dramatisation of Neil Gaiman's magical retellings of the Norse myths, inviting us into a world of gods and monsters, tricks and trust, fiery endings and new beginnings Winner of The London Book Fair CAMEO Award 2020 for Book to Audio adaptation. 'And the game begins anew...' Meet the trickster god Loki and his astonishing children - the giant wolf Fenrir, Jormungundr the snake that encircles the world, and Hel, the little girl who grows up to be Queen of the dead. Here, too, is Odin the all-father, who sacrificed his eye to see the future; Thor the thunderer, who defends Asgard with his fearsome strength and mighty hammer; and Freya the understandably angry, most beautiful of the gods and always being gambled for by unwanted suitors. From the beginning of the universe in fire and ice, to the very end of the world, Ragnarok, these enthralling tales of gods, goddesses, dwarves and giants bring the ancient myths to vigorous life. Diana Rigg, Derek Jacobi, Colin Morgan, Natalie Dormer and Neil Gaiman himself are among the stellar cast in these spellbinding stories of old betrayals - and new hope.

As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.

Distant Voices Near chronicles the development of the popular and contentious Indian radio media subsector in the Republic of Trinidad and Tobago from global historical perspectives and explores its implications for culture and national sentiment in the modern context. The work acknowledges the complex discourses surrounding ethnic and cultural identities in this diverse Caribbean nation where numerous groups coexist, among them the descendants of Indian indentured labourers. Shaheed Nick Mohammed employs a media-history approach that recounts the emerging roles of modern communications technology and systems from the development of wireless telegraphy and early radio to the use of streaming and social media and the interplay of social and cultural forces along the way. Within this framework, he also maps the evolution of the Indian radio content genre into its own media subsector and into a business and marketing concern across national media while at the same time boasting global reach. In Distant Voices Near, we learn of international and regional influences as listeners in Trinidad would tune into broadcasts from abroad before local stations were available. Among these influences were international broadcasts from All-India Radio and broadcasts from British Guiana, where descendants of Indian indentured labourers first introduced pay-for-play song request programmes on their local stations. Using documentary research, interviews with programmers and listeners and content analysis, Mohammed examines the precedents of Indian radio in Trinidad, its advent and development, and its emergence into a global presence through live streaming and social media.