Few things are as evocative of the English summer as Test Match Special, and in 2019 the team had the biggest cricket season ever to cover, with the men's and women's Ashes series and the ICC World Cup all taking place. The action didn't disappoint, as TMS listeners tuned in to follow some of the most exciting action you could wish for. Now, in this brilliant and compelling account of the summer, we get to see behind the scenes to find out what really goes on in the commentary box. As well as covering all the key events on the field to ensure the reader can relive a brilliant summer, the Test Match Special Diary takes the reader to the heart of the action to join Aggers and the rest of the crew. Relive the stunning drama of England's nailbiting World Cup victory in a Super Over, or Ben Stokes's match-winning innings to save the Ashes at Headingley, and find out how the commentary team coped as the tension mounted during some of the greatest games in cricketing history. As well as the cricket, we get to hear from the guests who inspired them and about the cakes that were irresistible; the bloopers that had them in stitches to the incredible moments that will never be forgotten - it's all here in this fascinating book. Filled with contributions from all the regulars in the TMS commentary box, including Jonathan Agnew, Geoffrey Boycott, Isa Guha, Alison Mitchell, Phil Tufnell and Michael Vaughan, along with some of the most obscure cricketing trivia from scorers Andrew Samson and Andy Zaltzman, this is a book that no fan of Test Match Special can be without.

"soundBAIT" is a formula for radio-marketing success that has been developed for 1) radio station account executives who want to attract new advertisers, 2) radio advertisers who want their hard earned marketing dollars to produce dramatically better results and 3) radio listeners who demand that you at least entertain them while you interrupt the flow of music or talk on their favorite station. "soundBAIT" examines what radio stations should be looking for in an advertiser, what an advertiser should be looking for in a radio station and most importantly, what listeners expect advertisers to use as "bait" in their messages before they will "bite" at the products and services advertisers offer them.

'Melvyn not only makes you think ... he makes it enjoyable too. He's brilliant.' - John Humphrys, the Today Programme. 'In a troubled world where many sneer at experts, In Our Time is always a treat. Those who know what they're talking about, talk about it, and they do it under the benevolent if occasionally testy guidance of one who knows how to bring out the best in them. Listen, read, mark, and inwardly digest; agreeable glass of accompanying refreshment optional.' - Sir Diarmaid MacCulloch 'This beautifully produced and expertly edited book is a wonderfully rich and varied sample of 50 In Our Time programmes, from ancient Greek philosophy to dark matter via the gin craze. It will whet your appetite to visit or revisit the many hundreds of other programmes in this remarkable series.' - Professor Angela Hobbs 'Bragg gives short shrift to pretension of any kind, while remaining stalwart in his search for knowledge. His methodology in In Our Time is... not unlike that of a man throwing a stick at a dog: he chucks his questions ahead, and if the chosen academic fails to bring it right back, he chides them. He retains enough of his bluff Cumbrian origins not to be taken in by gambolling and tweedy high spirits.' - Will Self, from a February 2010 issue of London Review of Books In Our Time has been the cornerstone of broadcasting every Thursday morning on BBC Radio 4 for the past twenty years, with over 800 episodes since its launch in October 1998. Presented by one of Britain's greatest champions of the arts, Melvyn Bragg, the show explores ideas across history, religion, philosophy, science and culture. With a vast array of contributors from the world of academia, such as Mary Beard, Angie Hobbs and Diarmaid MacCulloch, it is one of Radio 4's most successful programmes, attracting a weekly live audience exceeding 2 million listeners, and, per episode, it is one of the world's most downloaded podcasts. To honour this major anniversary of BBC broadcasting, this beautifully illustrated book provides a lively and colourful guide to fifty of the most captivating discussions from the past two decades of In Our Time, as chosen by Melvyn and the producer Simon Tillotson, and, influenced by listeners who have recommended their favourite programmes from those years. Highlights include 'Romulus and Remus', 'The Death of Elizabeth I', 'Ada Lovelace', 'The Gin Craze', the 'Epic of Gilgamesh' and 'The Salem Witch Trials', and there are additional behind-the-scenes insights, peppered with Melvyn Bragg's remarks both on and off air. This is a captivating gift for all fans and a celebration of this iconic series.

How did Philip Gault become ""The Whisperer""? What radio series was the proving ground for a motion picture? Who owned the Solomon Levy Department Store? The answers to these and many other questions can be found in this encyclopedic reference work to 1802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Hundreds of program openings and closings are included.

An instant New York Times bestseller! Charlamagne Tha God-the self-proclaimed "Prince of Pissing People Off," cohost of Power 105.1's The Breakfast Club, and "the most important voice in hip-hop"-shares his eight principles for unlocking your God-given privilege. In Black Privilege, Charlamagne presents his often controversial and always brutally honest insights on how living an authentic life is the quickest path to success. This journey to truth begins in the small town of Moncks Corner, South Carolina, and leads to New York and headline-grabbing interviews and insights from celebrities like Kanye West, Kevin Hart, Malcolm Gladwell, Lena Dunham, Jay Z, and Hillary Clinton. Black Privilege lays out all the great wisdom Charlamagne's been given from many mentors, and tells the uncensored story of how he turned around his troubled early life by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. These life-learned principles include: -There are no losses in life, only lessons -Give people the credit they deserve for being stupid-starting with yourself -It's not the size of the pond but the hustle in the fish -When you live your truth, no one can use it against you -We all have privilege, we just need to access it By combining his own story with bold advice and his signature commitment to honesty no matter the cost, Charlamagne hopes Black Privilege will empower you to live your own truth.

Sunday Times Celebrity Book of the Year 2010 In It's Not What You Think Chris Evans had seemingly found the recipe for success. He was rich, famous, and now the owner of his own radio station and media company. What could possibly go wrong? As it turned out, the answer was everything...well almost. When we left our loveable ginger hero at the end of It's Not What You Think, it looked like Chris had made it. But things were about to take a very dark turn. Soon Chris's childhood dreams of a job in radio lay in tatters, and as an endless drink-fuelled lifestyle began to take its toll, he plunged into a downward spiral so deep that escape seemed almost impossible. And then his salvation appeared, in the form of a young singer called Billie Piper. Told with the same wit, verve and startling honesty that surprised and delighted readers of It's Not What You Think, this is the final part - for now - of Chris Evans's journey of self discovery.

When Waseem Mahmood's brother broke a confidence and filed a story in the world's highest circulating tabloid, the News of the World, Mahmood feared he'd never work in broadcast media again. History intervened with the events of 9/11, the attack on Afghanistan, and the Taliban's fall. Headed by Mahmood, a group of journalists responded by producing a Kabul-based radio program to disseminate much-needed and, for the first time, uncensored information. What they end up providing is hope for a devastated land and a voice for a people long smothered by oppression. Told with searing honesty, this is a story of struggle, cruelty, and courage populated by ordinary people who risk their lives for freedom.

Easy For You To Say is "Stuttering" John Melendez's memoir of his childhood being bullied in school for his stutter; his years as an on-air personality with The Howard Stern Show; and his subsequent ten-year career as a writer and on-air announcer for Jay Leno's Tonight Show. It details his famously acerbic relationships with celebrities he interviewed/insulted (Raquel Welch once punched him in the face). In the book, Howard Stern emerges as a surprisingly mean, stingy, and megalomaniacal boss-and Jay Leno as a seeming sufferer from OCD.

The only book on the market to specifically address its audience, Recording Voiceover is the comprehensive guide for engineers looking to understand the aspects of capturing the spoken word. Discussing all phases of the recording session, Recording Voiceover addresses everything from microphone recommendations for voice recording to pre-production considerations, including setting up the studio, working with and directing the voice talent, and strategies for reducing or eliminating distracting noise elements found in human speech. Recording Voiceover features in-depth, specific recommendations for recording radio and television commercials, corporate communications, documentaries, tracks for gaming and animation, radio drama, interviews and roundtable discussions. A discussion of the voice in film and television is also included. Special attention is paid to the final release format and its impact on recording strategies. Exploration of using telephone interfaces - including both analogue and digital ISDN, as well as recording across the internet - is included.

The only book on the market to specifically address its audience, Recording Voiceover is the comprehensive guide for engineers looking to understand the aspects of capturing the spoken word. Discussing all phases of the recording session, Recording Voiceover addresses everything from microphone recommendations for voice recording to pre-production considerations, including setting up the studio, working with and directing the voice talent, and strategies for reducing or eliminating distracting noise elements found in human speech. Recording Voiceover features in-depth, specific recommendations for recording radio and television commercials, corporate communications, documentaries, tracks for gaming and animation, radio drama, interviews and roundtable discussions. A discussion of the voice in film and television is also included. Special attention is paid to the final release format and its impact on recording strategies. Exploration of using telephone interfaces - including both analogue and digital ISDN, as well as recording across the internet - is included.

Bryan Gallagher's reminiscences of the Ireland of his youth, first heard on Radio 4's 'Home Truths', transport you to a world of boyhood pranks, playground politics and the confusion of growing up in a land that is every bit as magical and captivating as the stories he has to tell. Barefoot in Mullyneeny is Bryan Gallagher's evocative tale of a childhood remembered through the people and landscape of Fermanagh, near the beautiful shores of Lough Erne in Ireland. Bryan chronicles a time when all the big boys went to school in bare feet and secretly watched the Saturday night bands and dances in halls lit by Tilley lamps; where it was known to be nothing less than the biblical truth that if you put a horse-hair across the palm of your hand when you were about to be punished at school, the cane would split in two. Gallagher's writing will touch the hearts of those who long for the innocence of childhood and the simplicity of an era long past. Whether relating tales of murderous bicycle chases through the darkened streets of Cavan, of ghosts and fairy forts or the anguish of emigration, this remarkable memoir vividly recreates life in rural Ireland in the 1940s and 50s. For those who thought that life in Ireland was one of poverty and misery, Barefoot in Mullyneeny offers a view of the Ireland of yesteryear that combines the touching, homely nostalgia of Nigel Slater's Toast and Laurie Lee's Cider with Rosie with a humorous optimism that is unmistakably Ireland at its best.

When Breeze FM Radio, in the provincial Zambian town of Chipata, hired an elderly retired school teacher in 2003, no one anticipated the skyrocketing success that would follow. A self-styled grandfather on air, Gogo Breeze seeks intimacy over the airwaves and dispenses advice on a wide variety of grievances and transgressions. Multiple voices are broadcast and juxtaposed through call-ins and dialogue, but free speech finds its ally in the radio elder who, by allowing people to be heard and supporting their claims, reminds authorities of their obligations toward the disaffected. Harri Englund provides a masterfully detailed study of this popular radio personality that addresses broad questions of free speech in Zambia and beyond. By drawing on ethnographic insights into political communication, Englund presents multivocal morality as an alternative to dominant Euro-American perspectives, displacing the simplistic notion of voice as individual personal property an idea common in both policy and activist rhetoric. Instead, Englund focuses on the creativity and polyphony of Zambian radio while raising important questions about hierarchy, elderhood, and ethics in the public sphere. A lively, engaging portrait of an extraordinary personality, Gogo Breeze will interest Africanists, scholars of radio and mass media, and anyone interested in the history and future of free speech.

The behind-the-scenes story of how admen and sponsors helped shape broadcasting into a popular commercial entertainment medium.
During the "golden age" of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced "Kraft Music Hall" for Kraft; Benton & Bowles oversaw "Show Boat" for Maxwell House Coffee; and Young & Rubicam managed "Town Hall Tonight" with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.
Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society.
Mediating between audiences' desire for entertainment and advertisers' desire for sales, admen combined "showmanship" with "salesmanship" to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

The behind-the-scenes story of how admen and sponsors helped shape broadcasting into a popular commercial entertainment medium.
During the "golden age" of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced "Kraft Music Hall" for Kraft; Benton & Bowles oversaw "Show Boat" for Maxwell House Coffee; and Young & Rubicam managed "Town Hall Tonight" with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.
Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society.
Mediating between audiences' desire for entertainment and advertisers' desire for sales, admen combined "showmanship" with "salesmanship" to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

Beginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington's Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies unearths the remarkable history of one of the United States' first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station's success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women's activism, and media histories.

THE OFFICIAL DEFINITIVE HISTORY OF BBC SPORTS REPORT 'Opens the doors to one of the great radio institutions.' - Dan Walker 'An absolute joy to read.' - John Inverdale 'That opening tune always quickens the pulse.' - Henry Winter Sports Report is as much a 75-year history of sport as a BBC radio institution and Pat Murphy pays handsome tribute to a programme that is still followed affectionately by millions. For nearly 75 years, one BBC programme has been a constant factor in chronicling the way sport is covered, in all its many facets. It has been a window on the sporting world all over the globe - packed tightly into every Saturday evening for the bulk of the year. First broadcast in 1948, Sports Report is the longest-running radio sporting programme in the world and one of the BBC's hardy perennials. Pat Murphy has been a reporter on the programme since 1981 and here he sifts comprehensively through the experiences of his contemporaries and those who made their mark on Sports Report in earlier decades. He hears from commentators, reporters, producers, presenters and the production teams who regularly achieved the broadcasting miracle of getting a live programme on air, without a script, adapting as the hour of news, reaction and comment unfolded. Drawing on unique access from the BBC Archives Unit, he highlights memorable moments from Sports Report, details the challenges faced in getting live interviews on air from draughty, noisy dressing-room areas and celebrates the feat of just a small production team in the studio who, somehow, get the show up and running every Saturday, with the clock ticking implacably on. --- Waterstones Best Books of 2022 - Sport

'The bombshell book everyone is talking about' DAILY MAIL 'A radio genius ... the maestro of the show' EVENING STANDARD As presenter of Radio 4's Today, the nation's most popular news programme, John Humphrys was famed for his tough interviewing. He has been at the heart of journalism for decades. Now, he offers his life story from the poverty of his post-war childhood in Cardiff, leaving school at fifteen, to the summits of broadcasting. Along the way, he recalls the experiences that have marked him most: being the first reporter at the terrible disaster in Aberfan, reporting from South Africa in the dying days of apartheid, from Ireland during the Troubles, and from the White House on Richard Nixon's historic resignation. With his trademark tenacity and no punches pulled, John also weighs in on the controversies of his career, the role and limitations of the BBC, and the broader health of political debate today. He hopes you'll tune in.

A fascinating tour of baseball's greatest moments and iconic stadiums, told through the reminiscences of 50 play-by-play broadcasters. With careers spanning two to three times that of an average player, baseball's best broadcasters have no shortage of history to offer. They have witnessed opening days, no hitters, slugfests, and perfect games, all from arguably the best seats in the house. Broadcasters know their clubs, their stadiums, and their teams in a way that no one else can. In The Voices of Baseball: The Game's Greatest Broadcasters Reflect on America's Pastime, Updated Edition, Kirk McKnight provides an in-depth look at each of Major League Baseball's thirty ballparks from the perspectives of the game's longest-tenured storytellers. Fifty broadcasters reflect on their most iconic calls, fondest memories, what makes their ballparks unique, and more. This updated edition includes 14 additional broadcasters, two new stadiums, the latest World Series calls from the booth, and a special tribute to the recently-departed Vin Scully. With decades of broadcasting between them, their stories encapsulate some of Major League Baseball's biggest moments. Generations of baseball fans will all enjoy the historic and triumphant memories shared by some of the game's greatest broadcasters in The Voices of Baseball.

Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde. -- .

For generations, fans and critics have characterized classic American radio drama as a "theater of the mind". This book examines that characterization by recasting the radio play as an aesthetic object within its unique historical context. In "Theater of the Mind", Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theatre on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.

Radio history is currently much talked about. Radio was the medium which 'defined and defied' American culture in the early 20th century, setting patterns for all media that followed. Topics include 1940s radio suspense drama, quiz shows, American propogandists for Axis Powers, The Green Hornet and race, black liberation radio, NPR, and Christian right and radio.

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and '60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC's public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, "What's Fair on the Air? "charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC's Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

It's more than just a radio station - Radio 4 is a celebration of curiosity, knowledge and entertainment, and it's a beloved soundtrack to life for millions of Britons. But for the moments when you're not tuning in, how about a puzzle or two to pass the time? From quizzes and riddles to crosswords and sudoku, whether you're an expert on all things Radio 4 or merely a casual listener, there's plenty in these pages to tickle your fancy and tease your brain.