Behind the glamour and the crowds. Beyond the movies and the records. Apart from all who knew him, wanted to know him, or just wanted to be near him. Billy Stanley knew Elvis Presley as a brother-and as a man of deep faith. From the day Billy Stanley arrived at Graceland and received a bear hug from the King of Rock and Roll to the last conversation they ever had, one thing stayed the same: Elvis's passion for sharing God's love with as many people he could. In The Faith of Elvis,Billy illuminates Elvis's Christian journey-from the notes Elvis made in his beloved Bible to his struggles with sin as his fame increased to his remarkable generosity toward fans and movie stars alike. Through this first-hand account, you will find touching family stories of the Elvis that pop culture doesn't know; a keen look into how Elvis intricately wove his faith into every part of his life; insights into the ups-and-downs the four brothers experienced while at home and on the road together; and examples of Elvis's profound influence on others-from those closest to him to his cherished fans and, ultimately, the world at large. Here you will find your own faith strengthened and your heart turned more toward heaven-or as Elvis would say, toward the only true King. Includes a photo insert and discussion and reflection questions for group or individual use.

Radio Pro is actually several books in one, covering every aspect of personality radio-from the history of pioneer broadcasters to how to become a successful personality. Forty-one-year radio pro Joe Martelle also brings together a richly-varied selection of candid comments on the subject from over 150 of America's best broadcasters, seasoned pros, who tell it like it is and what it takes to be a successful air and on-line personality. Containing 736 pages with hundreds of photos, Radio Pro is enlightening, informative and thought provoking for both the radio student and those interested in personality radio

Television has changed drastically in the Soviet Union over the last three decades. In 1960, only five percent of the population had access to TV, but now the viewing population has reached near total saturation. Today's main source of information in the USSR, television has become Mikhail Gorbachev's most powerful instrument for paving the way for major reform.
Containing a wealth of interviews with major Soviet and American media figures and fascinating descriptions of Soviet TV shows, Ellen Mickiewicz's wide-ranging, vividly written volume compares over one hundred hours of Soviet and American television, covering programs broadcast during both the Chernenko and Gorbachev governments. Mickiewicz describes the enormous significance and popularity of news programs and discusses how Soviet journalists work in the United States. Offering a fascinating depiction of the world seen on Soviet TV, she also explores the changes in programming that have occurred as a result of glasnost.

Offering the first book-length exploration of network television's relations with advocacy groups, Kathryn C. Montgomery presents a comprehensive picture of the impact of organized pressure on prime-time TV. She vividly describes, for example, how the Catholic Church campaigned against Maude's abortion on the TV show, Maude; how outraged actors mobilized a national protest against the portrayal of blacks in the TV miniseries, Beulah Land; and how the Moral Majority waged a sophisticated campaign to "clean up TV," by threatening to boycott advertisers. Exposing the inner workings of network television as no other book has done, Montgomery's study demonstrates how behind-the-scenes struggles have shaped the images, messages, and values that enter people's homes every night. The book also raises critical questions about television's role in our society and its responsibility to the American public.

A Journey inside the World of Sports Talk Radio

Their voices explode over the airwaves -- with names like Mike and the Mad Dog, the Stinkin' Genius, Hacksaw, and JT the Brick. They broadcast in drive time and downtime, from rush hour to the dead of night. And yet, millions of fans tune in around the clock to hear their favorite larger-than-life radio personalities rant, rave, critique, predict, and mix it up with callers -- the dedicated fans of sports talk radio.

Never before has this cloistered world opened its doors to a no-holds-barred, behind-the-scenes, full-access look at itself. Noted journalist (and fan) Alan Eisenstock embarks on a journey through the American sports radio landscape and gives readers a front-row seat -- from breakfast at the kitchen table of Eddie Andelman, Boston's godfather of sports radio, to the WFAN commissary with Mike and the Mad Dog in New York; from the plush home game room of Chicago's hot dog-vendorA-turned-#1 DJ Mike North to the empty 3 AM studio parking garage with nationally syndicated JT the Brick. Eisenstock goes into the studios, homes, and lives of these and many other of America's hottest and most-listened-to sports talk hosts.

Filled with hilarious and entertaining tales of what makes these hosts tick -- as well as the unbelievable stories of how they got where they are today -- "Sports Talk" paints a picture the fans never see. Eisenstock shows us the blood, sweat, and tears of program directors with their reputations on the line; hosts searching for career security; and station managers who are always eyeing the bottom line. And, of course, there are stories of the rabid, obsessed, and off-the-wall fans. Whether you're a sports fan or a sports talk junkie, you'll be hooked from the first page.

Long before the Arab Spring and its use of social media demonstrated the potent intersection between technology and revolution, the Mexican Revolution employed wireless technology in the form of radiotelegraphy and radio broadcasting to alter the course of the revolution and influence how political leaders reconstituted the government. Radio in Revolution, an innovative study of early radio technologies and the Mexican Revolution, examines the foundational relationship between electronic wireless technologies, single-party rule, and authoritarian practices in Mexican media. J. Justin Castro bridges the Porfiriato and the Mexican Revolution, discussing the technological continuities and change that set the stage for Lazaro Cardenas's famous radio decree calling for the expropriation of foreign oil companies. Not only did the nascent development of radio technology represent a major component in government plans for nation and state building, its interplay with state power in Mexico also transformed it into a crucial component of public communication services, national cohesion, military operations, and intelligence gathering. Castro argues that the revolution had far-reaching ramifications for the development of radio and politics in Mexico and reveals how continued security concerns prompted the revolutionary victors to view radio as a threat even while they embraced it as an essential component of maintaining control.

One of the first books to examine the status of broadcasting on its one hundredth anniversary, Radio's Second Century investigates both vanguard and perennial topics relevant to radio's past, present, and future. As the radio industry enters its second century of existence, it continues to be a dominant mass medium with almost total listenership saturation despite rapid technological advancements that provide alternatives for consumers. Lasting influences such as on-air personalities, audience behavior, fan relationships, and localism are analyzed as well as contemporary issues including social and digital media. Other essays examine the regulatory concerns that continue to exist for public radio, commercial radio, and community radio, and discuss the hindrances and challenges posed by government regulation with an emphasis on both American and international perspectives. Radio's impact on cultural hegemony through creative programming content in the areas of religion, ethnic inclusivity, and gender parity is also explored. Taken together, this volume compromises a meaningful insight into the broadcast industry's continuing power to inform and entertain listeners around the world via its oldest mass medium--radio.

This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. -- .

Kisses Sweeter Than Wine is an honest and absorbing memoir from a man who has emerged as one of Wales's major cultural figures. Boyd Clack is a man of many talents: a writer, actor, singer, musician, enthusiast, and with this first book picks apart a challenging upbringing in Tonyrefail, his wanderings to Australia, Amsterdam and London, and his experimentation as a young man with drink and drugs and love. This is Boyd's story, told with candour and perception and skill that will absorb anyone interested in what it was to be young and Welsh - and are now older and maybe a little wiser. 'Boyd is a brilliant actor and writer, truly unique, a genius by any definition of the word.' - Rhys Ifans 'I love Boyd's unique take on life.' - Rob Brydon "Awesome and hilarious... I cannot recommend this moving, truthful, funny and endearing roller coaster of a ride enough." - Eve Myles

The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history. Exploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.

'What's for tea, Clarrielove?' From the fabled kitchens of Ambridge come the recipes and gossip that fuel the nation's favourite village. Whether it's Susan's spicy chilli con carne on the hob or Helen's dramatic tuna bake in the oven, Jill's flapjacks stacked high or Alastair's Goan fish curry hotting up suppertime, this celebration of Ambridge life will take fans even closer to the heart of every Archers home. But this book isn't just a cook-along with our favourite families. It's full to the brim with tales and memories. The Archers Year of Food and Farming shares the ups and downs of the inhabitants of Ambridge and celebrates our countryside in all of its green and pleasant glory. Month-by-month, we learn more about the farming community and those big events in the Ambridge calendar: Shrove Tuesday and Easter, lambing, Open Farm Sunday, the village fete, Apple Day, the harvest, Stir-up Sunday and Deck the Hall. Rural traditions are alive and well in The Archers, but it's a contemporary world that is full of warmth, wit and the unexpected.

Listening to British Nature: Wartime, Radio, and Modern Life, 1914-1945 reveals for the first time how the sounds and rhythms of the natural world were listened to, interpreted and used amid the pressures of early twentieth century life. The book argues that despite and sometimes because of the chaos of wartime and the struggle to recover, nature's voices were drawn close to provide security and engender optimism. Nature's sonic presences were not obliterated by machine age noise, the advent of radio broadcasting or the rush of the urban everyday, rather they came to complement and provide alternatives to modern modes of living. This book examines how trench warfare demanded the creation of new listening cultures to understand danger and to imagine survival. It tells of the therapeutic communities who made use of nature's quietude and the rhythms of rural work to restore shell-shocked soldiers, and of ramblers who sought to immerse themselves in the sensualities of the outdoors. It reveals how home-front listening during the Blitz was punctuated by birdsong, broadcast by the BBC. To listen to nature during this period was to cultivate an intimate connection with its energies and to sense an enduring order and beauty that could be taken into the future. Listening to nature was a way of being modern.

In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio's central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.

This is an irreverent and punishingly funny memoir about love, addiction, and failure from the host of the wildly popular WTF podcast. It is a story about the wild interior life of a grown-up facing the black chasm of failure and finding a way, however crazily, through it all, told with Maron's trademark wit, honesty, absurdism, and occasional flights of genius.

A group biography of four beloved women who fought sexism, covered decades of American news, and whose voices defined NPR In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism where a woman might be lucky to get a foothold on the "women's pages." But when a pioneering nonprofit called National Public Radio came along in the 1970s, and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges. Susan, Linda, Nina, and Cokie is journalist Lisa Napoli's captivating account of these four women, their deep and enduring friendships, and the trail they blazed to becoming icons. They had radically different stories. Cokie Roberts was born into a political dynasty, roamed the halls of Congress as a child, and felt a tug toward public service. Susan Stamberg, who had lived in India with her husband who worked for the State Department, was the first woman to anchor a nightly news program and pressed for accommodations to balance work and home life. Linda Wertheimer, the daughter of shopkeepers in New Mexico, fought her way to a scholarship and a spot on-air. And Nina Totenberg, the network's legal affairs correspondent, invented a new way to cover the Supreme Court. Based on extensive interviews and calling on the author's deep connections in news and public radio, Susan, Linda, Nina, and Cokie is as beguiling and sharp as its formidable subjects.

The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement.

The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial. The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio-the conjoining of revivalism and experimentation-create a distinctive radiogenic aesthetics in mid-century modernism.

In "Fireside Politics," Douglas B. Craig provides the first detailed and complete examination of radio's changing role in American political culture between 1920 and 1940--the medium's golden age, when it commanded huge national audiences without competition from television. Craig follows the evolution of radio into a commercialized, networked, and regulated industry, and ultimately into an essential tool for winning political campaigns and shaping American identity in the interwar period. Finally, he draws thoughtful comparisons of the American experience of radio broadcasting and political culture with those of Australia, Britain, and Canada.

Desmond Barrit stars as Horace Rumpole in this full-cast, feature-length radio drama Rumpole has no special objection to Christmas - except that with the Old Bailey closed, he has no opportunity to exercise his skills in court. But over the course of one unusual holiday, he nonetheless manages to triumph in two very different cases... Dragooned into spending Christmas in Norfolk, at the home of one of Hilda's old schoolfriends, Rumpole is feeling less than festive. Chilly Coldsands Rectory does not offer much in the way of enjoyment - but a trip to the local church and a surprise encounter with an old acquaintance leads to a God-given opportunity to indulge in a little seasonal, charitable blackmail. A New Year outing to see Aladdin also provides more excitement than expected. The traditional British pantomime is one of Rumpole's favourite institutions, but he has a vague feeling that there's something odd about this particular production. A post-panto drink, some overheard remarks and a glance at the programme confirm his suspicions - and put him on the path to solving an audacious crime... Starring Desmond Barrit as Rumpole and Joanna David as Hilda, with Tim McInnerny as Donald Compton and Nigel Anthony as Fred Timson. Written by John Mortimer Directed by Marilyn Imrie Produced by Catherine Bailey Pantomime music written and played by Neil Brand A Catherine Bailey production for BBC Radio 4

Hugh Aitken describes a critical period in the history of radio, when continuous wave technology first made reliable long-distance wireless communication possible and opened up opportunities for broadcasting voice and music. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.

Treason on the Airwaves traces the journeys of three World War II radio broadcasters whose wartime choices became treason in Britain, Australia, and the United States. John Amery was a virulent anti-Semite and member of a highly respected British family who joined Hitler's propagandists in Berlin and was executed for treason after the war. Charles Cousens, a popular radio personality at home in Australia, was a soldier in Japanese captivity who was put to work on Radio Tokyo and later tried as a traitor. Iva Toguri, better known as "Tokyo Rose," was an American student visiting relatives in Japan when war broke out. She broadcast her English-language show on Radio Tokyo out of necessity rather than conviction. The United States jailed Toguri for treason. These three powerful stories provide an overview of the way in which the three nations dealt with suspected collaborators after the war. Judidth Keene also examines the significance of radio propaganda during World War II and the techniques the Germans and the Japanese used to engage listeners. All three accounts provoke questions about the nature of justice-and the justice of retribution.

Why have radio and television never been granted the same First Amendment freedoms that we have always accorded the printed word? In this fascinating work, Lucas A. Powe, Jr., examines the strange paradox governing our treatment of the two types of media. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.