The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and '60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC's public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, "What's Fair on the Air? "charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC's Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

Behind the glamour and the crowds. Beyond the movies and the records. Apart from all who knew him, wanted to know him, or just wanted to be near him. Billy Stanley knew Elvis Presley as a brother-and as a man of deep faith. From the day Billy Stanley arrived at Graceland and received a bear hug from the King of Rock and Roll to the last conversation they ever had, one thing stayed the same: Elvis's passion for sharing God's love with as many people he could. In The Faith of Elvis,Billy illuminates Elvis's Christian journey-from the notes Elvis made in his beloved Bible to his struggles with sin as his fame increased to his remarkable generosity toward fans and movie stars alike. Through this first-hand account, you will find touching family stories of the Elvis that pop culture doesn't know; a keen look into how Elvis intricately wove his faith into every part of his life; insights into the ups-and-downs the four brothers experienced while at home and on the road together; and examples of Elvis's profound influence on others-from those closest to him to his cherished fans and, ultimately, the world at large. Here you will find your own faith strengthened and your heart turned more toward heaven-or as Elvis would say, toward the only true King. Includes a photo insert and discussion and reflection questions for group or individual use.

It's more than just a radio station - Radio 4 is a celebration of curiosity, knowledge and entertainment, and it's a beloved soundtrack to life for millions of Britons. But for the moments when you're not tuning in, how about a puzzle or two to pass the time? From quizzes and riddles to crosswords and sudoku, whether you're an expert on all things Radio 4 or merely a casual listener, there's plenty in these pages to tickle your fancy and tease your brain.

This book is the first full-length history of the BBC World Service: from its interwar launch as short-wave radio broadcasts for the British Empire, to its twenty-first-century incarnation as the multi-media global platform of the British Broadcasting Corporation. The book provides insights into the BBC's working relationship with the Foreign Office, the early years of the Empire Service, and the role of the BBC during the Second World War. In following the voice of the BBC through the Cold War and the contraction of the British empire, the book argues that debates about the work and purposes of the World Service have always involved deliberations about the future of the UK and its place in the world. In current times, these debates have been shaped by the British government's commitment to leave the European Union and the centrifugal currents in British politics which in the longer term threaten the integrity of the United Kingdom. Through a detailed exploration of its past, the book poses questions about the World Service's possible future and argues that, for the BBC, the question is not only what it means to be a global broadcaster as we enter the third decade of the twenty-first century, but what it means to be a national broadcaster in a divided kingdom.

The Radio Act of August 13, 1912, provided for the licensing of radio operators and transmitting stations for nearly 15 years until Congress passed the Radio Act of 1927. From 1921 to 1927, there were continual revisions and developments and these still serve as the basis for current broadcast regulation. This book chronicles that crucial six-year period using primary documents. The administrative structure of the Department of Commerce and the personnel involved in the regulation of broadcasting are detailed. The book is arranged chronologically in three sections: Broadcast Regulation and Policy from 1921 to 1925; Congestion and the Beginning of Regulatory Breakdown in 1924 and 1925; and Regulatory Breakdown and the Passage of the Act of 1927. There is also discussion of the Department of Commerce divisions and their involvement until they were absorbed by the Federal Communication Commission. A bibliography and an index conclude the work.

In the early twentieth century, the magic of radio was new, revolutionary, and poorly understood. A powerful symbol of modernity, radio was a site where individuals wrestled and came to terms with an often frightening wave of new mass technologies. Radio was the object of scientific investigation, but more importantly, it was the domain of tinkerers, "hackers," citizen scientists, and hobbyists. This book shows how this wild and mysterious technology was appropriated by ordinary individuals in Germany in the first half of the twentieth century as a leisure activity. Clubs and hobby organizations became the locus of this process, providing many of the social structures within which individuals could come to grips with radio, apart from any media institution or government framework. In so doing, this book uncovers the vital but often overlooked social context in which technological revolutions unfold.

This book explores how community radio contributes to social change. Community radio remains a unique communication platform under digital capitalism, arguably capable of expanding the project of media democratisation. Yet there is a lack of in-depth analysis of community radio experience, and a dearth of understanding of its functionality as an actively transformative tool for greater equity in society. This project combines the theoretical positions of the political economy of communication with a citizen's media perspective in order to interrogate community radio's democratic potential. By presenting case studies of two radio stations in Melbourne and Lospalos, and applying multiple research methods, the book reveals community radio's amplification of media participation, communication rights, counter-hegemony and media power - in effect, its distinct regenerative voice.

Anna May Wong, born in Los Angeles in 1905 to a traditional family that did not support her ambition, is the only Asian-American actress to have achieved stardom during Hollywood's Golden Age. In her youth she went to hundreds of motion pictures and studied the actors. She remained single to avoid a conventional Chinese marriage that could endanger her career. With her beauty and grace, she gradually became the darling of the intelligentsia, inspiring poems, songs, and crowds of admirers in the British Isles, Europe, and China. During World War II, she toured the United States, New Zealand, and Australia for the benefit of the Chinese war relief. Leaving a legacy of some 60 film appearances, numerous stage and television shows, and several radio spots, Wong remains an outstanding role model for Asian-American performers. This book covers Anna May Wong's entire career through detailed filmographic entries, each containing critical commentary as well as standard cast and technical credits, synopses, and newspaper and magazine reviews. The separate sections detail Wong's stage work and radio and television appearances. Information on Wong's beginnings in Los Angeles and personal life is also provided.

For more than four decades Jim Maxwell has called the cricket for the ABC. Since 1973 he has covered over 250 Test matches, including six tours to the West Indies, seven to the subcontinent, over fifty Ashes Tests and five World Cups. His distinctive voice, dryly understated humour and immense knowledge of the game have been part of the fabric of Australian cricket for forty years. In his long-awaited autobiography he reflects on his life and career in a book that is fascinating, warm, nostalgic and uniquely informed about the game he loves and has dedicated his career to.

This collection examines the work of Norman Corwin - one of the most important, yet understudied, media authors of all time - as a critical lens to view the history of multimedia authorship and sound production. Known as the "poet laureate" of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio's success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to "soundwork," relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin's work-from his World War II-era poetry and his special projects for the United Nations to his path-breaking writing for film and television - and its influence on media today, these essays underscore the political and social impact of Corwin's oeuvre and cement his reputation as a key writer in the history of many sound media.

Shortwave broadcasting originated in the 1920s, when stations used the new technology to increase their range in order to serve foreign audiences and reach parts of their own country that could not easily be covered by regular AM stations. The early days of shortwave radio were covered in On the Short Waves, 1923-1945: Broadcast Listening in the Pioneer Days of Radio, published by McFarland in 1999. This book picks up the story after World War II, focusing on the stations themselves and the environment in which they operated. A companion volume, Listening on the Short Waves, 1945 to Today, focuses on the shortwave listening community.] The heart of the book is a detailed, year-by-year account of the shortwave bands in each year from 1945 to the present. It reviews what American listeners were hearing on the international and domestic shortwave bands, describes the arrivals and departures of stations, and recounts important shortwave events. The book also introduces readers to the several categories of broadcasters--international, domestic, religious, clandestine and pirate--and to private shortwave broadcasting in the United States. It explains the impact of relay stations, frequency management, and jamming, and describes promising shortwave technologies. It also addresses the considerable changes in, and challenges to, shortwave broadcasting since the end of the cold war. The book is richly illustrated and indexed, and features a bibliography and extensive notes to facilitate further reading or research.

This is an irreverent and punishingly funny memoir about love, addiction, and failure from the host of the wildly popular WTF podcast. It is a story about the wild interior life of a grown-up facing the black chasm of failure and finding a way, however crazily, through it all, told with Maron's trademark wit, honesty, absurdism, and occasional flights of genius.

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.

Hollenbeck began his career at the Lincoln, Nebraska "Journal" (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring "Omaha Bee-News." He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free "PM" newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow.

Hollenbeck's pioneering, prize-winning radio program, "CBS Views the Press" (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious "New York Times," the "Daily News" (then the paper with the largest circulation in America), and Hearst's flagship "Journal-American" and popular morning tabloid "Daily Mirror." For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, "CBS's Don Hollenbeck" is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

The saga of how the north of Scotland secured its own commercial radio station at this time in history is unique. Radio station licences were strictly controlled by the Home Office and the standards for output were set deliberately high. Here we have a group of community activists who didn't have experience or a penny to their name. They raised funds for photocopying their application by holding plant sales and in the process scared off the more serious local investors who didn't think they'd pull it off. But they did. The rest of the book looks at what they did with it, the story told largely in anecdotes from those who were there. With a bunch of largely untested on-air talent, and relying on a great deal of volunteer labour, they ended up with some of the best listening figures in the country. It's a remarkable tale backed up by dozens of photographs that will evoke the 80s and 90s. The book explains why truly local radio was so important to the communities of the north of Scotland at that time when the economy was fragile and unemployment savagely high in some places. Presenters share what it was like to become a household name and reminisce about the music and the lighter side of radio life and how it change the lives of so many. If you love radio this book is for you.

This book is a history of women, radio, and the gendered constructions of voice and sound in Buenos Aires, Argentina, and Montevideo, Uruguay. Through the stories of five women and one radio station, this study makes a substantial theoretical contribution to the study of gender, mass media, and political culture and expands our knowledge of these issues beyond the US and Western Europe. Included here is a study of the first all-women's radio station in the Western Hemisphere, an Argentine comedian known as 'Chaplin in Skirts', an author of titillating dramatic serials and, of course, Argentine First Lady 'Evita' Peron. Through the concept of the gendered soundscape, this study integrates sound studies and gender history in new ways, asking readers to consider both the female voice in history and the sonic dimensions of gender.

Music and the Broadcast Experience explores the complex ways in which music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries. It brings into dialogue researchers working in media and music studies; explores and develops crucial points of contact between studies of music in radio and music in television; and investigates the limits, persistence, and extensions of music broadcasting in the Internet era. The book presents a series of case studies that address key moments and concerns in music broadcasting, past and present, written by leading scholars in the field, who hail from both media and music studies. Unified by attentiveness both to musical sound and meaning and to broadcasting structures, practices, audiences, and discourses, the chapters in this collection address the following topics: the role of live orchestral concerts and opera in the early development of radio and their relation to ideologies of musical uplift; the relation between production culture, music, and television genre; the function of music in sponsored radio during the 1930s; the fortunes of musical celebrity and artistic ambition on television; questions of music format and political economy in the development of online radio; and the negotiation of space, community, and participation among audiences, online and offline, in the early twenty-first century. The collection's ultimate aim is to explore the usefulness and limitations of broadcasting as a concept for understanding music and its cultural role, both historically and today.

Music in Range explores the history of Canadian campus radio, highlighting the factors that have shaped its close relationship with local music and culture. The book traces how campus radio practitioners have expanded stations from campus borders to sur-rounding musical and cultural communities by acquiring FM licenses and establishing community-based mandates. The culture of a campus station extends beyond its studio and into the wider community where it is connected to the local music scene within its broadcast range. The book examines campus stations and local music in Vancouver, Winnipeg, and Sackville, NB, and highlights the ways that campus stations - through music-based programming, their operational practices, and the culture under which they operate - produce alternative methods and values for circulating local and independent Canadian artists at a time when ubiquitous commercial media outlets do exactly the opposite. Music in Range sheds light on a radio sector that is an integral component of Canada's musical and cultural fabric and positions campus radio as a worthy site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.

All three BBC radio dramatisations of the bestselling fantasy trilogy - plus bonus material A breathtaking epic spanning multiple worlds, His Dark Materials follows the adventures of Lyra Belacqua and Will Parry, two children catapulted into a life-or-death struggle to save the future of the Cosmos. In Northern Lights, 11-year-old Lyra discovers dark forces at work involving kidnapped children and a mysterious substance called 'Dust'. With her shape-shifting daemon, Pantalaimon, she leaves her Oxford college home and embarks on a dangerous journey to the frozen North, aided by armoured bears, Gyptians and a witch-queen... The Subtle Knife sees 12-year-old Will finding an opening into the haunted world of Cittagazze, where daemon-destroying Spectres roam. There he meets Lyra, and together they acquire the most powerful weapon in all the universes - an object many would kill to possess. In The Amber Spyglass, a colossal war is brewing in Heaven, and Lyra and Will have been separated. They must find each other and journey onward - even into the World of the Dead... These thrilling dramatisations feature an all-star cast, including Lulu Popplewell, Terence Stamp, Bill Paterson, Kenneth Cranham and Adrian Scarborough. Also included is a bonus documentary, World Book Club, in which Philip Pullman answers readers' questions about Northern Lights.

In 2018, after receiving a life-changing diagnosis, broadcaster Gareth O'Callaghan retired from full-time work and gave up the career that he had loved for decades. In this deeply personal and inspiring memoir he tells that story, from the moments after his doctor uttered the words Multiple System Atrophy - a progressive and incurable neurological disease that ultimately carries a fatal prognosis - to his struggle to come to terms with a life unplanned. Recounted with insight and searing honesty, What Matters Now reveals how, regardless of circumstance, we can choose how we live, to the fullest. A stunning and life-affirming account of the power of the human spirit, and the potential for hope even in the darkest times. "For me, this is not a choice. It's all I want, namely a full and loving life that I strive to choose every day over everything else - considering that maybe the big odds are heavily stacked against that. But I don't care what the odds might be; I'll keep defying them for as long as I can keep fighting and living."

The crack of the bat on the radio is ingrained in the American mind as baseball takes center stage each summer. Radio has brought the sounds of baseball into homes for almost one hundred years, helping baseball emerge from the 1919 Black Sox scandal into the glorious World Series of the 1920s. The medium gave fans around the country aural access to the first All-Star Game, Lou Gehrig's farewell speech, and Bobby Thomson's "Shot Heard 'Round the World." Red Barber, Vin Scully, Harry Caray, Ernie Harwell, Bob Uecker, and dozens of other beloved announcers helped cement the love affair between radio and the national pastime. Crack of the Bat takes readers from the 1920s to the present, examining the role of baseball in the development of the radio industry and the complex coevolution of their relationship. James R. Walker provides a balanced, nuanced, and carefully documented look at radio and baseball over the past century, focusing on the interaction between team owners, local and national media, and government and business interests, with extensive coverage of the television and Internet ages, when baseball on the radio had to make critical adjustments to stay viable. Despite cable television's ubiquity, live video streaming, and social media, radio remains an important medium through which fans engage with their teams. The evolving relationship between baseball and radio intersects with topics as varied as the twenty-year battle among owners to control radio, the development of sports as a valuable media product, and the impact of competing technologies on the broadcast medium. Amid these changes, the familiar sounds of the ball hitting the glove and the satisfying crack of the bat stay the same.

Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities-discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography-a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls "the climb"-the stories of how they struggled and eventually prevailed. As he writes in the introduction, "If you're having trouble finding motivation in life and you're looking for that extra kick in the ass, you will find it in these pages." Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election-one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern insightfully notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

An examination of the development of local radio broadcasting and the trend for locally-owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and international media groups. Starkey traces the early development of local radio through to present-day digital environments.