'He played that so late, it was almost posthumous.' (John Arlott) For over fifty years, Test Match Special has provided the soundtrack to many cricket fans' lives - now this book collects its greatest hits. Here are all the witty sayings, bons mots, doubles entendres, wise words and priceless moments from the whole TMS team past and present, and of course their many and varied celebrity guests. Whether it's classic Test moments or hilarious asides from the boundary, you'll find the perfect line for every occasion. Collecting over half a century of quips and quotes, and beautifully illustrated throughout, The Wit and Wisdom of Test Match Special is a cricket fan's indispensable guide to bats, bowls, beards and bakes.

Convenient, entertaining, and provocative, talk radio today is unapologetically ideological. Focusing on Rush Limbaugh -- the medium's most influential talk show -- "Rushed to Judgment" systematically examines the politics of persuasion at play on our nation's radio airwaves and asks a series of important questions. Does listening to talk radio change the way people think about politics, or are listeners' attitudes a function of the self-selecting nature of the audience? Does talk radio enhance understanding of public issues or serve as a breeding ground for misunderstanding? Can talk radio serve as an agent of deliberative democracy, spurring Americans to open, public debate? Or will talk radio only aggravate the divisive partisanship many Americans decry in poll after poll? The time is ripe to evaluate the effects of a medium whose influence has yet to be fully reckoned with.

A group biography of four beloved women who fought sexism, covered decades of American news, and whose voices defined NPR In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism where a woman might be lucky to get a foothold on the "women's pages." But when a pioneering nonprofit called National Public Radio came along in the 1970s, and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges. Susan, Linda, Nina, and Cokie is journalist Lisa Napoli's captivating account of these four women, their deep and enduring friendships, and the trail they blazed to becoming icons. They had radically different stories. Cokie Roberts was born into a political dynasty, roamed the halls of Congress as a child, and felt a tug toward public service. Susan Stamberg, who had lived in India with her husband who worked for the State Department, was the first woman to anchor a nightly news program and pressed for accommodations to balance work and home life. Linda Wertheimer, the daughter of shopkeepers in New Mexico, fought her way to a scholarship and a spot on-air. And Nina Totenberg, the network's legal affairs correspondent, invented a new way to cover the Supreme Court. Based on extensive interviews and calling on the author's deep connections in news and public radio, Susan, Linda, Nina, and Cokie is as beguiling and sharp as its formidable subjects.

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.

Hollenbeck began his career at the Lincoln, Nebraska "Journal" (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring "Omaha Bee-News." He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free "PM" newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow.

Hollenbeck's pioneering, prize-winning radio program, "CBS Views the Press" (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious "New York Times," the "Daily News" (then the paper with the largest circulation in America), and Hearst's flagship "Journal-American" and popular morning tabloid "Daily Mirror." For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, "CBS's Don Hollenbeck" is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

Kevin McNally stars in five brand new recordings of original Hancock's Half Hour scripts by Ray Galton and Alan Simpson. Whilst Hancock's Half Hour was an enormously popular radio sitcom in the 1950s, many of the episodes were not retained in the BBC Sound Archive and are believed to be lost. Now, five of them have been recreated by BBC Radio 4, with Kevin McNally taking the role made famous by Tony Hancock. Among the supporting cast are Simon Grenall, Kevin Eldon and Robin Sebastian.

Volume 3 of 3. From 1949 until the end of Radio drama in 1962, Yours Truly Johnny Dollar was a stalwart of radio drama. This book, "The Who is Johnny Dollar Matter" provides a different look at Johnny Dollar - as if he were a real investigator. "The Who is Johnny Dollar Matter" starts with a mini-biography and then provides a detailed recap of each YTJD program. The detailed case analyses catalogs the details of each story, including cast, expenses, writers and directors, and cross-references to programs that used the same script with a different name and cast. The detailed index catalogs each story, case location and the cast of each program. The books also contain a detailed listing of cases by insurance company and the expenses for each of the 6 Johnny Dollars updated to 21st century dollars. Also included are recaps of programs which only exist in the KNX collection of the Thousand Oaks, California library. "The Who is Johnny Dollar Matter" is the definitive reference work for the cases handled by Johnny Dollar, both those currently available electronically, but also those available only in the KNX collection of the Thousand Oaks, California library.

Now fans need no longer wait for the CBC to re-run recordings of Max Ferguson's notorious radio shows (assuming that the tapes have not all been destroyed by court order). A full dose of his lunacy, depravity, and flagrant disregard for management can now be enjoyed at any hour of the day or night simply by reading a copy of And Now... Here's Max, his scandalous memoir of a life in broadcasting at the CBC. This edition includes a new foreword by Shelagh Rogers. Max Ferguson's 52 years as an announcer on CBC television and radio included such programmes as After Breakfast Breakdown, The Max Ferguson Show, Tabloid, Gazette, Inside From The Outside, 55 North Maple, and Telescope, and earned him many honours: the Order of Canada, the Governor-General's Performing Arts Award, the John Drainie Award, the Gordon Sinclair Award, the Stephen Leacock Award (for And Now...Here's Max), three ACTRA awards, and honorary degrees from Dalhousie University, Brock, Waterloo, Western Ontario, and the University of Saskatchewan.

Desmond Barrit stars as Horace Rumpole in this full-cast, feature-length radio drama Rumpole has no special objection to Christmas - except that with the Old Bailey closed, he has no opportunity to exercise his skills in court. But over the course of one unusual holiday, he nonetheless manages to triumph in two very different cases... Dragooned into spending Christmas in Norfolk, at the home of one of Hilda's old schoolfriends, Rumpole is feeling less than festive. Chilly Coldsands Rectory does not offer much in the way of enjoyment - but a trip to the local church and a surprise encounter with an old acquaintance leads to a God-given opportunity to indulge in a little seasonal, charitable blackmail. A New Year outing to see Aladdin also provides more excitement than expected. The traditional British pantomime is one of Rumpole's favourite institutions, but he has a vague feeling that there's something odd about this particular production. A post-panto drink, some overheard remarks and a glance at the programme confirm his suspicions - and put him on the path to solving an audacious crime... Starring Desmond Barrit as Rumpole and Joanna David as Hilda, with Tim McInnerny as Donald Compton and Nigel Anthony as Fred Timson. Written by John Mortimer Directed by Marilyn Imrie Produced by Catherine Bailey Pantomime music written and played by Neil Brand A Catherine Bailey production for BBC Radio 4

As World War II drew to a close and radio news was popularized through overseas broadcasting, journalists and dramatists began to build upon the unprecedented success of war reporting on the radio by creating audio documentaries. Focusing particularly on the work of radio luminaries such as Edward R. Murrow, Fred Friendly, Norman Corwin, and Erik Barnouw, Radio Utopia: Postwar Audio Documentary in the Public Interest traces this crucial phase in American radio history, significant not only for its timing immediately before television, but also because it bridges the gap between the end of the World Wars and the beginning of the Cold War. Matthew C. Ehrlich closely examines the production of audio documentaries disseminated by major American commercial broadcast networks CBS, NBC, and ABC from 1945 to 1951. Audio documentary programs educated Americans about juvenile delinquency, slums, race relations, venereal disease, atomic energy, arms control, and other issues of public interest, but they typically stopped short of calling for radical change. Drawing on rare recordings and scripts, Ehrlich traces a crucial phase in the evolution of news documentary, as docudramas featuring actors were supplanted by reality-based programs that took advantage of new recording technology. Paralleling that shift from drama to realism was a shift in liberal thought from dreams of world peace to uneasy adjustments to a cold war mentality. Influenced by corporate competition and government regulations, radio programming reflected shifts in a range of political thought that included pacifism, liberalism, and McCarthyism. In showing how programming highlighted contradictions within journalism and documentary, Radio Utopia reveals radio's response to the political, economic, and cultural upheaval of the post-war era.

We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven. But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life. In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.

Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness. She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home. The television set, she writes, has emerged as a new electronic hearth--the center of family activity. John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistable charm--a fire. Entering an empty room, we turn it on, and a talking face flares into being." Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world. She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans. Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority. And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world. In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.

Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment. Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.

Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the media reform movement and clearinghouse the National Association of Educational Broadcasters (NAEB) in the drive to create what became the Public Broadcasting Service and National Public Radio. Founded in 1934, the NAEB began as a disorganized collection of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media coalition premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond.

Television has changed drastically in the Soviet Union over the last three decades. In 1960, only five percent of the population had access to TV, but now the viewing population has reached near total saturation. Today's main source of information in the USSR, television has become Mikhail Gorbachev's most powerful instrument for paving the way for major reform.
Containing a wealth of interviews with major Soviet and American media figures and fascinating descriptions of Soviet TV shows, Ellen Mickiewicz's wide-ranging, vividly written volume compares over one hundred hours of Soviet and American television, covering programs broadcast during both the Chernenko and Gorbachev governments. Mickiewicz describes the enormous significance and popularity of news programs and discusses how Soviet journalists work in the United States. Offering a fascinating depiction of the world seen on Soviet TV, she also explores the changes in programming that have occurred as a result of glasnost.

A Journey inside the World of Sports Talk Radio

Their voices explode over the airwaves -- with names like Mike and the Mad Dog, the Stinkin' Genius, Hacksaw, and JT the Brick. They broadcast in drive time and downtime, from rush hour to the dead of night. And yet, millions of fans tune in around the clock to hear their favorite larger-than-life radio personalities rant, rave, critique, predict, and mix it up with callers -- the dedicated fans of sports talk radio.

Never before has this cloistered world opened its doors to a no-holds-barred, behind-the-scenes, full-access look at itself. Noted journalist (and fan) Alan Eisenstock embarks on a journey through the American sports radio landscape and gives readers a front-row seat -- from breakfast at the kitchen table of Eddie Andelman, Boston's godfather of sports radio, to the WFAN commissary with Mike and the Mad Dog in New York; from the plush home game room of Chicago's hot dog-vendorA-turned-#1 DJ Mike North to the empty 3 AM studio parking garage with nationally syndicated JT the Brick. Eisenstock goes into the studios, homes, and lives of these and many other of America's hottest and most-listened-to sports talk hosts.

Filled with hilarious and entertaining tales of what makes these hosts tick -- as well as the unbelievable stories of how they got where they are today -- "Sports Talk" paints a picture the fans never see. Eisenstock shows us the blood, sweat, and tears of program directors with their reputations on the line; hosts searching for career security; and station managers who are always eyeing the bottom line. And, of course, there are stories of the rabid, obsessed, and off-the-wall fans. Whether you're a sports fan or a sports talk junkie, you'll be hooked from the first page.

Long before the Arab Spring and its use of social media demonstrated the potent intersection between technology and revolution, the Mexican Revolution employed wireless technology in the form of radiotelegraphy and radio broadcasting to alter the course of the revolution and influence how political leaders reconstituted the government. Radio in Revolution, an innovative study of early radio technologies and the Mexican Revolution, examines the foundational relationship between electronic wireless technologies, single-party rule, and authoritarian practices in Mexican media. J. Justin Castro bridges the Porfiriato and the Mexican Revolution, discussing the technological continuities and change that set the stage for Lazaro Cardenas's famous radio decree calling for the expropriation of foreign oil companies. Not only did the nascent development of radio technology represent a major component in government plans for nation and state building, its interplay with state power in Mexico also transformed it into a crucial component of public communication services, national cohesion, military operations, and intelligence gathering. Castro argues that the revolution had far-reaching ramifications for the development of radio and politics in Mexico and reveals how continued security concerns prompted the revolutionary victors to view radio as a threat even while they embraced it as an essential component of maintaining control.

For more than sixty years, Roy Rogers and Dale Evans personified the romantic, mythic West that Americans cherished. Blazing a trail through every branch of the entertainment industry - radio, film, recordings, television, and even comic books - the couple capitalized on their attractive personas and appealed to the nation's belief in family values, an independent spirit, and community. Raymond E. White presents these two celebrities in the most comprehensive and inclusive account to date. Part narrative, part reference, this impeccably researched, highly accessible survey spans the entire scope of Rogers's and Evans's careers and highlights their place in twentieth-century American popular culture. In a dual biography, he shows how Rogers and Evans carefully husbanded their public image and - of particular note - incorporated their Christian faith into their performances. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike.

The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history. Exploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.

Listening to British Nature: Wartime, Radio, and Modern Life, 1914-1945 reveals for the first time how the sounds and rhythms of the natural world were listened to, interpreted and used amid the pressures of early twentieth century life. The book argues that despite and sometimes because of the chaos of wartime and the struggle to recover, nature's voices were drawn close to provide security and engender optimism. Nature's sonic presences were not obliterated by machine age noise, the advent of radio broadcasting or the rush of the urban everyday, rather they came to complement and provide alternatives to modern modes of living. This book examines how trench warfare demanded the creation of new listening cultures to understand danger and to imagine survival. It tells of the therapeutic communities who made use of nature's quietude and the rhythms of rural work to restore shell-shocked soldiers, and of ramblers who sought to immerse themselves in the sensualities of the outdoors. It reveals how home-front listening during the Blitz was punctuated by birdsong, broadcast by the BBC. To listen to nature during this period was to cultivate an intimate connection with its energies and to sense an enduring order and beauty that could be taken into the future. Listening to nature was a way of being modern.

There are approximately 502 million radios in America. For this savvy, far-reaching diary, celebrated journalist and author Vowell turned hers on and listened--closely, critically, creatively--for an entire year.
As a series of impressions and reflections regarding contemporary American culture, and as an extended meditation on both our media and our society, this keenly focused book is as insightful as it is refreshing.
Throughout "Radio On," "Vowell's touch is about as delicate as Teddy Kennedy's after a pitcher of martinis" (Richard Roeper, "Chicago Sun-Times").

WBAA: 100 Years as the Voice of Purdue documents the fascinating history of WBAA, Indiana's first radio station founded at Purdue University in West Lafayette, Indiana, on April 4, 1922. Richly illustrated with more than 150 photos, the book chronicles the station's evolution over the years, while highlighting the staff, students, and volunteers significant to WBAA's success. WBAA began as a lab experiment conducted by Purdue electrical engineering students in 1910. Later, the station became a vital method for Purdue's Cooperative Extension Service to broadcast the knowledge of the university, particularly agricultural news, to the people of the state. From the 1960s to 1980s, WBAA aired Purdue basketball and football games, with station manager John DeCamp as the "Voice of the Boilermakers." In 1971, WBAA became a member station of National Public Radio (NPR), offering popular programming such as All Things Considered and Morning Edition. Listeners tuned into WBAA to hear classical, jazz, and international music, along with in-depth news reporting. Mayors and Purdue presidents aired weekly programs. WBAA gave a voice to arts and community organizations. Read about the invention of the first all-electronic television by pioneering Purdue scientist Roscoe George; WBAA's long-running School of the Air educational program deemed the "invisible textbook"; and the Midwest Program on Airborne Television Instruction (MPATI), an airplane that transmitted videos to schools while flying over six Midwestern states in the 1960s. Famous WBAA alumni include NBC sportscaster Chris Schenkel, comedian Durward Kirby, Today Show newscaster Lew Wood, Indiana State Representative Sheila Klinker, actress Karen Black, and actor George Peppard, among others. From the vacuum tube era to the digital age, this thoroughly researched book brings to light the intriguing backstories of the esteemed one hundred-year history of WBAA.

Treason on the Airwaves traces the journeys of three World War II radio broadcasters whose wartime choices became treason in Britain, Australia, and the United States. John Amery was a virulent anti-Semite and member of a highly respected British family who joined Hitler's propagandists in Berlin and was executed for treason after the war. Charles Cousens, a popular radio personality at home in Australia, was a soldier in Japanese captivity who was put to work on Radio Tokyo and later tried as a traitor. Iva Toguri, better known as "Tokyo Rose," was an American student visiting relatives in Japan when war broke out. She broadcast her English-language show on Radio Tokyo out of necessity rather than conviction. The United States jailed Toguri for treason. These three powerful stories provide an overview of the way in which the three nations dealt with suspected collaborators after the war. Judidth Keene also examines the significance of radio propaganda during World War II and the techniques the Germans and the Japanese used to engage listeners. All three accounts provoke questions about the nature of justice-and the justice of retribution.

Tig Torres investigates Hollow Falls' horrific history in this original novel based on the hit podcast Lethal Lit from Einhorn's Epic Productions and iHeartRadio! Lethal Lit follows Tig Torres, a Cuban American teen detective, in her hometown of Hollow Falls. In season one of the hit podcast, Tig used her smarts and fearlessness to track down the infamous Lit Killer, a serial killer who staged his murders after death scenes from famous books. But there's no rest for courageous, mystery-solving teens in a place like Hollow Falls, and though the Lit Killer is now behind bars, his protege, Tig's classmate and crush Oly, has disappeared! And that's not the only game afoot. Tig has caught the attention of the town's local armchair detective group, the Murder of Crows. They're obsessed with Hollow Falls' dark past and fixated on a dangerous search for the missing body of the town's founder. There are rumours about what's buried with the body that could be life-changing for whoever finds it, and with a mission like that underway, it's not long before a member of the Murder of Crows turns up dead. Tig, along with her friends Max and Wyn, steps in to help, but the stakes are getting higher and the hunt more deadly. Someone's willing to kill to keep the town's secrets buried, and if Tig's not careful, she'll be the Murder of Crows' next victim. This original Lethal Lit story takes place between Seasons 1 and 2 of the podcast Features a brand-new, never-before-told story starring Tig Torres and her sleuthing friends! Perfect for fans of true crime.

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of CITIZEN KANE. Vivid, vastly entertaining, this is the definitive Wells biography.