"Handy writes with the eloquence of simplicity and his gift to us is an enjoyable, profound, and reliable guide toward meaning and direction."--Max De Pree, author of Leading without Power and chairman emeritus, Herman Miller Inc.

Charles Handy's reflections on work and life have earned him legions of fans throughout the world. His previous books have together sold over a million copies. And his "Thought for the Day" series on BBC radio is celebrated throughout the U.K. Now present and future fans in America can sample what his BBC listeners have enjoyed for so long. Waiting for the Mountain to Move includes the gifted commentator's best essays, culled from ten years of radio broadcasts. These succinct writings draw poignant lessons from everyday occurrences and cause us to examine our lives, our institutions, and our society in a different and revealing light.

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'Incredibly comprehensive. Learn and understand this lot and you will have a fine grasp' Jon Snow

'This sets the standard for every radio newsroom' - Andy Ivy, Editor, Sky News Radio

In an age of infinite choice made possible by new technology, and a disturbing move away from traditional reporting into colourful comment and speculation by blogs and 'citizen journalists' there has never been a better time to focus on pure journalism skills.

"Essential Radio Journalism "is a vastly comprehensive working manual for radio journalists as well as a textbook for broadcast journalism students. It contains practical advice for gathering, reporting, writing, editing and presenting, the news, alongside media law and ethics. There is a wealth of 'inside' information, checklists and on-the-job advice that you can immediately put to use whether you are in your first job or have several years of experience. This is a book to inspire responsible, accurate and exceptional journalism skills.

The overlooked African American religious history of the phonograph industry Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey. These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America. In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide

With reference to a radio production directed and documented by the author himself, the study sets out to demonstrate that in presenting a figure in the media (, acting') the central concern is the shaping of the emotional expressive potential of language. At the same time, emotional expression is the main arena in which director and actors engage with each other on the, rightness' of the given role conception for the figure to being portrayed. This fact is also understood here as a reflection of the significance of emotional expression via language in everyday communication

When Christine Morgan got Richard Coles, Kate Bottley and Giles Fraser together in a studio, all she had to do was plug them in and let them go. The dynamic between the three meant there were moments of real connection and poignancy alongside the laughter: 'I'm exaggerating for comic effect,' Kate announced after one particularly outrageous anecdote, 'It's one of the reasons we're here.' Each realized in the course of conversation that they favoured one of the three rites of passage: Giles: Baptism because you enter into the body of Christ Richard: Funerals because they take you into the mystery of God Kate: Weddings because you get to wear nice shoes Engagingly introduced by Christine Morgan, the book ends with the profoundly moving episode (recorded remotely in the three vicars' homes) that was broadcast on Easter Sunday 2020, to a world in crisis.

An examination of the development of local radio broadcasting and the trend for locally-owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and international media groups. Starkey traces the early development of local radio through to present-day digital environments.

On January 12, 1926, radio audiences heard the first exchanges of wit and wisdom between ""Sam 'n' Henry""--the verbal jousters who would evolve into Amos 'n' Andy and whose broadcasts launched the radio sitcom. Here is a detailed look at 20 of the most popular such sitcoms that aired between the mid-1920s and early 1950s, the three-decade heyday of radio. Each series is discussed from an artistic and historical standpoint, with attention to the program's character development and style of comedy as well as its influence on other shows. The work provides complete biographical profiles of each sitcom's stars as well as several actors whose careers consisted primarily of supporting roles in these popular broadcasts. Appendices include an abbreviated summary of thirteen sitcoms beyond those discussed in the main body of the book, and a comprehensive list of 170 radio sitcoms.

Anna May Wong, born in Los Angeles in 1905 to a traditional family that did not support her ambition, is the only Asian-American actress to have achieved stardom during Hollywood's Golden Age. In her youth she went to hundreds of motion pictures and studied the actors. She remained single to avoid a conventional Chinese marriage that could endanger her career. With her beauty and grace, she gradually became the darling of the intelligentsia, inspiring poems, songs, and crowds of admirers in the British Isles, Europe, and China. During World War II, she toured the United States, New Zealand, and Australia for the benefit of the Chinese war relief. Leaving a legacy of some 60 film appearances, numerous stage and television shows, and several radio spots, Wong remains an outstanding role model for Asian-American performers. This book covers Anna May Wong's entire career through detailed filmographic entries, each containing critical commentary as well as standard cast and technical credits, synopses, and newspaper and magazine reviews. The separate sections detail Wong's stage work and radio and television appearances. Information on Wong's beginnings in Los Angeles and personal life is also provided.

In this media history of the Caribbean, Alejandra Bronfman traces howtechnology, culture, and politics developed in a region that was "wired" earlierand more widely than many other parts of the Americas. Haiti, Cuba,and Jamaica acquired radio and broadcasting in the early stages of theglobal expansion of telecommunications technologies. Imperial historieshelped forge these material connections through which the United States,Great Britain, and the islands created a virtual laboratory for experiments inaudiopolitics and listening practices. As radio became an established medium worldwide, it burgeoned in theCaribbean because the region was a hub for intense foreign and domesticcommercial and military activities. Attending to everyday life, infrastructure,and sounded histories during the waxing of an American empire andthe waning of British influence in the Caribbean, Bronfman does not allowthe notion of empire to stand solely for domination. By the time of the ColdWar, broadcasting had become a ubiquitous phenomenon that renderedsound and voice central to political mobilisation in the Caribbean nationsthrowing off what remained of their imperial tethers.

Charles Monroe-Kane is a natural raconteur, and boy, does he have stories to tell. Born into an eccentric Ohio clan of modern hunter-gatherers, he grew up hearing voices in his head. Over a dizzying two decades, he was many things-teenage faith healer, world traveler, smuggler, liberation theologian, ladder-maker, squatter, halibut hanger, grifter, environmental warrior, and circus manager-all the while wrestling with schizophrenia and self-medication. From Baby Doc's Haiti to the Czech Velvet Revolution, and from sex, drugs, and a stabbing to public humiliation by the leader of the free world, Monroe-Kane burns through his twenties and several bridges of youthful idealism before finally saying: enough. In a memoir that blends engaging charm with unflinching frankness, Monroe-Kane gives his testimony of mental illness, drug abuse, faith, and love. By the end of Lithium Jesus there may be a voice in your head, too, saying "Do more, be more, live more. And fear less."

Radio Pro is actually several books in one, covering every aspect of personality radio-from the history of pioneer broadcasters to how to become a successful personality. Forty-one-year radio pro Joe Martelle also brings together a richly-varied selection of candid comments on the subject from over 150 of America's best broadcasters, seasoned pros, who tell it like it is and what it takes to be a successful air and on-line personality. Containing 736 pages with hundreds of photos, Radio Pro is enlightening, informative and thought provoking for both the radio student and those interested in personality radio

Radio is the original mass electronic medium and it continues to be critical for audiences wanting news, information, music and entertainment. For over a century enthusiasts, scholars, practitioners, governments, businesses and listeners have developed and influenced radio, making it a fascinating medium to explore today. There is still no mass medium as ubiquitous as radio and the Internet has extended its geographical and temporal reach even further. Radio remains a key media form and technology, not only surviving the challenges of the screen and digital ages, but developing despite and because of them. This book is a collection of contemporary research by radio scholars from the United Kingdom, Canada, Australia and New Zealand. It explores different aspects of this both simple and complex medium, from early radio histories to the contemporary developments of radio on the Internet. Chapters engage with critical debates about the role of government, business and communities in how radio is used in our societies. Some chapters provide important new insights into making radio, and radio as a cultural force. Other chapters explore developments in research methodologies that enable deeper insights into contemporary radio and its audiences. This book provides a range of platforms for engaging with radio and radio research as a rich, vibrant and fruitful way to further our understandings of the media and ultimately, ourselves.

Behind the glamour and the crowds. Beyond the movies and the records. Apart from all who knew him, wanted to know him, or just wanted to be near him. Billy Stanley knew Elvis Presley as a brother-and as a man of deep faith. From the day Billy Stanley arrived at Graceland and received a bear hug from the King of Rock and Roll to the last conversation they ever had, one thing stayed the same: Elvis's passion for sharing God's love with as many people he could. In The Faith of Elvis,Billy illuminates Elvis's Christian journey-from the notes Elvis made in his beloved Bible to his struggles with sin as his fame increased to his remarkable generosity toward fans and movie stars alike. Through this first-hand account, you will find touching family stories of the Elvis that pop culture doesn't know; a keen look into how Elvis intricately wove his faith into every part of his life; insights into the ups-and-downs the four brothers experienced while at home and on the road together; and examples of Elvis's profound influence on others-from those closest to him to his cherished fans and, ultimately, the world at large. Here you will find your own faith strengthened and your heart turned more toward heaven-or as Elvis would say, toward the only true King. Includes a photo insert and discussion and reflection questions for group or individual use.

Television has changed drastically in the Soviet Union over the last three decades. In 1960, only five percent of the population had access to TV, but now the viewing population has reached near total saturation. Today's main source of information in the USSR, television has become Mikhail Gorbachev's most powerful instrument for paving the way for major reform.
Containing a wealth of interviews with major Soviet and American media figures and fascinating descriptions of Soviet TV shows, Ellen Mickiewicz's wide-ranging, vividly written volume compares over one hundred hours of Soviet and American television, covering programs broadcast during both the Chernenko and Gorbachev governments. Mickiewicz describes the enormous significance and popularity of news programs and discusses how Soviet journalists work in the United States. Offering a fascinating depiction of the world seen on Soviet TV, she also explores the changes in programming that have occurred as a result of glasnost.

Praise for No Static at All:

"Don Tanner provides a compelling inside look at radio. This book is a must-read for anyone who has ever thought about a career in radio and for those who just love listening and have wondered what it's really like behind the scenes."
-Daniel Merkle, Ph.D. ABC News

"Memory lane for sure - it's a time travel machine in paperback."
-Dave Gorab "Tanner has truly captured the excitement and imagination of radio. His story reminds me why I spent so many of my college nights working the overnight shift in front of the microphone. Suburb writing; fantastic anecdotes."
-Scott MacFarlane Cox Broadcasting

" No Static] takes the reader down a scenic road of radio and pop music. I found it hard to put down."
-Art Vuolo Michiguide.com

In No Static at All, Don Tanner, a former radio DJ, reporter (WWJ-AM/Detroit) programmer, researcher (Mediabase) and journalist, takes you behind the scenes and the microphone, to see and hear what it's really like to live on-the-air-from the ground floor up. It also examines why radio remains at a crossroads today and what the future may hold.

Offering the first book-length exploration of network television's relations with advocacy groups, Kathryn C. Montgomery presents a comprehensive picture of the impact of organized pressure on prime-time TV. She vividly describes, for example, how the Catholic Church campaigned against Maude's abortion on the TV show, Maude; how outraged actors mobilized a national protest against the portrayal of blacks in the TV miniseries, Beulah Land; and how the Moral Majority waged a sophisticated campaign to "clean up TV," by threatening to boycott advertisers. Exposing the inner workings of network television as no other book has done, Montgomery's study demonstrates how behind-the-scenes struggles have shaped the images, messages, and values that enter people's homes every night. The book also raises critical questions about television's role in our society and its responsibility to the American public.

A Journey inside the World of Sports Talk Radio

Their voices explode over the airwaves -- with names like Mike and the Mad Dog, the Stinkin' Genius, Hacksaw, and JT the Brick. They broadcast in drive time and downtime, from rush hour to the dead of night. And yet, millions of fans tune in around the clock to hear their favorite larger-than-life radio personalities rant, rave, critique, predict, and mix it up with callers -- the dedicated fans of sports talk radio.

Never before has this cloistered world opened its doors to a no-holds-barred, behind-the-scenes, full-access look at itself. Noted journalist (and fan) Alan Eisenstock embarks on a journey through the American sports radio landscape and gives readers a front-row seat -- from breakfast at the kitchen table of Eddie Andelman, Boston's godfather of sports radio, to the WFAN commissary with Mike and the Mad Dog in New York; from the plush home game room of Chicago's hot dog-vendorA-turned-#1 DJ Mike North to the empty 3 AM studio parking garage with nationally syndicated JT the Brick. Eisenstock goes into the studios, homes, and lives of these and many other of America's hottest and most-listened-to sports talk hosts.

Filled with hilarious and entertaining tales of what makes these hosts tick -- as well as the unbelievable stories of how they got where they are today -- "Sports Talk" paints a picture the fans never see. Eisenstock shows us the blood, sweat, and tears of program directors with their reputations on the line; hosts searching for career security; and station managers who are always eyeing the bottom line. And, of course, there are stories of the rabid, obsessed, and off-the-wall fans. Whether you're a sports fan or a sports talk junkie, you'll be hooked from the first page.

The ultimate book on Jack Benny's varied career. Includes these chapters: I Remember Jack by Frank Bresee The Sweetest Music This Side of Waukegan by Clair Schulz In the Movies with Jack Benny by Kay Linaker with Janine Marr Finding Himself in the Footlights: Jack Benny in Vaudeville by Pam Munter The Women in Benny's Life: An Examination of Jack's Luck With the Fairer Sex in Radio, TV, and the Movies by Mark Higgins Benny's War by B. J. Borsody Cheapskate Benny or Generous Jack? by Charles A. Beckett Balzer on Benny by Jordan R. Young To Be or Not to Be: Jack Benny in Hollywood 1940-1945 by Philip G. Harwood Jack Benny and Fred Allen: The Fierce Fighting of Good Friends by Noell Wolfgram Evans My Adventures in Hollywood by Jack Benny Benny's Floopers and Blubs (Uh, Bloopers and Flubs) by Michael Leannah Better Play, Don by Jack Benny Jack and Johnny: To Each a Fan, To Each a Friend by Steve Newvine From the Cradle to the Grave: The Births and Deaths of the Principal Characters of "The Jack Benny Program" by Ron Sayles and Michael Leannah What're You Laughing At, Mary? The Comic Voice of Mary Livingstone by Kathryn Fuller-Seeley Mel Blanc: Man of a Thousand Voices by Marc Reed Jack Benny: Cartoon Star by Derek Tague and Michael J. Hayde Jack Benny: Guardian Angel by Steve Thompson Timing Is Everything by Jordan R. Young Finding Jack Benny in Today's Waukegan by Michael Mildredson

In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio's central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.

Kisses Sweeter Than Wine is an honest and absorbing memoir from a man who has emerged as one of Wales's major cultural figures. Boyd Clack is a man of many talents: a writer, actor, singer, musician, enthusiast, and with this first book picks apart a challenging upbringing in Tonyrefail, his wanderings to Australia, Amsterdam and London, and his experimentation as a young man with drink and drugs and love. This is Boyd's story, told with candour and perception and skill that will absorb anyone interested in what it was to be young and Welsh - and are now older and maybe a little wiser. 'Boyd is a brilliant actor and writer, truly unique, a genius by any definition of the word.' - Rhys Ifans 'I love Boyd's unique take on life.' - Rob Brydon "Awesome and hilarious... I cannot recommend this moving, truthful, funny and endearing roller coaster of a ride enough." - Eve Myles

This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. -- .

The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history. Exploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.