Volume 2 of 3. From 1949 until the end of Radio drama in 1962, Yours Truly Johnny Dollar was a stalwart of radio drama. This book, "The Who is Johnny Dollar Matter" provides a different look at Johnny Dollar - as if he were a real investigator. "The Who is Johnny Dollar Matter" starts with a mini-biography and then provides a detailed recap of each YTJD program. The detailed case analyses catalogs the details of each story, including cast, expenses, writers and directors, and cross-references to programs that used the same script with a different name and cast. The detailed index catalogs each story, case location and the cast of each program. The books also contain a detailed listing of cases by insurance company and the expenses for each of the 6 Johnny Dollars updated to 21st century dollars. Also included are recaps of programs which only exist in the KNX collection of the Thousand Oaks, California library. "The Who is Johnny Dollar Matter" is the definitive reference work for the cases handled by Johnny Dollar, both those currently available electronically, but also those available only in the KNX collection of the Thousand Oaks, California library.

In 3 volumes. From 1949 until the end of Radio drama in 1962, Yours Truly Johnny Dollar was a stalwart of radio drama. This book, "The Who is Johnny Dollar Matter" provides a different look at Johnny Dollar - as if he were a real investigator. "The Who is Johnny Dollar Matter" starts with a mini-biography and then provides a detailed recap of each YTJD program. The detailed case analyses catalogs the details of each story, including cast, expenses, writers and directors, and cross-references to programs that used the same script with a different name and cast. The detailed index catalogs each story, case location and the cast of each program. The books also contain a detailed listing of cases by insurance company and the expenses for each of the 6 Johnny Dollars updated to 21st century dollars. Also included are recaps of programs which only exist in the KNX collection of the Thousand Oaks, California library. "The Who is Johnny Dollar Matter" is the definitive reference work for the cases handled by Johnny Dollar, both those currently available electronically, but also those available only in the KNX collection of the Thousand Oaks, California library.

The Baby Snooks Scripts! The first time in print, these old time radio scripts by Philip Rapp are taken from otr's golden age shows: Maxwell House Coffee Time, Good News, and more. These are not transcriptions, but the original scripts, sometimes vastly different from broadcast-draft scripts, since Rapp would often revise a script three times before it aired. "It's too funny to pass up. Phil Rapp's humor is still in style. Anyone can relate to Snooks' questioning of her poor daddy about - EVERYTHING. The problem child is back." - Laura Wagner/Classic Images

Praise for No Static at All:

"Don Tanner provides a compelling inside look at radio. This book is a must-read for anyone who has ever thought about a career in radio and for those who just love listening and have wondered what it's really like behind the scenes."
-Daniel Merkle, Ph.D. ABC News

"Memory lane for sure - it's a time travel machine in paperback."
-Dave Gorab "Tanner has truly captured the excitement and imagination of radio. His story reminds me why I spent so many of my college nights working the overnight shift in front of the microphone. Suburb writing; fantastic anecdotes."
-Scott MacFarlane Cox Broadcasting

" No Static] takes the reader down a scenic road of radio and pop music. I found it hard to put down."
-Art Vuolo Michiguide.com

In No Static at All, Don Tanner, a former radio DJ, reporter (WWJ-AM/Detroit) programmer, researcher (Mediabase) and journalist, takes you behind the scenes and the microphone, to see and hear what it's really like to live on-the-air-from the ground floor up. It also examines why radio remains at a crossroads today and what the future may hold.

Originally prepared by the Fox Meadow School for students learning to perform drama on the radio, here is Henry Fisk Carlton's original radio play (broadcast as part of the "Dramatic Hours in Colonial History" series), complete with notes on how to be a good radio actor and how to follow directions in the play. Edited by Claire T. Zyve, Ph.D.

Originally prepared by the Fox Meadow School for students learning to perform drama on the radio, here is Henry Fisk Carlton's original radio play (broadcast as part of the "Dramatic Hours in Revolutionary History" series), complete with notes on how to be a good radio actor and how to follow directions in the play. Edited by Claire T. Zyve, Ph.D.

America's 1st female rock jock on AM radio in Chicago--1st female in America to broadcast live on HD radio in 2005--Written into the U.S.Congressional Record. Connie tells how she lost that ABC-TV gig to Oprah; surprised Elvis, and had a date with Neil Diamond. She emceed shows for Wayne Newton, Tom Jones, & Bobby Vinton and partied with Elton John, Stevie Nicks and more. Over 200 photos and memorabilia include Chicago radio stations--WCFL, WIND, WSDM (the station with the girls), WJJD, WJEZ, WUSN (US-99), WJMK, and WJMK-HD2. A Chicago Sun-Times cover story captioned her "The Woman Who Invented Strip Radio." Dubbed "Chicago's Polish Princess," Connie is also a portrait artist and author; and refutes that--"DJ's are too lazy to work or too dumb to get another job." "Top Rock Girly Jock"-Autobiography of air personality, Connie Szerszen, a Chicago native, and pioneer woman in radio.

Since the rise of film and television, radio has continued to evolve, with satellite radio and podcasts as its latest incarnations. Any understanding of the development of radio, like its visual counterparts, depends on closely examining the artistic ventures that preceded commercial acceptance. In Pieces of Sound, Daniel Gilfillan offers a cultural history that explores these major aspects of the medium by focusing on German radio broadcasting, providing a context that sees beyond programming to consider regulations, cultural politics, and social standardization. Gilfillan showcases the work of radio pioneers and artists over the past century, including Brecht's work with the form, and how radio was employed before and after World War II. He traces how German radio broadcasters experimented with networked media not only to expand the artistic and communicative possibilities of radio, but also to inform perceptions about the advantages and direction of newer telecommunications media like Internet broadcasting and pirate radio, which artists are using today to engage with a medium that is increasingly coming under corporate control. Gilfillan astutely observes how claims made for the Internet today echo those made for radio in its infancy and puts forth a broad and incisive historical analysis of German cultural broadcasting.

In the twilight of Radio's Golden Age of Comedy none carried the torch higher or farther than Bob (Elliott) and Ray (Goulding). Part of the reason was a guy named Tom Koch, who wrote many of their hilarious sketches. This is Tom's story. Bob and Ray. And Tom. - by Dan Gillespie - At 68 pages in length, it's conveniently sized to - fit inside your lunchbox, - conceal behind the covers of more respectable books in public. Gary Owens ("Laugh-In" alumnus, Radio Hall of Fame inductee, and Los Angeles radio personality on KLAC 570 AM) says: "I love it ... I will put it next to my Capt. Marvel necktie, Porky Pig soap dish and my bottomless Don Knotts calendar!"

In "Right of the Dial," Alec Foege explores how the mammoth media conglomerate Clear Channel Communications evolved from a local radio broadcasting operation, founded in 1972, into one of the biggest, most profitable, and most polarizing corporations in the country. During its heyday, critics accused Clear Channel, the fourth-largest media company in the United States and the nation's largest owner of radio stations, of ruining American pop culture and cited it as a symbol of the evils of media monopolization, while fans hailed it as a business dynamo, a beacon of unfettered capitalism.What's undeniable is that as the owner at one point of more than 1,200 radio stations, 130 major concert venues and promoters, 770,000 billboards, and 41 television stations, Clear Channel dominated the entertainment world in ways that MTV and Disney could only dream of. But in the fall of 2006, after years of public criticism and flattening stock prices, Goliath finally tumbled--Clear Channel Communications, Inc., spun off its entertainment division and plotted to sell off one-third of its radio stations and all of its television concerns, and to transfer ownership of the rest of its holdings to a consortium of private equity firms. The move signaled the end of an era in media consolidation, and in "Right of the Dial," Foege takes stock of the company's successes and abuses, showing the manner in which Clear Channel reshaped America's cultural and corporate landscape along the way.

This book examines radio and mystery drama from about 1932 to the genre's final appearance in the late 1950's. While its focus is on women detectives, French provides minute and fascinating details about dozens of mystery programs and includes a comprehensive listing of source material ranging from magazine articles, to dime detective novels, to film noir. Each lady detective appearing under one of eight cleverly conceived categories gets handsome, multi-page treatment. The author traces the chronological appearance of the subject's show, examines the program's history and origins, and details with substantial documentation the manner of the show's presentation and production. He intersperses the text with actual dialogue taken directly from the program scripts. Winner of the Agatha Award!

When Dashiell Hammett's THE ADVENTURES OF SAM SPADE made its debut over CBS in August of 1946, the series became an instant success. Howard Duff, a virtual unknown among Hollywood circles, found himself bombarded with movie offers. The early broadcasts of the series revealed a dark side of Spade: stealing money out of a dead man's wallet to sleeping with a married woman. Over time, the script writers cut down on the dark side and added an emphasis of humor. Spade's romantic relationship with his secretary Effie was more obvious. While many recordings exist from the radio broadcasts of the forties and fifties, a large percentage of the SAM SPADE programs are considered "lost" -- due to the lack of preservation. Today, fans of the program seek out those "lost" adventures, especially the earliest broadcasts that shed light on just what kind of character Sam Spade is and the explanation for the popularity during the late forties. Thanks to Bear Manor Media and editor Martin Grams Jr., this book offers reprints of thirteen scripts from THE ADVENTURES OF SAM SPADE. Almost every script originates from a "lost" episode that fans cannot otherwise listen via recording. Some of the earliest episodes are included, revealing the darker side of Sam. A holiday offering from the Steve Dunne season is included, as well as an episode revealing Sam's affections for another woman so strong he was willing to lose his secretary for her. A lengthy essay revealing background concerning each of these scripts is included.

Friendship with the Judge came at a pivotal time in Doc's life; he quickly became the closest, truest, most generous brother Doc ever knew. They were a chemical reaction when they came together with a thought, an idea or a plan to pull off another coup. As the saying goes, "There's synergy creating energy that's stronger than the sum of its parts." That was Doc and the Judge, the Judge was fire, Doc was water. The Judge was all reaction and Doc was all control. Doc and the Judge redefined "business as usual." They didn't just "break on through to the other side" as Jim Morrison urged in his hypnotic sixties reverie they crashed and crashed on through They made tons of money for the grey suits that supported and funded them, and a tidy pile of cash for themselves along the way. Though it was truly not about the money for them, it was about being "dudes." They defined themselves, daring the world to defy their ability to turn cultural trends into big money returns for the true believers who backed them. They never compromised, never shrank from a battle and never feared losing it all. Their business acumen and inherent credibility was inextricably linked to their integrity and musical and business authenticity. Doc watched over the Judge for his own good and the Judge knew and respected his faith. The Judge was a searing, shooting star flashing blindingly across the night sky and defiantly demanding acceptance on his own terms. The Doc executed the business and kept it real. They took on the world, bought and sold it many times over laughing ALL THE WAY TO THE BANK. They were inseparable during the decade of the 70's, Butch and the Kid many called them. The Judge always swore he ruled his court. Doc smiles at these memories suspecting that even now he's hanging out with God and is slipping a wickedly powerful toke or perhaps a St. Pauli's girl to the Apostles when the big "G" isn't looking.

Originally prepared by the Fox Meadow School for students learning to perform drama on the radio, here is Henry Fisk Carlton's original radio play (broadcast as part of the "Dramatic Hours in Revolutionary History" series), complete with notes on how to be a good radio actor and how to follow directions in the play. Edited by Claire T. Zyve, Ph.D.

Nothing was too large or too small to engage Jerome Stern's interest. Along with the mysteries of the universe, he wrote about kids versus adults, the moods of teachers, and summer camp. He wrote about chocolate, the anxieties of plane travel, and the night fantasies of husbands. And in a suite called "Patient, " broadcast for the week on "All Things Considered, " he considered his own experience of illness. All in all, these pieces, whether cautioning or celebrating or simply turning over ideas (to see wha makes them tick), add up to a freewheeling autobiography of a man who was curious about everything. Now, with this book, readers and listeners can recapture his words and the familiar musing voice.

Over its twenty-year history National Public Radio's "All Things Considered" has become a landmark American program, a unique source of news and of voices from across the country that don't often get a hearing elsewhere. In these pages, Noah Adams captures a year in the life of "All Things Considered", and celebrates the special pleasures of the show: its original blend of frontline news reporting, commentary, and features; its spirited attention to the highways and the byways of American life; and the people - "All Things Considered" staff and listeners alike - who make it all happen. The year's stories take us from China to Romania and from Alaska to Appalachia, from the fall of Communism in Eastern Europe to a West Virginia fire department's ramp supper fundraiser. Along the way we look in on musicians, writers, farmers, and bungee jumpers; we go whale watching and lighthouse hunting; and we ride the rails from St. Paul to Seattle on the "Empire Builder" train. We see how the broadcast is put together by a team of reporters, technicians, and announcers determined to bring us the news straight from the source, without distortions and simplifications. We learn how "All Things Considered" and National Public Radio got their starts, and how Noah Adams came to join them both. And we hear a lifetime's worth of stories of radio work gone (sometimes) just right and (occasionally) hilariously wrong. Most of all we meet people on both sides of the radio who we're glad to know, listeners from all across the country and the "All Things Considered" reporters - Cokie Roberts, Nina Totenberg, John Hockenberry, Deborah Amos, Susan Stamberg, and others - who have become as familiar to us, and astrusted, as neighbors across the back fence. As engaging and varied as the program it chronicles, here is a must-read for every fan of what Time calls "the most literate, trenchant, and entertaining news program on the radio".

Stop crying! We've got more impossible kid humor for you! MORE Baby Snooks Scripts from the fertile mind of radio writer, Philip Rapp! Original radio scripts from Maxwell House, Good News, and a rarity - an undated script from Rapp written with Alfred Hitchcock in the unlikely role of Snooks!

For nearly a century the world's most famous law enforcement body has inspired novelists, actors and filmmakers. From "The Lone Ranger" to "Walker, Texas Ranger," from Zane Grey's "The Lone Star Ranger" to Larry McMurtry's "Lonesome Dove," Texas Rangers have been portrayed on the silver screen, network radio and television. John Wayne, Gary Cooper, Tom Mix, Clint Eastwood, Gene Autry, Roy Rogers, and a host of lesser Western stars each took his turn at depicting Texas Rangers. Decade by decade, movie by movies, "Reel Rangers" explores in detail rich popular that has dramatized the heroic mystique of the Texas Rangers.

This powerful history of broadcasting in the United States goes beyond traditional accounts to explore the field's important social, political, and cultural ramifications. It examines how broadcasting has been organized as a business throughout much of the 20th century, and focuses on the aesthetics of programming over the years.
Surveys four key broadcasting periods from 1921 to 1996, drawing on a range of new sources to examine recent changes in the field, including coverage of the recent impact of cable TV and home video
Includes new data from collections at the Library of Congress and the Library of American Broadcasting
Ideal for anyone seeking a readable history of the field, offering the most current coverage available

The first book on a classic radio show, including: * A history of this fascinating musical program, revealing why the show was referred to as "Hour" when the series was broadcast on a 30-minute time slot, why the series never features operas, and much more! * A complete episode guide listing in extreme detail, all 299 episodes with titles of all songs, who sung them, the order in which they were sung, the origina of all musicals, plots, cast lists (who played who) and much more! * Trivia listed under various episode entries. * The Railroad Hour commercials. * Biography and partnership of Jerome Lawrence and Robert E. Lee. * Broadcast times schedule. * Complete list of ABC Networks that carried the program. * Complete list of the NBC Networks also. * Complete list of Railroad sponsors for the program. * Awards and Honors. * Fully indexed. * Plus much, much more!

LOADED with trivia, plus an episode guide and brief description to each and every radio and television broadcast, comic books and mystery magazines using the SUSPENSE name. Trivia about the "Sorry, Wrong Number" classic and other tidbits are included. Fully indexed. A must for radio fans!

Twenty Questions was one of the first weekly panel quiz shows on the radio. It was a "panel of experts" show, based on the old animal, vegetable, mineral parlor game. Listeners sent in subjects - famous things and people - for the panel to identify. Churchill's cigar, Huck Finn, and the Empire State Building are examples of easier subjects. The panel would narrow down the possibilities by asking the emcee yes or no questions, no more than twenty of them. "Is it east of the Mississippi?" "Was he a fictional character?" The panel consisted of a guest celebrity, three willing adults, and a juvenile who was sometimes willing and sometimes maybe not. This book was written from the viewpoint of Bobby McGuire, the original juvenile panel member of the Twenty Questions program. The problem was that he was an adolescent and much of the time didn't know what he wanted. What's extraordinary about the book is the intermix of show business euphoria and high school angst that the teenager must face. The young man wants to "come of age" in the world of high school, but the world of show business doesn't want him to. This conflict, along with his version of the usual problems teenagers face, results in several hilarious and sometimes wrenching adventures "in both worlds" many of which are themselves extraordinary. And they all really happened.

Volume 7 of this 7 volume set from historian Roger C. Paulson promises to be the most complete old-time radio encyclopedia ever written. This massive tome has been 20 years in the making and is a MUST for any fan of radio history. With biographies of its (even obscure) series and stars, it is the most comprehensive set ever attempted! Everything from "T-Man" to "Bill Zuckert" is covered here in an overwhelming amalgamation of biographical material that is sure to please the casual observer as well as the steadfast researcher of radio and early recorded sound. Birthdates, deathdates, credit lists, cross-referenced with alternate show names, Archives of the Airwaves far surpasses any book on radio history ever before published.

The ultimate book on Jack Benny's varied career. Includes these chapters: I Remember Jack by Frank Bresee The Sweetest Music This Side of Waukegan by Clair Schulz In the Movies with Jack Benny by Kay Linaker with Janine Marr Finding Himself in the Footlights: Jack Benny in Vaudeville by Pam Munter The Women in Benny's Life: An Examination of Jack's Luck With the Fairer Sex in Radio, TV, and the Movies by Mark Higgins Benny's War by B. J. Borsody Cheapskate Benny or Generous Jack? by Charles A. Beckett Balzer on Benny by Jordan R. Young To Be or Not to Be: Jack Benny in Hollywood 1940-1945 by Philip G. Harwood Jack Benny and Fred Allen: The Fierce Fighting of Good Friends by Noell Wolfgram Evans My Adventures in Hollywood by Jack Benny Benny's Floopers and Blubs (Uh, Bloopers and Flubs) by Michael Leannah Better Play, Don by Jack Benny Jack and Johnny: To Each a Fan, To Each a Friend by Steve Newvine From the Cradle to the Grave: The Births and Deaths of the Principal Characters of "The Jack Benny Program" by Ron Sayles and Michael Leannah What're You Laughing At, Mary? The Comic Voice of Mary Livingstone by Kathryn Fuller-Seeley Mel Blanc: Man of a Thousand Voices by Marc Reed Jack Benny: Cartoon Star by Derek Tague and Michael J. Hayde Jack Benny: Guardian Angel by Steve Thompson Timing Is Everything by Jordan R. Young Finding Jack Benny in Today's Waukegan by Michael Mildredson

In 1929, ""The Goldbergs"" debuted on the air, introducing Gertrude Berg - and her radio alter ego, Bronx housewife Molly Goldberg - to the nation. The show would become one of the most beloved and enduring programs of Golden Age radio and of early TV. At the helm was Berg who, as creator, star, writer, and producer, became a force to be reckoned with. This multifaceted biography provides a penetrating look at how Gertrude Berg carved a special place for herself in the annals of broadcast history. Decades before Lucille Ball, Berg triumphed as a woman of commercial and creative consequence in what was essentially a male-dominated arena. For over three decades, Berg's ""Molly"" fluttered about and hung out her kitchen window dispensing motherly advice laced with engaging malapropisms, insights, and lots of ""schmaltz."" The show offered a warmly comedic look at the lives and dreams of working-class American Jews and subtle insights into the nature of assimilation. While Molly, husband Jake, and Uncle David represent Old World Jewish stereotypes, children Rosalie and Sammy are as American as apple pie. A sentimental portrait of the immigrant experience, ""The Goldbergs"" offered a mythic ideal of the American dream. Drawing on Gertrude Berg's papers at Syracuse University's Bird Library and rare interviews with her family and colleagues, the author reveals her as shrewd, creative, and forthright. Unlike ""Molly,"" Berg was a cultivated woman and a Columbia graduate. A pioneer in the concept of product tie-in, she parlayed the show's popularity into a movie, short stories, and even a cookbook. In 1951, she stood up to the blacklist by refusing to fire longtime co-star Philip Loeb who was under investigation by the House Un-American Activities Committee. The book also chronicles Berg's accomplishments in theater, film, and literature.