Through nigh-on forty years of laconic brilliance on Radio 1, a musical taste which defined a culture and his wildly popular Radio 4 show, Home Truths, John Peel reached out to an audience that was as diverse as his record collection. He was a genuinely great Briton, beloved by millions. John's unique voice and sensibility were evident in everything he did, and nowhere is that more true than in these pages. Margrave of the Marshes is the astonishing book John Peel began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. It is a unique and intimate portrait of a life, a marriage and a family which is every bit as extraordinary as the man himself - a fitting tribute to a bona fide legend.

A fascinating collection of revealing and entertaining interviews by the award-winning host of National Public Radio's premier interview program Fresh Air. Over the last twenty years, Terry Gross has interviewed many of our most celebrated writers, actors, musicians, comics, and visual artists. Her show, Fresh Air with Terry Gross, a weekday magazine of contemporary arts and issues produced by WHYY in Philadelphia, is one of National Public Radio's most popular programs. More than four million people tune in to the show, which is broadcast on over 400 NPR stations across the country. Gross is known for her thoughtful, probing interviewing style. In her trusted company, even the most reticent guest relaxes and opens up. But Gross doesn't shy away from controversy, and her questions can be tough--too tough, apparently, for Bill O'Reilly, who abruptly terminated his conversation with her. Her interview with Gene Simmons of Kiss, which is included in the book, prompted Entertainment Weekly to name Simmons its male "Crackpot of the Year." For All I Did Was Ask, Gross has selected more than three dozen of her best interviews--ones of lasting relevance that are as lively on the page as they were on the air. Each is preceded by a personal introduction in which she reveals why a particular guest was on the show and the thinking behind some of her questions. And in an introductory chapter, the normally self-effacing Gross does something you're unlikely ever to hear her do on Fresh Air--she discusses her approach to interviewing, revealing a thing or two about herself in the bargain.The collection focuses on luminaries from the art and entertainment world, including actors, comedians, writers, visual artists, and musicians, such as:Conan O'BrienChris RockMichael CaineDennis HopperDustin HoffmanJodie FosterJohn UpdikeMary KarrMario PuzoNick HornbyChuck CloseEric ClaptonGeorge ClintonSonny RollinsSamuel L. JacksonJohnny CashIsabella RosselliniDivineUta Hagen *Carol Shields

Why is music so important to radio? This anthology explores the ways in which musical life and radio interact, overlap and have influenced each other for nearly a century. One of music radio's major functions is to help build smaller or larger communities by continuously offering broadcast music as a means to create identity and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry by mediating and by gatekeeping. Focusing on music from around the world, Music Radio discusses what music radio is and why or for what purposes it is produced. Each essay illuminates the intricate cultural processes associated with music and radio and suggests ways of working with such complexities.

In Race and Radio: Pioneering Black Broadcasters in New Orleans, Bala James Baptiste traces the history of the integration of radio broadcasting in New Orleans and tells the story of how African American on-air personalities transformed the medium. Analyzing a trove of primary data-including archived manuscripts, articles and display advertisements in newspapers, oral narratives of historical memories, and other accounts of African Americans and radio in New Orleans between 1945 and 1965-Baptiste constructs a formidable narrative of broadcast history, racism, and black experience in this enormously influential radio market. The historiography includes the rise and progression of black broadcasters who reshaped the Crescent City. The first, O. C. W. Taylor, hosted an unprecedented talk show, the Negro Forum, on WNOE beginning in 1946. Three years later in 1949, listeners heard Vernon ""Dr. Daddy-O"" Winslow's smooth and creative voice as a disk jockey on WWEZ. The book also tells of Larry McKinley who arrived in New Orleans from Chicago in 1953 and played a critical role in informing black listeners about the civil rights movement in the city. The racial integration of radio presented opportunities for African Americans to speak more clearly, in their own voices, and with a technological tool that opened a broader horizon in which to envision community. While limited by corporate pressures and demands from advertisers ranging from local funeral homes to Jax beer, these black broadcasters helped unify and organize the communities to which they spoke. Race and Radio captures the first overtures of this new voice and preserves a history of black radio's awakening.

A 60th anniversary celebration of the much-loved nautical comedy, featuring six classic episodes plus bonus material On 29 March 1959, The Navy Lark sailed the airwaves for the very first time. Starring Leslie Phillips, Jon Pertwee and Stephen Murray, with regular appearances from Ronnie Barker and Heather Chasen, it soon became a radio favourite and ran for 18 years - one of the longest-running BBC sitcoms. This anniversary collection comprises six of the best episodes from the iconic series - Operation Fag End (5 April 1959), The Hank of Heather (17 May 1959), The Lighthouse Lark (29 January 1960), A Deliberate Bashing (19 April 1963), When Sub Lt Phillips Was at Dartmouth (29 October 1967) and The Jubilee Navy Lark (16 July 1977). Bonus items include a mini-episode from The Light Entertainment Show; two crossover episodes from spin-off series The Embassy Lark: National Grumpschnog Week (12 April 1966) and Sub-Lt Phillips Drops In (16 April 1968), and a discussion from Bob Holness Presents: Farewell to the Paris, which sees Leslie Phillips and Jon Pertwee reminiscing about the making of The Navy Lark. So step aboard HMS Troutbridge for laughs ahoy! PLEASE NOTE: The CD inlay makes reference to the programme Left Hand Down a Bit. This programme is not included in the collection.

In the 1920s, the USDA asked farmers about the impact the new medium of radio was having on their lives. One farmer summed it up this way: "Radio brought me out of the dark."
"Out of the Dark" is a study of radio's impact on rural America in the three decades between its inception and the arrival of television. The coming of radio broadcasting had a profound impact on the lives of many Americans, but none more so than those who lived in rural America. Radio provided isolated families with something they had never known before--an instantaneous connection with news, entertainment, and the rapidly evolving lifestyles and mores of the entire nation.
Drawing upon both new historical sources and contemporary scholarship, "Out of the Dark" presents a comprehensive picture of rural radio and its audience in the United States during the three decades when its influence was at its peak.
This study documents the social changes radio helped bring about, such as the effects of advertising and entertainment in creating a more uniform set of values across the nation and, consequently, a stronger national identity. "Out of the Dark" also addresses the political and economic impact the rural audience had on the development of the broadcasting industry and its regulation; the role played by the USDA in the promotion and development of rural radio; and an analysis of how radio entertainment and advertising contributed to the growing demand for consumer goods among rural families, thus speeding their entry into the modern American lifestyle.

"This is not another turgid guide to digital editing, writing for radio and the structure of a newsroom team. It is an ambitious and accessible study that combines a succinct narrative history of radio journalism with an analysis of its power in the public sphere. It describes the development of British audio broadcasting before locating it in an international context and contemplating the contours of the convergent future. Such ambition is often the prelude to failure. Instead, Starkey and Crisell have written a precious introduction to the theory, practice and purposes of radio journalism that will be very useful to serious students of the subject... This is a very good book." - THE (Times Higher Education) Radio Journalism introduduces key themes in journalism studies to explore what makes radio reporting distinctive and lay out the claims for radio's critical importance in the news landscape. With their extensive experience in radio production and academica, authors Guy Starkey and Andrew Crisell take readers on a tour through the past, present and future of radio broadcasting, from the infancy of the BBC in the 1920s up to the prospect of rolling news delivered to mobile telephones. Grounding each chapter in a survey of scholarly writing on the radio, they explore the connections between politics, policy and practice, inviting critical reflection on who radio professionals are, what they do and why. Putting theory and practice into dialogue, this book is the perfect bridge between unreflective production manuals and generalised media theory texts. Witty and engaging, Radio Journalism provides an essential framework for understanding the continuing relevance of radio journalism as a profession, set of practices and arena for critical debate.

'This innovative and clearly written handbook does exactly what it claims on the cover, providing students with accessible and authoritative knowledge of the essential topics in Radio Studies... Chignell writes about radio with an engaging mixture of scholarly detachment and private passion' - The Radio Journal 'There is a need for a straightforward, wide-ranging, and up-to-date introduction to ways to study radio and other new audio-based media. Hugh Chignell's new book certainly fits the bill, and admirably takes the reader from initial ideas through to additional readings which explore the core issues in greater depth. It is crisply and engagingly written, draws upon a very good range of scholarship, and provides many useful contemporary examples... Students will find it an essential aid to their studies, and it may even go someway to ensuring that the study of radio is as important in the academy as its visual cousins' - Viewfinder 'This book is a useful starting point for radio students and staff, packed with citations and pithy comment from the author. It is a rich resource book for academic radio study at all levels' - Janey Gordon, University of Bedfordshire The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensible study aids and guides to comprehension. Key Concepts in Radio Studies: " Provides a comprehensive, easy-to-use introduction to the field " Grounds theory with global examples " Takes it further with recommended reading " Covers the central ideas and practices from production and media studies " Situates radio studies within its historical context and contemporary auditory culture

This new Major Work from Routledge is a six-volume facsimile collection featuring long-out-of-print articles, documents and books that shed light on the key developments in radio in the USA - most of which took place in the 1920s and 1930s. The volumes cover most aspects of radio broadcasting in its formative years. Selections include professional journal articles, descriptive and critical pieces from more general periodicals, government publications, short books and industry publications. Each volume includes an introduction by the editor, placing the chosen reprinted materials in their larger historical and intellectual context.

Ten archive editions of the the much-loved BBC Radio 4 panel game plus two very special programmes, chaired by Nicholas Parsons. Seasons come and go, and years fly by, but Just a Minute has been a constant ray of sunshine on Radio 4 for over 50 years. Now, in this new collection of programmes, ten previously unpublished editions - from the 1970s to the 2010s - are presented alongside two very special half hours: Just a Minute: 50 Years in 28 Minutes and 50 Years of Just a Minute: Paul Merton in Conversation with Nicholas Parsons. Among the many guest performers attempting to speak for 60 seconds without hesitation, repetition or deviation from the subject are Kenneth Williams, Clement Freud, Derek Nimmo, Peter Jones, Paul Merton, Andree Melly, Patrick Moore, Kenny Everett, Tim Rice, Wendy Richard, Richard Murdoch, Jenny Eclair, Kit Hesketh-Harvey, Stephen Frost, Gyles Brandreth, Sue Perkins and Frank Skinner. Who will win enough points to take a commanding lead, who will find themselves trailing a little, and who will finish in a strong fourth place? Find out as we play Just a Minute! 1. 12 October 1971: Featuring Clement Freud, Peter Jones, Andree Melly, Kenneth Williams 2. 18 April 1978: Featuring Clement Freud, Patrick Moore, Derek Nimmo, Kenneth Williams 3. 5 February 1980: Featuring Kenny Everett, Clement Freud, Peter Jones, Kenneth Williams 4. 16 June 1984: Featuring Clement Freud, Peter Jones, Tim Rice, Kenneth Williams 5. 16 June 1988: Featuring Clement Freud, Derek Nimmo, Wendy Richard, Kenneth Williams 6. 28 April 1990: Featuring Peter Jones, Paul Merton, Richard Murdoch, Wendy Richard 7. 2 August 1999: Featuring Jenny Eclair, Stephen Frost, Kit Hesketh-Harvey, Peter Jones 8. 19 January 2004: Featuring Clement Freud, Paul Merton, Graham Norton, Linda Smith 9. 9 January 2006: Featuring Clement Freud, Stephen Fry, Paul Merton, Tim Rice 10. 18 August 2014: Featuring Gyles Brandreth, Paul Merton, Sue Perkins, Frank Skinner 11. 25 December 2017: Just a Minute: 50 Years in 28 Minutes. Featuring panellists from across the years 12. 1 January 2018: 50 Years of Just a Minute - Paul Merton in conversation with Nicholas Parsons Devised by Ian Messiter Chaired by Nicholas Parsons Episode selection by Michael Stevens Music: The Minute Waltz (Waltz in D Flat Major, Op. 64) by Chopin Duration: 5 hours 50 mins approx. Please note: The humour in these programmes sometimes reflects the era in which they were first broadcast. Contains strong language and mild innuendo. Due to the archive nature of some of the episodes, sound quality may vary.

Providing a fresh reevaluation of a specific era in popular music, this book contextualizes the era in terms of both radio history and cultural analysis. "Early '70s Radio" focuses on the emergence of commercial music radio "formats", which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could reimagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, "Early '70s Radio" is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "Soft rock", Album-oriented rock, Soul and Country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of CITIZEN KANE. Vivid, vastly entertaining, this is the definitive Wells biography.

This title combines both theory and practice to lead, stepwise, to a full understanding of radio drama form. With the resurgence (though some say it has never left) of radio, due in part to new media practices and technological innovations, not only are there more theory-related radio courses, but also those teaching the production and practice aspects. "The Radio Drama Handbook" combines both theory and practice to lead, stepwise, to a full understanding of radio drama form. The handbook is broken down into two large sections: "A Contextual Guide to Radio Drama" and "A Practical Guide to Radio Drama". There will be a wide selection of case studies and practical exercises to make the book engaging and, above all, useful. Each section will be accompanied by practical exercises and suggested activities. Practice oriented and teacher/student friendly, this handbook is sure to become the new standard for all radio drama courses.