This new Major Work from Routledge is a six-volume facsimile collection featuring long-out-of-print articles, documents and books that shed light on the key developments in radio in the USA - most of which took place in the 1920s and 1930s. The volumes cover most aspects of radio broadcasting in its formative years. Selections include professional journal articles, descriptive and critical pieces from more general periodicals, government publications, short books and industry publications. Each volume includes an introduction by the editor, placing the chosen reprinted materials in their larger historical and intellectual context.

Ten archive editions of the the much-loved BBC Radio 4 panel game plus two very special programmes, chaired by Nicholas Parsons. Seasons come and go, and years fly by, but Just a Minute has been a constant ray of sunshine on Radio 4 for over 50 years. Now, in this new collection of programmes, ten previously unpublished editions - from the 1970s to the 2010s - are presented alongside two very special half hours: Just a Minute: 50 Years in 28 Minutes and 50 Years of Just a Minute: Paul Merton in Conversation with Nicholas Parsons. Among the many guest performers attempting to speak for 60 seconds without hesitation, repetition or deviation from the subject are Kenneth Williams, Clement Freud, Derek Nimmo, Peter Jones, Paul Merton, Andree Melly, Patrick Moore, Kenny Everett, Tim Rice, Wendy Richard, Richard Murdoch, Jenny Eclair, Kit Hesketh-Harvey, Stephen Frost, Gyles Brandreth, Sue Perkins and Frank Skinner. Who will win enough points to take a commanding lead, who will find themselves trailing a little, and who will finish in a strong fourth place? Find out as we play Just a Minute! 1. 12 October 1971: Featuring Clement Freud, Peter Jones, Andree Melly, Kenneth Williams 2. 18 April 1978: Featuring Clement Freud, Patrick Moore, Derek Nimmo, Kenneth Williams 3. 5 February 1980: Featuring Kenny Everett, Clement Freud, Peter Jones, Kenneth Williams 4. 16 June 1984: Featuring Clement Freud, Peter Jones, Tim Rice, Kenneth Williams 5. 16 June 1988: Featuring Clement Freud, Derek Nimmo, Wendy Richard, Kenneth Williams 6. 28 April 1990: Featuring Peter Jones, Paul Merton, Richard Murdoch, Wendy Richard 7. 2 August 1999: Featuring Jenny Eclair, Stephen Frost, Kit Hesketh-Harvey, Peter Jones 8. 19 January 2004: Featuring Clement Freud, Paul Merton, Graham Norton, Linda Smith 9. 9 January 2006: Featuring Clement Freud, Stephen Fry, Paul Merton, Tim Rice 10. 18 August 2014: Featuring Gyles Brandreth, Paul Merton, Sue Perkins, Frank Skinner 11. 25 December 2017: Just a Minute: 50 Years in 28 Minutes. Featuring panellists from across the years 12. 1 January 2018: 50 Years of Just a Minute - Paul Merton in conversation with Nicholas Parsons Devised by Ian Messiter Chaired by Nicholas Parsons Episode selection by Michael Stevens Music: The Minute Waltz (Waltz in D Flat Major, Op. 64) by Chopin Duration: 5 hours 50 mins approx. Please note: The humour in these programmes sometimes reflects the era in which they were first broadcast. Contains strong language and mild innuendo. Due to the archive nature of some of the episodes, sound quality may vary.

Providing a fresh reevaluation of a specific era in popular music, this book contextualizes the era in terms of both radio history and cultural analysis. "Early '70s Radio" focuses on the emergence of commercial music radio "formats", which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could reimagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, "Early '70s Radio" is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "Soft rock", Album-oriented rock, Soul and Country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.

A fascinating collection of revealing and entertaining interviews by the award-winning host of National Public Radio's premier interview program Fresh Air. Over the last twenty years, Terry Gross has interviewed many of our most celebrated writers, actors, musicians, comics, and visual artists. Her show, Fresh Air with Terry Gross, a weekday magazine of contemporary arts and issues produced by WHYY in Philadelphia, is one of National Public Radio's most popular programs. More than four million people tune in to the show, which is broadcast on over 400 NPR stations across the country. Gross is known for her thoughtful, probing interviewing style. In her trusted company, even the most reticent guest relaxes and opens up. But Gross doesn't shy away from controversy, and her questions can be tough--too tough, apparently, for Bill O'Reilly, who abruptly terminated his conversation with her. Her interview with Gene Simmons of Kiss, which is included in the book, prompted Entertainment Weekly to name Simmons its male "Crackpot of the Year." For All I Did Was Ask, Gross has selected more than three dozen of her best interviews--ones of lasting relevance that are as lively on the page as they were on the air. Each is preceded by a personal introduction in which she reveals why a particular guest was on the show and the thinking behind some of her questions. And in an introductory chapter, the normally self-effacing Gross does something you're unlikely ever to hear her do on Fresh Air--she discusses her approach to interviewing, revealing a thing or two about herself in the bargain.The collection focuses on luminaries from the art and entertainment world, including actors, comedians, writers, visual artists, and musicians, such as:Conan O'BrienChris RockMichael CaineDennis HopperDustin HoffmanJodie FosterJohn UpdikeMary KarrMario PuzoNick HornbyChuck CloseEric ClaptonGeorge ClintonSonny RollinsSamuel L. JacksonJohnny CashIsabella RosselliniDivineUta Hagen *Carol Shields

"One of the few books we'd recommend" BBC Training "The perfect guide for anyone who wants to get on in this ever-changing and challenging media" Controller BBC Radio 5 Live "A rich repository of real, practical experience" Director - BBC Nations & Regions "An invaluable guide" Director - The Radio Academy This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in - this book will help you do all that and more. It covers network and commercial, music and talk radio skills and is particularly suited to the independent local or community radio. It features advice from professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running. This edition has been updated throughout and has more than 500 weblinks to downloads and audio and video examples, as well as cross-references to the official National Occupational Standards for Radio Content.

This title combines both theory and practice to lead, stepwise, to a full understanding of radio drama form. With the resurgence (though some say it has never left) of radio, due in part to new media practices and technological innovations, not only are there more theory-related radio courses, but also those teaching the production and practice aspects. "The Radio Drama Handbook" combines both theory and practice to lead, stepwise, to a full understanding of radio drama form. The handbook is broken down into two large sections: "A Contextual Guide to Radio Drama" and "A Practical Guide to Radio Drama". There will be a wide selection of case studies and practical exercises to make the book engaging and, above all, useful. Each section will be accompanied by practical exercises and suggested activities. Practice oriented and teacher/student friendly, this handbook is sure to become the new standard for all radio drama courses.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the "The Paper Chase." After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered their own weekly hour-long radio program over the CBS radio network. Here Welles along with Agnes Moorehead, Ray Collins, Joseph Cotten, Alice Frost, Martin Gabel, and others presented powerful adaptations of literary classics with Bernard Herrman as composer and conductor.

Considered by many critics as the finest dramatic hour on radio, "The Mercury Theatre on the Air" was without a sponsor until a single broadcast changed all that: "The War of the Worlds.""