A collection of Sherlock Holmes radio scripts with detailed notes on Canonical references, rewrites, influences and the challenges of adapting Conan Doyles original tales for a 21st Century audience.

X Games skateboarder, pro mixed martial arts fighter, and outspoken SiriusXM satellite radio host Jason Ellis shares his jaw-dropping and inspirational life story, from the depths of addiction to the glory of victory to the joys and ordeals of fatherhood. Fans of The Jason Ellis Show and the MMA-meets-music festival "Ellismania" know Ellis as a fearless daredevil-and as the new voice of action sports in America. Now, fans can learn how he got to be the man he is: the struggles, the setbacks, and the fight he put up to make it through to something better. Fans of Griffin Forrest's Got Fight and Tony Hawk's Hawk won't want to miss this unbelievable tell-all from a larger-than-life icon, and a fighter through and through.

This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.

In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio's central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.

We can't do without radio. However many new forms of mass communication are invented, the grandmother of them all remains indispensable. From Peru to Jordan, it's radio journalists who are often the first, and the last, to defy censorship and push the boundaries. As modern technology multiplies radio's reach, Index examines the medium and its messengers. Alexei Venediktov gives an exclusive interview on the secret of radio station Ekho Moskvy's survival - one of the last bastions of free speech in Russia; Joe Queenan reveals why he has no time for talk radio in the US and Shirazuddin Siddiqi on the programme the Taliban couldn't ban. PLUS Richard Norton-Taylor on the pursuit of secrecy; Marge Berer on a full-frontal cover-up; an exclusive extract from Javad Mahzadeh's acclaimed novel set during the Iran-Iraq war and Martin Rowson's Stripsearch. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers. Forthcoming September 2010: Issue 39/3, Free Speech and Music For subscription options visit: http:/ioc.sagepub.com www.indexoncensorship.org: the place to turn for free up-to-the-minute free expression news and comment Winner 2008 Amnesty International Consumer Magazine of the Year

As World War II drew to a close and radio news was popularized through overseas broadcasting, journalists and dramatists began to build upon the unprecedented success of war reporting on the radio by creating audio documentaries. Focusing particularly on the work of radio luminaries such as Edward R. Murrow, Fred Friendly, Norman Corwin, and Erik Barnouw, "Radio Utopia: Postwar Audio Documentary in the Public Interest" traces this crucial phase in American radio history, significant not only for its timing immediately before television, but also because it bridges the gap between the end of the World Wars and the beginning of the Cold War. Matthew C. Ehrlich closely examines the production of audio documentaries disseminated by major American commercial broadcast networks CBS, NBC, and ABC from 1945 to 1951. Audio documentary programs educated Americans about juvenile delinquency, slums, race relations, venereal disease, atomic energy, arms control, and other issues of public interest, but they typically stopped short of calling for radical change. Drawing on rare recordings and scripts, Ehrlich traces a crucial phase in the evolution of news documentary, as docudramas featuring actors were supplanted by reality-based programs that took advantage of new recording technology. Paralleling that shift from drama to realism was a shift in liberal thought from dreams of world peace to uneasy adjustments to a cold war mentality. Influenced by corporate competition and government regulations, radio programming reflected shifts in a range of political thought that included pacifism, liberalism, and McCarthyism. In showing how programming highlighted contradictions within journalism and documentary, "Radio Utopia" reveals radio's response to the political, economic, and cultural upheaval of the post-war era.

A 60th anniversary celebration of the much-loved nautical comedy, featuring six classic episodes plus bonus material On 29 March 1959, The Navy Lark sailed the airwaves for the very first time. Starring Leslie Phillips, Jon Pertwee and Stephen Murray, with regular appearances from Ronnie Barker and Heather Chasen, it soon became a radio favourite and ran for 18 years - one of the longest-running BBC sitcoms. This anniversary collection comprises six of the best episodes from the iconic series - Operation Fag End (5 April 1959), The Hank of Heather (17 May 1959), The Lighthouse Lark (29 January 1960), A Deliberate Bashing (19 April 1963), When Sub Lt Phillips Was at Dartmouth (29 October 1967) and The Jubilee Navy Lark (16 July 1977). Bonus items include a mini-episode from The Light Entertainment Show; two crossover episodes from spin-off series The Embassy Lark: National Grumpschnog Week (12 April 1966) and Sub-Lt Phillips Drops In (16 April 1968), and a discussion from Bob Holness Presents: Farewell to the Paris, which sees Leslie Phillips and Jon Pertwee reminiscing about the making of The Navy Lark. So step aboard HMS Troutbridge for laughs ahoy! PLEASE NOTE: The CD inlay makes reference to the programme Left Hand Down a Bit. This programme is not included in the collection.

During the first half of the 20th century, when radio reigned supreme in the living rooms of America, the medium's hunger for captivating characters and stories could not be sated. Three national networks and dozens of independent stations created a vast expanse of air time that had to be filled with comedy, adventure, mystery, drama and music, night after night. It's no surprise that radio's producers and writers looked to outside sources for inspiration, drawing some of old-time radio's most beloved characters (e.g., Sherlock Holmes, Tarzan, Hopalong Cassidy, and Buck Rogers) directly from the pages of literature and popular fiction.This book examines individual characters that jumped from prose to radio, and also looks at a number of anthology programs that specialized in dramatizing short stories or novels. It begins with an exploration of mystery and detective shows, followed by evaluations of adventure stories, westerns, and science fiction. Later chapters focus on anthology shows, such as Orson Welles' ""Mercury Theater on the Air,"" that adapted classic novels by Twain, Steinbeck, Dickens and other great authors. Each chapter explores how the writers and producers approached the source material - what they changed, what they kept and what they left behind. The results of their efforts were almost always highly entertaining radio, examples of a form of storytelling much more engaging and satisfying than much of that with which it has been replaced.

This book covers personalities, policies, and programming.When it first appeared in the 1930s, FM radio was a technological marvel, providing better sound and nearly eliminating the static that plagued AM stations. It took another forty years, however, for FM's popularity to surpass that of AM. In ""Sounds of Change"", Christopher Sterling and Michael Keith detail the history of FM, from its inception to its dominance (for now, at least) of the airwaves.Initially, FM's identity as a separate service was stifled, since most FM outlets were AM-owned and simply simulcast AM programming and advertising. A wartime hiatus followed by the rise of television precipitated the failure of hundreds of FM stations. As Sterling and Keith explain, the 1960s brought FCC regulations allowing stereo transmission and requiring FM programs to differ from those broadcast on co-owned AM stations. Forced nonduplication led some FM stations to branch out into experimental programming, which attracted the counterculture movement, minority groups, and noncommercial public and college radio.By 1979, mainstream commercial FM was finally reaching larger audiences than AM. The story of FM since 1980, the authors say, is the story of radio, especially in its many musical formats. But trouble looms. Sterling and Keith conclude by looking ahead to the age of digital radio - which includes satellite and internet stations as well as terrestrial stations - suggesting that FM's decline will be partly a result of self-inflicted wounds - bland programming, excessive advertising, and little variety.

In this book my father dies. I almost die.*** My showbiz career winds down. And yet everyone keeps telling me it's the funniest book I've ever written. If I'd known that's what the public wanted, I'd have cancelled Pets Win Prizes and just got sick sooner. Along the way this time we encounter, among others, David Bowie, Kanye West (I think), John Cleese, Peter O'Toole, and have several adventures in the Fourth Dimension. Oh, and I can reveal the Man With The Foulest Mouth In All Show Business. Plus assorted high-kicking hoopla and a whole lot of rather stark stuff about what it's like to be told you could be On The Way Out. *** (SPOILER ALERT: I don't actually die.)

In the late 1920s radio exploded almost overnight into being America's dominant entertainment, just as television would do twenty-five years later. Gerald Nachman, himself a product of the radio years, takes us back to the heyday of radio, bringing to life the great performers and shows, as well as the not-so-great and not-great-at-all. Nachman analyzes the many genres that radio exploited or invented, from the soap opera to the sitcom to the quiz show, zooming in to study closely key performers like Jack Benny, Bob Hope, and Fred Allen. Raised on Radio is a generous, instructive, and sinfully readable salute to an extraordinary American phenomenon.

During the Cold War, one of America's most powerful weapons struck a major blow against tyranny every day over the airwaves. Radio Liberty became a critical source of information for listeners within the Soviet Union, broadcasting in Russian and more than a dozen other languages, and covering all aspects of Soviet life.

Sparks of Liberty provides an insider's look at the origins, development, and operation of Radio Liberty. Gene Sosin, a key executive with the station for thirty-three years, combines vivid eyewitness reports with documents from his personal archives to offer the first complete account of Radio Liberty, tracing its evolution from Stalin's death to the demise of the USSR, to its current role in the post-Soviet world.

Sosin describes Radio Liberty's early efforts to cope with KGB terrorism and Soviet jamming, to minimize interference from the CIA, and to survive pressure exerted by J. William Fulbright, chairman of the Senate Foreign Relations Committee, who considered Radio Liberty a deterrent to detente. The insider's perspective sheds important light on world affairs as Sosin tells how, over the years, Radio Liberty took the advice of experts on Soviet politics to adapt the content and tone of its messages to changing times.

The book is rich in anecdotes that bring home the realities of the Cold War. Sosin tells how famous Western political figures, educators, and writers broadcast messages about workers' rights, artistic freedom, and unfettered scholarly inquiry--and also how, beginning in the late 1960s, Radio Liberty beamed the writings of Soviet dissidents back into the country. During these tumultuous years, Sosin and his associates saturated the airwaves with the words of Sakharov, Solzhenitsyn, and others, while many dissidents who had emigrated from the Soviet Union joined Radio Liberty to help strengthen its credibility among listeners. Radio Liberty ultimately became the most popular station from the West, its influence culminating with the crucial support of Gorbachev and Yeltsin during the attempted coup against them in August 1991.

As Radio Liberty entered the post-Soviet era, it became a model for the Russian media. It is now a voice for democratic education in the post-Soviet nations--broadcasting from Prague, with local bureaus in several major cities of the former Soviet Union. Capturing the work and legacy of this enterprise with authority and exhilaration, Sparks of Liberty is a testament to an enterprise that saw its message realized and continues to broadcast a message of hope.

Robert Rietti's career has spanned theatre, films, radio and television. Featured in this book for the first time are a selection of the authors popular radio talks broadcast on the BBC over many years. They are a series of true stories which Rietti's 'antennae' have gathered which many people would label mere coincidence, but which to him highlight the fact that there is something more than that involved... shall we call it 'His Hand'?

It reaches millions of people every minute of the day, it costs us virtually nothing and yet we take it entirely for granted. Superseded by television as the primary source of entertainment and information, radio still has a unique place in the mass media spectrum. While the textual properties and reception of film and television have received considerable critical attention, until now radio has only really been considered in terms of its history and its modes of production. 'On Air' adopts a wide-ranging theoretical and critical approach. It provides an in-depth examination of radio's codes (speech, music, noise and silence),and the conventions of using these codes and the dominant modes of reception. The text offers a vocabulary and methodology for analysing radio programmes, drawing on work by both media theorists and professional broadcasters in Britain, Australia, and North America. Written by an academic and a practitioner, 'On Air' provides a critical overview of radio for media students, as well as suggestions for practical activities, a time-line of major events in the history of radio, and a glossary of key terms.

We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven. But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life. In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.

Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness. She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home. The television set, she writes, has emerged as a new electronic hearth--the center of family activity. John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistable charm--a fire. Entering an empty room, we turn it on, and a talking face flares into being." Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world. She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans. Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority. And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world. In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.

Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment. Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.

Television has changed drastically in the Soviet Union over the last three decades. In 1960, only five percent of the population had access to TV, but now the viewing population has reached near total saturation. Today's main source of information in the USSR, television has become Mikhail Gorbachev's most powerful instrument for paving the way for major reform.
Containing a wealth of interviews with major Soviet and American media figures and fascinating descriptions of Soviet TV shows, Ellen Mickiewicz's wide-ranging, vividly written volume compares over one hundred hours of Soviet and American television, covering programs broadcast during both the Chernenko and Gorbachev governments. Mickiewicz describes the enormous significance and popularity of news programs and discusses how Soviet journalists work in the United States. Offering a fascinating depiction of the world seen on Soviet TV, she also explores the changes in programming that have occurred as a result of glasnost.

'Beautifully judged account of the Manchester scene . . . There is something of the fairy tale about Dave Haslam's sage joyful testament to the kind of life that nobody could ever plan, a happy aligning of a cultural moment and a young man who instinctively knew that it was his once upon a time' Victoria Segal, Sunday Times 'Witty, sometimes dark, revealing, insightful, everything one could hope for from one of those folk without whom independent music simply wouldn't exist' Classic Rock Sonic Youth Slept on My Floor is writer and DJ Dave Haslam's wonderfully evocative memoir. It is a masterful insider account of the Hacienda, the rise of Madchester and birth of the rave era, and how music has sound-tracked a life and a generation. In the late 1970s Dave Haslam was a teenage John Peel listener and Joy Division fan, his face pressed against a 'window', looking in at a world of music, books and ideas. Four decades later, he finds himself in the middle of that world, collaborating with New Order on a series of five shows in Manchester. Into the story of those intervening decades, Haslam weaves a definitive portrait of Manchester as a music city and the impact of a number of life-changing events, such as the nightmare of the Yorkshire Ripper to the shock of the Manchester Arena terror attack. The cast of Haslam's life reads like a who's who of '70s, '80s and '90s popular culture: Tony Wilson, Nile Rodgers, Terry Hall, Neneh Cherry, Tracey Thorn, John Lydon, Johnny Marr, Ian Brown, Laurent Garnier and David Byrne. From having Morrissey to tea and meeting writers such as Raymond Carver and Jonathan Franzen to discussing masturbation with Viv Albertine and ecstasy with Roisin Murphy, via having a gun pulled on him at the Hacienda and a drug dealer threatening to slit his throat, this is not your usual memoir.

Ten archive editions of the the much-loved BBC Radio 4 panel game plus two very special programmes, chaired by Nicholas Parsons. Seasons come and go, and years fly by, but Just a Minute has been a constant ray of sunshine on Radio 4 for over 50 years. Now, in this new collection of programmes, ten previously unpublished editions - from the 1970s to the 2010s - are presented alongside two very special half hours: Just a Minute: 50 Years in 28 Minutes and 50 Years of Just a Minute: Paul Merton in Conversation with Nicholas Parsons. Among the many guest performers attempting to speak for 60 seconds without hesitation, repetition or deviation from the subject are Kenneth Williams, Clement Freud, Derek Nimmo, Peter Jones, Paul Merton, Andree Melly, Patrick Moore, Kenny Everett, Tim Rice, Wendy Richard, Richard Murdoch, Jenny Eclair, Kit Hesketh-Harvey, Stephen Frost, Gyles Brandreth, Sue Perkins and Frank Skinner. Who will win enough points to take a commanding lead, who will find themselves trailing a little, and who will finish in a strong fourth place? Find out as we play Just a Minute! 1. 12 October 1971: Featuring Clement Freud, Peter Jones, Andree Melly, Kenneth Williams 2. 18 April 1978: Featuring Clement Freud, Patrick Moore, Derek Nimmo, Kenneth Williams 3. 5 February 1980: Featuring Kenny Everett, Clement Freud, Peter Jones, Kenneth Williams 4. 16 June 1984: Featuring Clement Freud, Peter Jones, Tim Rice, Kenneth Williams 5. 16 June 1988: Featuring Clement Freud, Derek Nimmo, Wendy Richard, Kenneth Williams 6. 28 April 1990: Featuring Peter Jones, Paul Merton, Richard Murdoch, Wendy Richard 7. 2 August 1999: Featuring Jenny Eclair, Stephen Frost, Kit Hesketh-Harvey, Peter Jones 8. 19 January 2004: Featuring Clement Freud, Paul Merton, Graham Norton, Linda Smith 9. 9 January 2006: Featuring Clement Freud, Stephen Fry, Paul Merton, Tim Rice 10. 18 August 2014: Featuring Gyles Brandreth, Paul Merton, Sue Perkins, Frank Skinner 11. 25 December 2017: Just a Minute: 50 Years in 28 Minutes. Featuring panellists from across the years 12. 1 January 2018: 50 Years of Just a Minute - Paul Merton in conversation with Nicholas Parsons Devised by Ian Messiter Chaired by Nicholas Parsons Episode selection by Michael Stevens Music: The Minute Waltz (Waltz in D Flat Major, Op. 64) by Chopin Duration: 5 hours 50 mins approx. Please note: The humour in these programmes sometimes reflects the era in which they were first broadcast. Contains strong language and mild innuendo. Due to the archive nature of some of the episodes, sound quality may vary.

Radio, the oldest form of electronic broadcasting, has thus far lagged behind TV in the push to go digital, but efforts have been underway for over twenty years in Europe to create digital platforms for radio. Drawing on extensive cross-national research, this volume offers the first comprehensive review of European digital radio, with details on the technologies, policies, and strategies to bring radio into the digital era--and highlights the successes and failures in implementation. An accessible introduction for students and professionals, this volume presents digital radio broadcasting in both a European and global context.

In Race and Radio: Pioneering Black Broadcasters in New Orleans, Bala James Baptiste traces the history of the integration of radio broadcasting in New Orleans and tells the story of how African American on-air personalities transformed the medium. Analyzing a trove of primary data-including archived manuscripts, articles and display advertisements in newspapers, oral narratives of historical memories, and other accounts of African Americans and radio in New Orleans between 1945 and 1965-Baptiste constructs a formidable narrative of broadcast history, racism, and black experience in this enormously influential radio market. The historiography includes the rise and progression of black broadcasters who reshaped the Crescent City. The first, O. C. W. Taylor, hosted an unprecedented talk show, the Negro Forum, on WNOE beginning in 1946. Three years later in 1949, listeners heard Vernon ""Dr. Daddy-O"" Winslow's smooth and creative voice as a disk jockey on WWEZ. The book also tells of Larry McKinley who arrived in New Orleans from Chicago in 1953 and played a critical role in informing black listeners about the civil rights movement in the city. The racial integration of radio presented opportunities for African Americans to speak more clearly, in their own voices, and with a technological tool that opened a broader horizon in which to envision community. While limited by corporate pressures and demands from advertisers ranging from local funeral homes to Jax beer, these black broadcasters helped unify and organize the communities to which they spoke. Race and Radio captures the first overtures of this new voice and preserves a history of black radio's awakening.

Focuses on the aural elements which combine with moving images. The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Key Features Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. Provides a new platform for discourse on how aural elements combine with moving images.

The funny, heart-warming tale of Adam Carroll-Smith's enduring love of sport on the radio - a uniquely personal collection of memories with the power to generate a shared, nostalgic sense of deja vu. From furtively listening to Premier League matches under his duvet as a boy, to secretly following Ashes Tests and Wimbledon championships when he should have been working, all the way to sleep-deprived nocturnal sessions with the Super Bowl and the Ryder Cup, The Pictures are Better on the Radio tells the story of how one fan fell in love with sport on the wireless. Full of acute observations, touching anecdotes and Adam's customary mix of deadpan and absurdist humour, the memoir effortlessly gets to the heart of what it means to be a sports obsessive, and explores why radio continues to be such a cherished medium for fans across the world.

The long-awaited autobiography of entertainment icon Jerry Blavat, You Only Rock Once is the wildly entertaining and unfiltered story of the man whose career began at the age of 13 on the TV dance show Bandstand and became a music legend. Lifelong friendships with the likes of Sammy Davis Jr. and Frank Sinatra, a controversial relationship with Philadelphia Mafia boss Angelo Bruno that resulted in a decade-long FBI investigation, and much more colours this amazing journey from the early 60s through today. Now, some 50 years after his first radio gig, Blavat puts it all in perspective in this uniquely American tale of a little cockroach kid" borne out of the immigrant experience who lived the American Dream.

Providing a fresh reevaluation of a specific era in popular music, this book contextualizes the era in terms of both radio history and cultural analysis. "Early '70s Radio" focuses on the emergence of commercial music radio "formats", which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could reimagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, "Early '70s Radio" is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "Soft rock", Album-oriented rock, Soul and Country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.

'This innovative and clearly written handbook does exactly what it claims on the cover, providing students with accessible and authoritative knowledge of the essential topics in Radio Studies... Chignell writes about radio with an engaging mixture of scholarly detachment and private passion' - The Radio Journal 'There is a need for a straightforward, wide-ranging, and up-to-date introduction to ways to study radio and other new audio-based media. Hugh Chignell's new book certainly fits the bill, and admirably takes the reader from initial ideas through to additional readings which explore the core issues in greater depth. It is crisply and engagingly written, draws upon a very good range of scholarship, and provides many useful contemporary examples... Students will find it an essential aid to their studies, and it may even go someway to ensuring that the study of radio is as important in the academy as its visual cousins' - Viewfinder 'This book is a useful starting point for radio students and staff, packed with citations and pithy comment from the author. It is a rich resource book for academic radio study at all levels' - Janey Gordon, University of Bedfordshire The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensible study aids and guides to comprehension. Key Concepts in Radio Studies: " Provides a comprehensive, easy-to-use introduction to the field " Grounds theory with global examples " Takes it further with recommended reading " Covers the central ideas and practices from production and media studies " Situates radio studies within its historical context and contemporary auditory culture