Born out of interviews with the producers of some of the most popular and culturally significant podcasts to date (Welcome to Night Vale, Radiolab, Serial, The Black Tapes, We're Alive, The Heart, The Truth, Lore, Love + Radio, My Dad Wrote a Porno, and others) as well as interviews with executives at some of the most important podcasting institutions and entities (the BBC, Radiotopia, Gimlet Media, Audible.com, Edison Research, Libsyn and others), Podcasting documents a moment of revolutionary change in audio media. The fall of 2014 saw a new iOS from Apple with the first built-in "Podcasts" app, the runaway success of Serial, and podcasting moving out of its geeky ghetto into the cultural mainstream. The creative and cultural dynamism of this moment, which reverberates to this day, is the focus of Podcasting. Using case studies, close analytical listening, quantitative and qualitative analysis, production analysis, as well as audience research, it suggests what podcasting has to contribute to a host of larger media-and-society debates in such fields as: fandom, social media and audience construction; new media and journalistic ethics; intimacy, empathy and media relationships; cultural commitments to narrative and storytelling; the future of new media drama; youth media and the charge of narcissism; and more. Beyond describing what is unique about podcasting among other audio media, this book offers an entry into the new and evolving field of podcasting studies.

For the last 70 years, the guests of Woman's Hour have been entertaining listeners with their compelling combination of wit, warmth, insight and humour. Woman's Hour has interviewed many of the biggest female names from entertainment, politics, the arts and beyond. Words from Wise, Witty and Wonderful Women is a collection of quotes and extracts from 70 years of the Woman's Hour archive, featuring some of the most memorable guests to appear on the programme, from Doris Lessing to Nora Ephron, Hilary Clinton to J.K. Rowling, and Bette Davis to Meryl Streep. Charting the social and political revolution that has taken place in women's lives over the past 70 years, as well as the perennial aspects of female life, such as love, family, relationships, the workplace, sex, ageing, and food, this delightful book shares fascinating insights and sage advice from the wise and wonderful women that have graced the Woman's Hour airwaves over the decades.

In this book my father dies. I almost die.*** My showbiz career winds down. And yet everyone keeps telling me it's the funniest book I've ever written. If I'd known that's what the public wanted, I'd have cancelled Pets Win Prizes and just got sick sooner. Along the way this time we encounter, among others, David Bowie, Kanye West (I think), John Cleese, Peter O'Toole, and have several adventures in the Fourth Dimension. Oh, and I can reveal the Man With The Foulest Mouth In All Show Business. Plus assorted high-kicking hoopla and a whole lot of rather stark stuff about what it's like to be told you could be On The Way Out. *** (SPOILER ALERT: I don't actually die.)

This new revised and expanded edition of Reality Radio celebrates today's best audio documentary work by bringing together some of the most influential and innovative practitioners from the United States, Canada, the United Kingdom, and Australia. With a new foreword and five new essays, this book takes stock of the transformations in radio documentary since the publication of the first edition: the ascendance of the podcast; greater cultural, racial, and topical variety; and the changing economics of radio itself. In twenty-four essays total, documentary artists tell--and demonstrate, through stories and transcripts--how they make radio the way they do, and why. Whether the contributors to the volume call themselves journalists, storytellers, or even audio artists--and although their essays are just as diverse in content and approach--all use sound to tell true stories, artfully. Contributors include Jad Abumrad, Daniel Alarcon, Jay Allison, damali ayo, John Biewen, Emily Botein, Chris Brookes, Scott Carrier, Katie Davis, Sherre DeLys, Ira Glass, Alan Hall, Dave Isay, Natalie Kestecher, Starlee Kine, The Kitchen Sisters, Sarah Koenig and Julie Snyder, Maria Martin, Karen Michel, Joe Richman, Dmae Roberts, Stephen Smith, Alix Spiegel, Sandy Tolan, and Glynn Washington.

Focuses on the aural elements which combine with moving images. The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Key Features Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. Provides a new platform for discourse on how aural elements combine with moving images.

The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: Desert Island Discs in Context for the first time brings together musicologists, sociologists, and media scholars in one volume. They reflect on the programme's significance, its position within the BBC and Britain's continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways' accounts of their appearances, which give fascinating insiders' views into how the programme is made and how its guests prepare for their involvement.

For more than four decades Jim Maxwell has called the cricket for the ABC. Since 1973 he has covered over 250 Test matches, including six tours to the West Indies, seven to the subcontinent, over fifty Ashes Tests and five World Cups. His distinctive voice, dryly understated humour and immense knowledge of the game have been part of the fabric of Australian cricket for forty years. In his long-awaited autobiography he reflects on his life and career in a book that is fascinating, warm, nostalgic and uniquely informed about the game he loves and has dedicated his career to.

From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before. And when the literary aspects of specific programs such as The War of the Worlds or Sorry, Wrong Number were considered, scrutiny was superficial. In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life,Radiolab, Serial, and The Organicist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect. Addressing avant-garde sound poetry and experimental literature on the air, alongside industry policy and network economics, Porter identifies the ways radio challenged the conventional distinctions between highbrow and lowbrow cultural content to produce a dynamic popular culture.

This seventh edition of Broadcast Journalism continues its long tradition of covering the basics of broadcasting from gathering news sources, interviewing, putting together a programme, news writing, reporting, editing, working in the studio, conducting live reports and more. The authors have brought the material further up to date with the integration of social media, uses of mobile technology, the emergence of user-generated content and updated examples, illustrations and case studies throughout. End-of-chapter exercises are also included. New for this edition: Updated with new examples, quotes and pictures. Restructured with end-of-chapter summaries, exercises for students, notes for tutors, links for further reading and references to invaluable websites and smartphone apps. Extended chapters on ethics, responsibilities, interviewing, mobile newsgathering and filming. New additional information on coping with reporting traumatic stories, and how news organisations use Twitter and Periscope.

In Writing Music for Commercials: Television, Radio, and New Media, professor, composer, arranger, and producer Michael Zager describes the process of composing and arranging music specifically for commercials across the growing variety of media formats. Writing music for commercials requires composers not only learn the craft of writing short-form compositions that can stand on their own, but also understand the advertising business. In this third edition of his original Writing Music for Television and Radio Commericals, Zager walks starting composers through the business and art of writing music that aims for a product's target audience and, when done well, hits its mark. Chapter by chapter, Zager covers a broad array of topics: how to approach and analyze commercials from a specifically musical perspective, the range of compositional techniques for underscoring and composing jingles, the standard expectations and techniques for arranging and orchestration, and finally the composing of music for radio commercials, corporate videos, infomercials, theatrical trailers, video games, Internet commercials, websites, and web series (webisodes). This third edition has been updated to include more in-depth analysis of the changing landscape of music writing for modern media, with critical information on composing not only for the Web but for mobile applications, from video-driven advertising in online newspapers to electronic greeting cards. Zager also includes new interviews with industry professionals, updated business information, the latest sound design concepts, and much more. Writing Music for Commercials: Television, Radio, and New Media features: *Easy-to-read chapters for beginning and intermediate music composition students *Over a hundred graphics and musical examples *Interviews with industry professionals *An assortment of assignments to train and test readers, preparing them for the world of writing music for various media *Online audio samples that illustrate the book's principles Writing Music for Commercials is designed not only for composers but for students and professionals at every level.

The long-awaited autobiography of entertainment icon Jerry Blavat, You Only Rock Once is the wildly entertaining and unfiltered story of the man whose career began at the age of 13 on the TV dance show Bandstand and became a music legend. Lifelong friendships with the likes of Sammy Davis Jr. and Frank Sinatra, a controversial relationship with Philadelphia Mafia boss Angelo Bruno that resulted in a decade-long FBI investigation, and much more colours this amazing journey from the early 60s through today. Now, some 50 years after his first radio gig, Blavat puts it all in perspective in this uniquely American tale of a little cockroach kid" borne out of the immigrant experience who lived the American Dream.

"A very solid and comprehensive collection of essays that allows readers to witness more concretely the variety of forms that the dialogue between literature and the radio has taken in the last century. An outstanding book."--Jean-Michel Rabate, author of "Jacques Lacan and Literature" "This book is a real gift: its variety of essays in different voices provides an opportunity to get up to speed with the sometimes suprising ways that radio helped to structure modernism, served as a foil for modernist writers and artists, and forced the modernists into a more constructive engagement with issues of elite and popular culture. A lively collection."--Kevin J.H. Dettmar, author of "Is Rock Dead?" It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium. The contributors to "Broadcasting Modernism" argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself. Because early broadcasts were rarely recorded, radio's influence on literary modernism often seems equally ephemeral in the historical record. "Broadcasting Modernism" helps fill this void, providing a new perspective for modernist studies even as it reconfigures the landscape of the era itself. Debra Rae Cohen is assistant professor of English at the University of South Carolina Michael Coyle is professor of English at Colgate University. Jane Lewty has published on radio and the work of Joyce, Woolf, and Pound.

X Games skateboarder, pro mixed martial arts fighter, and outspoken SiriusXM satellite radio host Jason Ellis shares his jaw-dropping and inspirational life story, from the depths of addiction to the glory of victory to the joys and ordeals of fatherhood. Fans of The Jason Ellis Show and the MMA-meets-music festival "Ellismania" know Ellis as a fearless daredevil-and as the new voice of action sports in America. Now, fans can learn how he got to be the man he is: the struggles, the setbacks, and the fight he put up to make it through to something better. Fans of Griffin Forrest's Got Fight and Tony Hawk's Hawk won't want to miss this unbelievable tell-all from a larger-than-life icon, and a fighter through and through.

In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio's central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.

This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.

A collection of Sherlock Holmes radio scripts with detailed notes on Canonical references, rewrites, influences and the challenges of adapting Conan Doyles original tales for a 21st Century audience.

We can't do without radio. However many new forms of mass communication are invented, the grandmother of them all remains indispensable. From Peru to Jordan, it's radio journalists who are often the first, and the last, to defy censorship and push the boundaries. As modern technology multiplies radio's reach, Index examines the medium and its messengers. Alexei Venediktov gives an exclusive interview on the secret of radio station Ekho Moskvy's survival - one of the last bastions of free speech in Russia; Joe Queenan reveals why he has no time for talk radio in the US and Shirazuddin Siddiqi on the programme the Taliban couldn't ban. PLUS Richard Norton-Taylor on the pursuit of secrecy; Marge Berer on a full-frontal cover-up; an exclusive extract from Javad Mahzadeh's acclaimed novel set during the Iran-Iraq war and Martin Rowson's Stripsearch. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers. Forthcoming September 2010: Issue 39/3, Free Speech and Music For subscription options visit: http:/ioc.sagepub.com www.indexoncensorship.org: the place to turn for free up-to-the-minute free expression news and comment Winner 2008 Amnesty International Consumer Magazine of the Year