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Books > Arts & Architecture > Performing arts > Radio
Was the first radio news network for blacks a boon--or a bust? Author Sanders was there from the beginning and stayed on the air for over 20 years. Here he recounts the trials and tribulations of launching--and sustaining--the pride of a pioneering network.
There are approximately 502 million radios in America. For this
savvy, far-reaching diary, celebrated journalist and author Vowell
turned hers on and listened--closely, critically, creatively--for
an entire year.
With this invaluable resource, Stern's 16 million weekly listeners can keep a wealth of information stored at their fingertips--from Howard's middle name (Alan) and favorite food (Chinese) to his least successful school subject (chemistry). It's everything a fan needs to know!
The biography of the radio comic Fred Allen is a vision of comedy in the 20th century and of an individual remembered for his incisive wit and talent. Starting in vaudeville as the "World's Worst Juggler," graduating to the Broadway stage of variety shows and torch singers, Fred Allen became an American icon in the 1930s and 1940s. Drawing from Allen's scripts, journals, letters and books, Robert Taylor has recreated that humour. Robert Taylor is the author of "Saranac" and is art critic and senior book critic for the "Boston Globe".
Radio s influence can be found in almost every corner of new media. Radio in the Digital Age assesses a medium that has not only survived the challenges of a new technological age but indeed has extended its reach. This is not a book about digital radio, but rather about the medium of radio in its many analogue and digital forms in an age characterised by digital technologies. The context of the digital age reveals new insights about the nature of radio. In this important addition to the world of radio scholarship, Dubber provides a theoretical framework for understanding the medium - allowing for complexity and contradiction, while avoiding essentialism and technological determinism. Introducing radio as a series of practices and phenomena that can be understood through a range of discursive categories, this book explores the relationships between radio, music, politics, storytelling and society in a new and thoughtful way. This book will make essential reading for students of media, communication, broadcasting and the digital industries. It offers a timely and comprehensive introduction for anyone who wishes to understand the role of radio in today s media landscape.
Ready for the first biography on blonde, bubbly Marie Wilson? Was she really that vapid? Well - read the book on the My Friend Irma star!
Every weekday, the wildly popular Tom Joyner Morning Show reaches more than eight million radio listeners. The show offers broadly progressive political talk, adult-oriented soul music, humor, advice, and celebrity gossip for largely older, largely working-class black audience. But it's not just an old-school show: it's an activist political forum and a key site reflecting on popular aesthetics. It focuses on issues affecting African Americans today, from the denigration of hard-working single mothers, to employment discrimination and sexual abuse, to the racism and violence endemic to the U.S. criminal justice system, to international tragedies. In Black Radio/Black Resistance, author Micaela di Leonardo dives deep into the Tom Joyner Morning Show's 25 year history inside larger U.S. broadcast history. From its rise in the Clinton era and its responses to key events-9/11, Hurricane Katrina, President Obama's elections and presidency, police murders of unarmed black Americans and the rise of Black Lives Matter, and Donald Trump's ascendancy-it has broadcast the varied, defiant, and darkly comic voices of its anchors, guests, and audience members. di Leonardo also investigates the new synergistic set of cross-medium ties and political connections that have affected print, broadcast, and online reporting and commentary in antiracist directions. This new multiracial progressive public sphere has extraordinary potential for shaping America's future. Thus Black Radio/Black Resistance does far more than simply shed light on a major counterpublic institution unjustly ignored for reasons of color, class, generation, and medium. It demonstrates an alternative understanding of the shifting black public sphere in the digital age. Like the show itself, Black Radio/Black Resistance is politically progressive, music-drenched, and blisteringly funny.
Fleeing the Nazis, Theodor W. Adorno lived in New York City as a
refugee from 1938 until 1941. During these years, he was
intensively involved in a study of how the recently developed
techniques for the nation-wide transmission of music over radio
were transforming the perception of music itself. This broad
ranging radio research was conceived as nothing less than an
investigation, partly empirical, of Walter Benjamin's speculative
claims for the emancipatory potential of art in the age of its
mechanical reproduction. The results of Adorno's project set him
decisively at odds with Benjamin's theses and at the same time
became the body of thinking that formed the basis for Adornos own
aesthetics in his Philosophy of New Music. "Current of Music" is the title that Adorno himself gave to this
research project. For complex reasons, however, Adorno was not able
to bring the several thousands of pages of this massive study, most
of it written in English, to a final form prior to leaving New York
for California, where he would immediately begin work with Max
Horkheimer on the Dialectic of Enlightenment. Robert Hullot-Kentor,
the distinguished Adorno scholar, reconstructed Adorno's project
for the Adorno Archive in Germany and provides a lengthy and
informative introduction to the fragmentary texts collected in this
volume. "Current of Music" will be widely discussed for the light it throws on the development of Adorno's thought, on his complex relationship with Walter Benjamin, but most of all for the important perspectives it provides on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.
Comedy writer, journalist, radio DJ and screenwriter Danny Baker charts his 30 years in showbiz Danny Baker was born in Deptford, South East London in June 1957, and from an early age was involved in magazine journalism, with the founding of fanzine Sniffin' Glue, alongside friend Mark Perry. From there he moved to documentary series for LWT and over the years worked on a variety of quiz shows (Win, Lose or Draw, Pets Win Prizes, TV Heroes), as well two television commercials which made him a household name - Daz and Mars Bars. This book charts Danny's showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley ...
Full-cast dramatisations of seven of Ruth Rendell's tense psychological thrillers. This collection includes: The Bridesmaid: A beautiful stone statue and her living double lead Philip into a nightmare of obsession and murder. Going Wrong: Besotted with his childhood sweetheart, Leonora, psychopathic Guy Curran will do anything to make her his. King Solomon's Carpet: London's Underground links a group of misfit housemates and is the catalyst for a devastating crime in this compelling tale, written under the pseudonym Barbara Vine. People Don't Do Such Things: A suburban couple befriend a charismatic novelist, but their relationship soon slips into sinister territory. The Fever Tree: On safari in South Africa, Ford and Tricia find the tensions in their marriage exacerbated by the unforgiving wilderness. The Dreadful Day of Judgment: Clearing up an abandoned cemetery, John, Gilly and Marlon's personal demons come to the fore. Thornapple: Poison enthusiast James becomes captivated by the ruthless Meribel on a visit to her wealthy aunt. Among the casts of these seven suspenseful adaptations are Jamie Glover, Mark Strong, Reece Shearsmith, Paul Rhys, Danny Sapani and Juliet Aubrey. Duration: 7 hours approx.
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
For over half a century, Henry Blofeld has conveyed his unfailing enthusiasm for the game of cricket as a much loved broadcaster and journalist. His characteristically patrician tones, overlaid with those of the bon viveur, have delighted listeners to the BBC's Test Match Special where the personality of the broadcaster comes second only to a deep knowledge of the game and its players. With his engaging conversational tone it is easy to see why listeners feel as if they are actually at the Test match watching in Henry's friendly company. Now that 'Blowers' has decided to declare his TMS innings closed, his book reveals the secrets of life in the commentary box and of the rich cast of characters with whom he shared it, from the early days of John Arlott and Brian Johnson to Aggers and new boys Boycott, Swann, Vaughan and Tuffers. Henry is equally revealing of his own performances and self-deprecatingly recalls his several verbal misfortunes while live broadcasting. Like the greatest commentators and writers on the game Blofeld has always understood that there is a world beyond the cricket field. Not forgetting pigeons passing, red buses and much loved cricket grounds, Henry Blofeld writes of his favourite countries, and experiences while travelling, and meeting and interviewing many cricket-loving celebrities. His passionate and entertaining book will become one of the classics of cricket's literature.
This seventh edition of Broadcast Journalism continues its long tradition of covering the basics of broadcasting from gathering news sources, interviewing, putting together a programme, news writing, reporting, editing, working in the studio, conducting live reports and more. The authors have brought the material further up to date with the integration of social media, uses of mobile technology, the emergence of user-generated content and updated examples, illustrations and case studies throughout. End-of-chapter exercises are also included. New for this edition: Updated with new examples, quotes and pictures. Restructured with end-of-chapter summaries, exercises for students, notes for tutors, links for further reading and references to invaluable websites and smartphone apps. Extended chapters on ethics, responsibilities, interviewing, mobile newsgathering and filming. New additional information on coping with reporting traumatic stories, and how news organisations use Twitter and Periscope.
"One of the few books we'd recommend" BBC Training "The perfect guide for anyone who wants to get on in this ever-changing and challenging media" Controller BBC Radio 5 Live "A rich repository of real, practical experience" Director - BBC Nations & Regions "An invaluable guide" Director - The Radio Academy This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in - this book will help you do all that and more. It covers network and commercial, music and talk radio skills and is particularly suited to the independent local or community radio. It features advice from professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running. This edition has been updated throughout and has more than 500 weblinks to downloads and audio and video examples, as well as cross-references to the official National Occupational Standards for Radio Content.
'Beautifully judged account of the Manchester scene . . . There is something of the fairy tale about Dave Haslam's sage joyful testament to the kind of life that nobody could ever plan, a happy aligning of a cultural moment and a young man who instinctively knew that it was his once upon a time' Victoria Segal, Sunday Times 'Witty, sometimes dark, revealing, insightful, everything one could hope for from one of those folk without whom independent music simply wouldn't exist' Classic Rock Sonic Youth Slept on My Floor is writer and DJ Dave Haslam's wonderfully evocative memoir. It is a masterful insider account of the Hacienda, the rise of Madchester and birth of the rave era, and how music has sound-tracked a life and a generation. In the late 1970s Dave Haslam was a teenage John Peel listener and Joy Division fan, his face pressed against a 'window', looking in at a world of music, books and ideas. Four decades later, he finds himself in the middle of that world, collaborating with New Order on a series of five shows in Manchester. Into the story of those intervening decades, Haslam weaves a definitive portrait of Manchester as a music city and the impact of a number of life-changing events, such as the nightmare of the Yorkshire Ripper to the shock of the Manchester Arena terror attack. The cast of Haslam's life reads like a who's who of '70s, '80s and '90s popular culture: Tony Wilson, Nile Rodgers, Terry Hall, Neneh Cherry, Tracey Thorn, John Lydon, Johnny Marr, Ian Brown, Laurent Garnier and David Byrne. From having Morrissey to tea and meeting writers such as Raymond Carver and Jonathan Franzen to discussing masturbation with Viv Albertine and ecstasy with Roisin Murphy, via having a gun pulled on him at the Hacienda and a drug dealer threatening to slit his throat, this is not your usual memoir.
'Full of glorious examples of caller wisdom [with] laugh-out-loud anecdotes' Allison Pearson, Sunday Telegraph Jeremy Vine has been presenting his BBC Radio 2 show since 2003 - it now attracts more than seven million listeners. He calculates he has taken more than 25,000 calls from his listeners on issues big and small: life, love, lollipop ladies and poisonous plants. But what have the callers told him? If you listen to Radio 4, Brexit was a shock. If you are on Radio 2 it would not have surprised you at all. Where Jeremy's callers once expressed a kind of resignation ('But what can you do?') or a gloomy rejoinder ('You have to laugh'), now they give him their views expecting to be heeded. Listener wisdom is far more valuable than most of what we hear from appointed spokespeople. What was the response when Jeremy asked: 'Have you ever been pecked in the eye by a gannet?' Which subjects are most likely to start pitched warfare between different sections of the audience? (Answer: old people using buses, old people NOT using buses, cellophane, or Tony Blair saying anything.) In a book punctuated by his own vivid stories and laugh-out-loud moments, Jeremy Vine explains what it's like to hit a button and hear - totally unvarnished and unspun - the voice of the so-called 'ordinary' person. And why we should take notice.
Eddie Mair is, by his own account, one of Britain's most beloved broadcasters. Born in Dundee, Scotland, he has worked in radio all his adult life. From the foothills of commercial radio in his hometown, through the sunlit uplands of the BBC in Scotland, he has reached the peaks of his profession, with BBC network radio in London. And he's never afraid to work a metaphor beyond endurance. In addition he's appeared on most of the BBC's TV channels, including ones that are no longer on TV. He witnessed the handover of Hong Kong and once asked Arnold Schwarzenegger a question - though he takes no responsibility for either. For nearly twenty years he has been at the helm of Radio 4's PM: a nightly news round up that means Eddie works for just one hour a day, giving him plenty time to knock together these diaries. Whether he's interviewing politicians, getting people to share their personal experiences, or just imparting his favourite zesty chicken recipes, Eddie is never happier than when he is at the microphone. Except when he is at the microphone with a large martini. In truth, his neediness is an irritation to everyone who knows him and if you buy this book he might get out of their hair. Eddie's other work, as a humanitarian and tireless, secret worker for charity is not mentioned in these pages.
A 60th anniversary celebration of the much-loved nautical comedy, featuring six classic episodes plus bonus material On 29 March 1959, The Navy Lark sailed the airwaves for the very first time. Starring Leslie Phillips, Jon Pertwee and Stephen Murray, with regular appearances from Ronnie Barker and Heather Chasen, it soon became a radio favourite and ran for 18 years - one of the longest-running BBC sitcoms. This anniversary collection comprises six of the best episodes from the iconic series - Operation Fag End (5 April 1959), The Hank of Heather (17 May 1959), The Lighthouse Lark (29 January 1960), A Deliberate Bashing (19 April 1963), When Sub Lt Phillips Was at Dartmouth (29 October 1967) and The Jubilee Navy Lark (16 July 1977). Bonus items include a mini-episode from The Light Entertainment Show; two crossover episodes from spin-off series The Embassy Lark: National Grumpschnog Week (12 April 1966) and Sub-Lt Phillips Drops In (16 April 1968), and a discussion from Bob Holness Presents: Farewell to the Paris, which sees Leslie Phillips and Jon Pertwee reminiscing about the making of The Navy Lark. So step aboard HMS Troutbridge for laughs ahoy! PLEASE NOTE: The CD inlay makes reference to the programme Left Hand Down a Bit. This programme is not included in the collection.
Four of the funniest recent episodes from the much-loved BBC Radio 4 panel game chaired by Nicholas Parsons Among the talented and humorous players in this sparkling quartet are Paul Merton, Gyles Brandreth, Jo Caulfield, Julian Clary, Stephen Fry, Jan Ravens, Rebecca Front, Marcus Brigstocke, Sheila Hancock, Fern Britton and Graham Norton. Did Nicholas know Boudicca? What dish was to be served after the Royal Wedding? When did Gyles meet Fanny Cradock, and is he really getting married in the morning? What does Sheila know of George Orwell, and what are her views on ripped jeans? Should Paul be challenged for being out of tune? Answers to these and many more tantalising questions can be answered, without hesitation, deviation or repetition, after listening to this quartet of instalments! Duration: 2 hours approx. |
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