Was the first radio news network for blacks a boon--or a bust? Author Sanders was there from the beginning and stayed on the air for over 20 years. Here he recounts the trials and tribulations of launching--and sustaining--the pride of a pioneering network.

With this invaluable resource, Stern's 16 million weekly listeners can keep a wealth of information stored at their fingertips--from Howard's middle name (Alan) and favorite food (Chinese) to his least successful school subject (chemistry). It's everything a fan needs to know!

There are approximately 502 million radios in America. For this savvy, far-reaching diary, celebrated journalist and author Vowell turned hers on and listened--closely, critically, creatively--for an entire year.
As a series of impressions and reflections regarding contemporary American culture, and as an extended meditation on both our media and our society, this keenly focused book is as insightful as it is refreshing.
Throughout "Radio On," "Vowell's touch is about as delicate as Teddy Kennedy's after a pitcher of martinis" (Richard Roeper, "Chicago Sun-Times").

The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matter of course in the phantasmic realm of radio. In this original work of cultural criticism, Allen S. Weiss explores the meaning of radio to the modern imagination. Weaving together cultural and technological history, aesthetic analysis, and epistemological reflection, his investigation reveals how radiophony transforms expression and, in doing so, calls into question assumptions about language and being, body and voice. Phantasmic Radio presents a new perspective on the avant-garde radio experiments of Antonin Artaud and John Cage, and brings to light fascinating, lesser-known work by, among others, Valere Novarina, Gregory Whitehead, and Christof Migone. Weiss shows how Artaud's "body without organs" establishes the closure of the flesh after the death of God; how Cage's "imaginary landscapes" proffer the indissociability of techne and psyche; how Novarina reinvents the body through the word in his "theater of the ears." Going beyond the art historical context of these experiments, Weiss describes how, with their emphasis on montage and networks of transmission, they marked out the coordinates of modernism and prefigured what we now recognize as the postmodern.

The biography of the radio comic Fred Allen is a vision of comedy in the 20th century and of an individual remembered for his incisive wit and talent. Starting in vaudeville as the "World's Worst Juggler," graduating to the Broadway stage of variety shows and torch singers, Fred Allen became an American icon in the 1930s and 1940s. Drawing from Allen's scripts, journals, letters and books, Robert Taylor has recreated that humour. Robert Taylor is the author of "Saranac" and is art critic and senior book critic for the "Boston Globe".

Ready for the first biography on blonde, bubbly Marie Wilson? Was she really that vapid? Well - read the book on the My Friend Irma star!

First introduced in a 1938 comic book, Superman has since become an iconic character in American entertainment. This complete history covers Superman's appearances in film and television, from the 1941 introduction of the first Superman cartoon to the 2006 live-action film Superman Returns. The book includes several rarely seen photographs of the actors who have brought Superman to life for over seven decades, including Clayton "Bud" Collyer, Kirk Alyn, George Reeves and Christopher Reeve. Multiple appendices provide a complete listing of Superman-related books and websites, along with a comprehensive list of the cast and characters featured in Superman films, television shows, and radio programs since 1941.

Legendary cricket broadcaster Henry Blofeld takes the reader on a journey from A-Z through the world of cricket. In his trademark charming style, Blowers goes through the alphabet, explaining some of the puzzling cricket terminology and regaling his favourite anecdotes from his fifty years in the sport. This gift book is perfect for fans of cricket who want to understand the sport from Henry's unique point of view - this is a humorous and entertaining jaunt through the cricket landscape.

THE UPLIFTING AND HEARTWARMING LOVE LETTER TO FAMILY AND THE GREAT OUTDOORS 'Cox is a natural storyteller... she brings that authentic voice to bear in her memoir. The tone is so intimate, chatty and friendly, so you feel as though she could be sitting next to you' Hannah Beckerman, Daily Express 'endearing, engaging and very funny' Mirror 'Coxy's memoir about growing up on a farm is as funny as you'd expect, genuinely touching and has some excellent 80s and 90s details. Her love of animals is infectious' Alexandra Heminsley, Grazia 'The book is like a big warm hug, full of local characters and misadventures' Sophie Heawood, Observer 'Made me laugh out loud...I loved it!' Lynda La Plante 'Glorious springtime, haystacks and a herd of cows can all be found in this' Sunday Times Bestseller 'Warm and witty' - Express A funny and heart-warming love letter to childhood, family and growing up. Till the Cows Come Home is DJ and TV presenter Sara Cox's wonderfully written, funny coming of age memoir of growing up in 1980s Lancashire. The youngest of five siblings, Sara grew up on her father's cattle farm surrounded by dogs, cows, horses, fields and lots of 'cack'. The lanky kid sister - half girl, half forehead - a nuisance to the older kids, the farm was her very own dangerous adventure playground, 'a Bolton version of Narnia'. Her writing conjures up a time of wagon rides and haymaking and agricultural shows, alongside chain smoking pensioners, cabaret nights at the Conservative club and benign parenting. Sara's love of family, of the animals and the people around them shines through on every page. Unforgettable characters are lovingly and expertly drawn bringing to life a time and place. Sara later divided her childhood days between the beloved farm and the pub she lived above with her mother, these early experiences of freedom and adventure came to be the perfect training ground for later life. This funny, big-hearted and often moving telling of Sara Cox's semi rural upbringing is not what you'd expect from the original ladette, and one of radio's most enduring and well loved presenters.

Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president.

Over his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities—discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It’s one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer.

This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography—a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls “the climb”—the stories of how they struggled and eventually prevailed. As he writes in the introduction, “If you’re having trouble finding motivation in life and you’re looking for that extra kick in the ass, you will find it in these pages.”

Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election—one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy.

As Stern insightfully notes in the introduction: “The interviews collected here represent my best work and show my personal evolution. But they don’t just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century.”

Full-cast dramatisations of seven of Ruth Rendell's tense psychological thrillers. This collection includes: The Bridesmaid: A beautiful stone statue and her living double lead Philip into a nightmare of obsession and murder. Going Wrong: Besotted with his childhood sweetheart, Leonora, psychopathic Guy Curran will do anything to make her his. King Solomon's Carpet: London's Underground links a group of misfit housemates and is the catalyst for a devastating crime in this compelling tale, written under the pseudonym Barbara Vine. People Don't Do Such Things: A suburban couple befriend a charismatic novelist, but their relationship soon slips into sinister territory. The Fever Tree: On safari in South Africa, Ford and Tricia find the tensions in their marriage exacerbated by the unforgiving wilderness. The Dreadful Day of Judgment: Clearing up an abandoned cemetery, John, Gilly and Marlon's personal demons come to the fore. Thornapple: Poison enthusiast James becomes captivated by the ruthless Meribel on a visit to her wealthy aunt. Among the casts of these seven suspenseful adaptations are Jamie Glover, Mark Strong, Reece Shearsmith, Paul Rhys, Danny Sapani and Juliet Aubrey. Duration: 7 hours approx.

We got ourselves into this. Here's how we can get ourselves out. We know the problem: the amount of biodiversity loss, the scale of waste and pollution, the amount of greenhouse gas we pump into the air... it's unsustainable. We have to do something. And we are resourceful, adaptable and smart. We have already devised many ways to reduce climate change - some now proven, others encouraging and craving uptake. Each one is a solution to get behind. In 39 Ways to Save the Planet, Tom Heap reveals some of the real-world solutions to climate change that are happening around the world, right now. From tiny rice seeds and fossil fuel free steel to grazing elk and carbon-capturing seagrass meadows, each chapter reveals the energy and optimism in those tackling the fundamental problem of our age. Accompanying a major BBC Radio 4 series in collaboration with the Royal Geographical Society, 39 Ways to Save the Planet is a fascinating exploration of our attempt to build a better future, one solution at a time. A roadmap to global action on climate change, it will encourage you to add your own solutions to the list.

For over half a century, Henry Blofeld has conveyed his unfailing enthusiasm for the game of cricket as a much loved broadcaster and journalist. His characteristically patrician tones, overlaid with those of the bon viveur, have delighted listeners to the BBC's Test Match Special where the personality of the broadcaster comes second only to a deep knowledge of the game and its players. With his engaging conversational tone it is easy to see why listeners feel as if they are actually at the Test match watching in Henry's friendly company. Now that 'Blowers' has decided to declare his TMS innings closed, his book reveals the secrets of life in the commentary box and of the rich cast of characters with whom he shared it, from the early days of John Arlott and Brian Johnson to Aggers and new boys Boycott, Swann, Vaughan and Tuffers. Henry is equally revealing of his own performances and self-deprecatingly recalls his several verbal misfortunes while live broadcasting. Like the greatest commentators and writers on the game Blofeld has always understood that there is a world beyond the cricket field. Not forgetting pigeons passing, red buses and much loved cricket grounds, Henry Blofeld writes of his favourite countries, and experiences while travelling, and meeting and interviewing many cricket-loving celebrities. His passionate and entertaining book will become one of the classics of cricket's literature.

Fleeing the Nazis, Theodor W. Adorno lived in New York City as a refugee from 1938 until 1941. During these years, he was intensively involved in a study of how the recently developed techniques for the nation-wide transmission of music over radio were transforming the perception of music itself. This broad ranging radio research was conceived as nothing less than an investigation, partly empirical, of Walter Benjamins speculative claims for the emancipatory potential of art in the age of its mechanical reproduction. The results of Adornos project set him decisively at odds with Benjamins theses and at the same time became the body of thinking that formed the basis for Adornos own aesthetics in his Philosophy of New Music.
Current of Music is the title that Adorno himself gave to this research project. For complex reasons, however, Adorno was not able to bring the several thousands of pages of this massive study, most of it written in English, to a final form prior to leaving New York for California, where he would immediately begin work with Max Horkheimer on the Dialectic of Enlightenment. Robert Hullot-Kentor, the distinguished Adorno scholar, reconstructed Adornos project for the Adorno Archive in Germany and provides a lengthy and informative introduction to the fragmentary texts collected in this volume.
Current of Music will be widely discussed for the light it throws on the development of Adornos own thought, on his complex relationship with Walter Benjamin, but most of all for the important perspectives it provides on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.

Bryan Gallagher's reminiscences of the Ireland of his youth, first heard on Radio 4's 'Home Truths', transport you to a world of boyhood pranks, playground politics and the confusion of growing up in a land that is every bit as magical and captivating as the stories he has to tell. Barefoot in Mullyneeny is Bryan Gallagher's evocative tale of a childhood remembered through the people and landscape of Fermanagh, near the beautiful shores of Lough Erne in Ireland. Bryan chronicles a time when all the big boys went to school in bare feet and secretly watched the Saturday night bands and dances in halls lit by Tilley lamps; where it was known to be nothing less than the biblical truth that if you put a horse-hair across the palm of your hand when you were about to be punished at school, the cane would split in two. Gallagher's writing will touch the hearts of those who long for the innocence of childhood and the simplicity of an era long past. Whether relating tales of murderous bicycle chases through the darkened streets of Cavan, of ghosts and fairy forts or the anguish of emigration, this remarkable memoir vividly recreates life in rural Ireland in the 1940s and 50s. For those who thought that life in Ireland was one of poverty and misery, Barefoot in Mullyneeny offers a view of the Ireland of yesteryear that combines the touching, homely nostalgia of Nigel Slater's Toast and Laurie Lee's Cider with Rosie with a humorous optimism that is unmistakably Ireland at its best.

This new revised and expanded edition of Reality Radio celebrates today's best audio documentary work by bringing together some of the most influential and innovative practitioners from the United States, Canada, the United Kingdom, and Australia. With a new foreword and five new essays, this book takes stock of the transformations in radio documentary since the publication of the first edition: the ascendance of the podcast; greater cultural, racial, and topical variety; and the changing economics of radio itself. In twenty-four essays total, documentary artists tell--and demonstrate, through stories and transcripts--how they make radio the way they do, and why. Whether the contributors to the volume call themselves journalists, storytellers, or even audio artists--and although their essays are just as diverse in content and approach--all use sound to tell true stories, artfully. Contributors include Jad Abumrad, Daniel Alarcon, Jay Allison, damali ayo, John Biewen, Emily Botein, Chris Brookes, Scott Carrier, Katie Davis, Sherre DeLys, Ira Glass, Alan Hall, Dave Isay, Natalie Kestecher, Starlee Kine, The Kitchen Sisters, Sarah Koenig and Julie Snyder, Maria Martin, Karen Michel, Joe Richman, Dmae Roberts, Stephen Smith, Alix Spiegel, Sandy Tolan, and Glynn Washington.

Rob Brydon tells story of his slow ascent to fame and fortune in Small Man in a Book. A multi-award-winning actor, writer, comedian and presenter known for his warmth, humour and inspired impressions, Rob Brydon has quickly become one of our very favourite entertainers. But there was a time when it looked like all we'd hear of Rob was his gifted voice. Growing up in South Wales, Rob had a passion for radio and soon the Welsh airwaves resounded to his hearty burr. However, these were followed by years of misadventure and struggle, before, in the TV series Marion and Geoff and Gavin and Stacey, Rob at last tickled the nation's funny bone. The rest, as they say, is history. Or in his case autobiography. Small Man in a Book is Rob Brydon's funny, heartfelt, honest, sometimes sad, but mainly funny, memoir of how a young man from Wales very, very slowly became an overnight success. Rob Brydon was brought up in Wales, where his career began on radio and as a voiceover artist. After a brief stint working for the Home Shopping Network he co-wrote and performed in his breakthrough show, the darkly funny Human Remains. He has since starred in the immensely popular Gavin and Stacey, Steve Coogan's partner in The Trip, and was the host of Would I Lie to You? and The Rob Brydon Show. He now lives in London with his wife and five children.

Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.

Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.