Offering the first book-length exploration of network television's relations with advocacy groups, Kathryn C. Montgomery presents a comprehensive picture of the impact of organized pressure on prime-time TV. She vividly describes, for example, how the Catholic Church campaigned against Maude's abortion on the TV show, Maude; how outraged actors mobilized a national protest against the portrayal of blacks in the TV miniseries, Beulah Land; and how the Moral Majority waged a sophisticated campaign to "clean up TV," by threatening to boycott advertisers. Exposing the inner workings of network television as no other book has done, Montgomery's study demonstrates how behind-the-scenes struggles have shaped the images, messages, and values that enter people's homes every night. The book also raises critical questions about television's role in our society and its responsibility to the American public.

WBAA: 100 Years as the Voice of Purdue documents the fascinating history of WBAA, Indiana's first radio station founded at Purdue University in West Lafayette, Indiana, on April 4, 1922. Richly illustrated with more than 150 photos, the book chronicles the station's evolution over the years, while highlighting the staff, students, and volunteers significant to WBAA's success. WBAA began as a lab experiment conducted by Purdue electrical engineering students in 1910. Later, the station became a vital method for Purdue's Cooperative Extension Service to broadcast the knowledge of the university, particularly agricultural news, to the people of the state. From the 1960s to 1980s, WBAA aired Purdue basketball and football games, with station manager John DeCamp as the "Voice of the Boilermakers." In 1971, WBAA became a member station of National Public Radio (NPR), offering popular programming such as All Things Considered and Morning Edition. Listeners tuned into WBAA to hear classical, jazz, and international music, along with in-depth news reporting. Mayors and Purdue presidents aired weekly programs. WBAA gave a voice to arts and community organizations. Read about the invention of the first all-electronic television by pioneering Purdue scientist Roscoe George; WBAA's long-running School of the Air educational program deemed the "invisible textbook"; and the Midwest Program on Airborne Television Instruction (MPATI), an airplane that transmitted videos to schools while flying over six Midwestern states in the 1960s. Famous WBAA alumni include NBC sportscaster Chris Schenkel, comedian Durward Kirby, Today Show newscaster Lew Wood, Indiana State Representative Sheila Klinker, actress Karen Black, and actor George Peppard, among others. From the vacuum tube era to the digital age, this thoroughly researched book brings to light the intriguing backstories of the esteemed one hundred-year history of WBAA.

We got ourselves into this. Here's how we can get ourselves out. We know the problem: the amount of biodiversity loss, the scale of waste and pollution, the amount of greenhouse gas we pump into the air... it's unsustainable. We have to do something. And we are resourceful, adaptable and smart. We have already devised many ways to reduce climate change - some now proven, others encouraging and craving uptake. Each one is a solution to get behind. In 39 Ways to Save the Planet, Tom Heap reveals some of the real-world solutions to climate change that are happening around the world, right now. From tiny rice seeds and fossil fuel free steel to grazing elk and carbon-capturing seagrass meadows, each chapter reveals the energy and optimism in those tackling the fundamental problem of our age. Accompanying a major BBC Radio 4 series in collaboration with the Royal Geographical Society, 39 Ways to Save the Planet is a fascinating exploration of our attempt to build a better future, one solution at a time. A roadmap to global action on climate change, it will encourage you to add your own solutions to the list.

During the anxiety-laden period from the Great Depression through World War II to the Cold War, Americans found a welcome escape in the new medium of radio. Throughout radio's "Golden Age," religious broadcasting in particular contributed significantly to American culture. Yet its historic role often has been overlooked. In Ministers of a New Medium, Kirk D. Farney explores the work of two groundbreaking leaders in religious broadcasting: Fulton J. Sheen and Walter A. Maier. These clergymen and professors-one a Catholic priest, the other a Lutheran minister-each led the way in combining substantive theology and emerging technology to spread the gospel over the airwaves. Through weekly nationwide broadcasts, Maier's The Lutheran Hour and Sheen's Catholic Hour attracted listeners across a spectrum of denominational and religious affiliations, establishing their hosts-and Christian radio itself-as cultural and religious forces to be reckoned with. Farney examines how Sheen and Maier used their exceptional erudition, their sensitivity to the times, their powerful communication skills, and their unwavering Christian conviction, all for the purpose of calling the souls of listeners and the soul of a nation to repentance and godliness. Their combination of talents also brought their respective denominations, Roman Catholicism and Missouri Synod Lutheranism, from the periphery of the American religious landscape to a much greater level of recognition and acceptance. With careful attention to both the theological content and the cultural influence of these masters of a new medium, Farney's study sheds new light on the history of media and Christianity in the United States.

ONE OF THE SUNDAY TIMES' 100 BEST SUMMER READS OF 2020 'It's hard to beat Susanna Moore's Miss Aluminium' Vogue 'A sharp-edged summery treat' Hadley Freeman 'Unlike any Hollywood memoir you'll have read' Metro At seventeen, Susanna Moore left her home in Hawai'i, with no money, no belongings and no prospects. But in Philadelphia, an unexpected gift of four trunks of beautiful clothes allowed her to assume the first of many disguises. Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols. But beneath Miss Aluminium's glittering fairytale surface lies the story of a girl's insatiable hunger to learn. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies and of a young woman's hard-won arrival at selfhood.

Transnationalizing Radio Research presents a theoretical and methodological guide for exploring radio's multiple "global ages", from its earliest years through its recent digital transformations. It offers radio scholars theoretical tools and concrete case studies for moving beyond national research frames. It gives radio practitioners inspiration for production and archiving, and offers scholars from many disciplines new ways to incorporate radio's vital voices into work on transnational institutions, communities, histories and identities.

The crack of the bat on the radio is ingrained in the American mind as baseball takes center stage each summer. Radio has brought the sounds of baseball into homes for almost one hundred years, helping baseball emerge from the 1919 Black Sox scandal into the glorious World Series of the 1920s. The medium gave fans around the country aural access to the first All-Star Game, Lou Gehrig's farewell speech, and Bobby Thomson's "Shot Heard 'Round the World." Red Barber, Vin Scully, Harry Caray, Ernie Harwell, Bob Uecker, and dozens of other beloved announcers helped cement the love affair between radio and the national pastime. Crack of the Bat takes readers from the 1920s to the present, examining the role of baseball in the development of the radio industry and the complex coevolution of their relationship. James R. Walker provides a balanced, nuanced, and carefully documented look at radio and baseball over the past century, focusing on the interaction between team owners, local and national media, and government and business interests, with extensive coverage of the television and Internet ages, when baseball on the radio had to make critical adjustments to stay viable. Despite cable television's ubiquity, live video streaming, and social media, radio remains an important medium through which fans engage with their teams. The evolving relationship between baseball and radio intersects with topics as varied as the twenty-year battle among owners to control radio, the development of sports as a valuable media product, and the impact of competing technologies on the broadcast medium. Amid these changes, the familiar sounds of the ball hitting the glove and the satisfying crack of the bat stay the same.