James Earl Jones voicing Darth Vader in Star Wars had a set of pipes a radio news anchor in the 1970s might envy. CBS News legend Edward R. Murrow wrote in a style many radio news writers tried to copy. Their skills were honed over time. While few ever reach the stature of a Jones or Murrow, radio broadcasters rely on stations where they can develop these skills. In the seventies, one such place was WYEN-FM in Des Plaines, Illinois.

In The WYEN Experience, author Stew Cohen tells the story of this mom-and-pop radio station--106.7 on the dial--that opened in 1971 and was built on a genuine passion for radio. It flourished through the 1970s, stumbled in the early 1980s, and then sold to a new owner. He provides an insider's look into the happenings of this station that entertained thousands with its music and announcers--including Ed Walters, the driving force behind WYEN; the lives of many of the talented broadcasters who worked here; Cohen's personal coverage of some of the biggest stories of the time; and his interviews with some greats from the entertainment industry.

Cohen describes an era that lived with pay phones, typewriters, turntables, transistor radios, and boom boxes; in The WYEN Experience he brings to life to both the times and the radio station.

Let me say a few words about who should really take credit for this book and the two volumes that will soon follow it. It all began over twenty five years ago when I was looking for some way to enhance my radio show which I called Life in the Past Lane. At the time I was doing much the same thing that many others have done. I was simply replaying radio shows of the past and talking about them. I got to thinking about the many performers and technicians who made them and were still around at that time. Why not call them up, talk with them and then play the results on the air? To make a long story short, I developed a sort of Hollywood and New York underground and managed to get access to some hard to come by phone numbers. Much to my surprise, those folks were all more than willing to talk at length about their careers and their lives. It went so well that I decided to expand the project and include theatre, movies, early television and some fine musicians. The end result was that, over a two year span I was able to record over eighty extensive interviews with some of the people who made media history. Therefore-they are the ones who wrote this book. All I did was pull it together.

In his alternately heart - breaking and hysterical New York Times bestselling memoir, Bishop shares the surreal experiences of writing his will with the bravado of a pulp novelist, taking chemo in a strip club, and (technically) the closest he ever got to achieving his lifelong dream of a threesome - when a physical therapist had to show his wife to bathe him in the shower during his weakened state. Whether recounting his search for the most aggressive form of treatment, how radiation treatment jeopardized his ability to (literally) walk down the aisle or even smile for his wedding photos, or recalling the time his wife inadvertently drugged him in a pool in Maui, Bishop's inimitable voice radiates through his story. Shrinkage reveals the resilience of the human spirit - and the power of laughter - during even the darkest times.

Why you should read this book: because it's full of wisdom, experiences, examples and entertaining stories drawn from Tony Hertz's 40 years' beyond-all reason passion for radio advertising. Including links to 25 of the best radio spots you've ever heard. Because in today's visual/digital /online/mobile/social media/branded content consumed advertising business, radio remains a powerful and relevant way to reach millions of consumers all over the world. And Tony Hertz is uniquely qualified to give it the creative attention it deserves. Because whatever your role in the advertising process, the 7 Secrets will actually show you how to make better radio commercials. Even if 6 of them aren't actually Secrets. Because if you've ever been in one of Tony's radio workshops, seminars or presentations, this is the book you would have bought afterwards anyway Because it will make you want to sit down and write a great radio ad

"Sex Time And Radio Vol. 3: The Cult of Personality" is the second release in a four book series written by author, music historian, and on-air personality MARCUS CHAPMAN. While the entire series serves as an All Access VIP pass through the urban radio world of the '90s & 2000s, "Vol. 3: The Cult of Personality" deals with life inside professional radio from 1995 to 1999; most notably inside Chicago radio station WGCI . Not only was WGCI Chicago's #1 radio station at the time, but it was also considered by many industry insiders to be the top Urban Contemporary radio station in America during this era. The station's air staff produced nationally known alumni like Tom Joyner, Doug Banks, and current BET voiceover talent Rick Party; as well as other stars like Mike Love, Dr. Luv, Jeanne Sparrow, Crazy Howard McGee, Irene Mojica, Ramonski Luv, Joe Soto, First Lady, The Diz, Troi Tyler, Sam Sylk, and more. Author Marcus Chapman was WGCI's youngest employee in this era, and he lets the reader experience the lifestyle of an on-air personality raw and uncut. This book contains encounters with celebrities like R Kelly, Aaliyah, Dr. Dre, Michael Jordan, James Brown, Erykah Badu, OutKast, Ice Cube, Tyrese, Faith Evans, En Vogue, LisaRaye, Lisa "Left Eye" Lopes, and many more. It also contains info on how professional radio stations schedule their music; how comedians like Steve Harvey originally started in urban radio; and how great Chicago clubs of the '90s like The Clique, Elixir, and the River West Brewery impacted the lives of WGCI on-air talents and their listeners. The author also discusses the challenges, frustrations & triumphs during his own rise from studio assistant to on-air radio stardom. The book takes you from closed door staff meetings to meetings in the bedroom, and delves into the deeper psychological reasons and life experiences that affect the sex drives of males in the spotlight. "Sex Time And Radio Vol. 3: The Cult of Personality" by Marcus Chapman is a MUST READ for every mature listener who turned on a radio from the 1990s until now Chapter titles in the book include: The 20 Dollar Challenge; The Name Game; Telephone Luv; Meet You at the Party; A Shot at the Title; JB, Aaliyah, and the Dr. Dre/Tupac Battle From the Grave; The Afterset; The Rotation; Say My Name, Say My Name; Black Coffee; Goin' Postal; Standing On the Outside; Break On Through to the Other Side ; Welcome to the Club; Livin' Like a Rock Star (And the Legend of the 3rd Floor); Birthday Licks; Sexorcism; Balance; Time For Me to Fly

In "Speak Up ," radio icon Eddie "Piolin" Sotelo opens up for the first time about his humble beginnings and the long, hard road to finding purpose and achieving triumph. Drawing upon his strong family values and his unflinching work ethic, Piolin recounts his very personal and resilient story--how a once undocumented immigrant rose to become the voice of a generation and a symbol of hope. Through intimate, uplifting and engaging real-life accounts, Piolin shares profound inspiration, wisdom, and guidance for his legions of fans and listeners who are searching for their own paths to success and happiness.

The crack of the bat on the radio is ingrained in the American mind as baseball takes center stage each summer. Radio has brought the sounds of baseball into homes for almost one hundred years, helping baseball emerge from the 1919 Black Sox scandal into the glorious World Series of the 1920s. The medium gave fans around the country aural access to the first All-Star Game, Lou Gehrig's farewell speech, and Bobby Thomson's "Shot Heard 'Round the World." Red Barber, Vin Scully, Harry Caray, Ernie Harwell, Bob Uecker, and dozens of other beloved announcers helped cement the love affair between radio and the national pastime. Crack of the Bat takes readers from the 1920s to the present, examining the role of baseball in the development of the radio industry and the complex coevolution of their relationship. James R. Walker provides a balanced, nuanced, and carefully documented look at radio and baseball over the past century, focusing on the interaction between team owners, local and national media, and government and business interests, with extensive coverage of the television and Internet ages, when baseball on the radio had to make critical adjustments to stay viable. Despite cable television's ubiquity, live video streaming, and social media, radio remains an important medium through which fans engage with their teams. The evolving relationship between baseball and radio intersects with topics as varied as the twenty-year battle among owners to control radio, the development of sports as a valuable media product, and the impact of competing technologies on the broadcast medium. Amid these changes, the familiar sounds of the ball hitting the glove and the satisfying crack of the bat stay the same.

An examination of how activists combine political advocacy and technical practice in their promotion of the emancipatory potential of local low-power FM radio. The United States ushered in a new era of small-scale broadcasting in 2000 when it began issuing low-power FM (LPFM) licenses for noncommercial radio stations around the country. Over the next decade, several hundred of these newly created low-wattage stations took to the airwaves. In Low Power to the People, Christina Dunbar-Hester describes the practices of an activist organization focused on LPFM during this era. Despite its origins as a pirate broadcasting collective, the group eventually shifted toward building and expanding regulatory access to new, licensed stations. These radio activists consciously cast radio as an alternative to digital utopianism, promoting an understanding of electronic media that emphasizes the local community rather than a global audience of Internet users. Dunbar-Hester focuses on how these radio activists impute emancipatory politics to the "old" medium of radio technology by promoting the idea that "microradio" broadcasting holds the potential to empower ordinary people at the local community level. The group's methods combine political advocacy with a rare commitment to hands-on technical work with radio hardware, although the activists' hands-on, inclusive ethos was hampered by persistent issues of race, class, and gender. Dunbar-Hester's study of activism around an "old" medium offers broader lessons about how political beliefs are expressed through engagement with specific technologies. It also offers insight into contemporary issues in media policy that is particularly timely as the FCC issues a new round of LPFM licenses.