This lively book peels back the many layers of the Top 40 phenomenon: the DJs, fans, singles, jingles, dedications, contests, requests - all the lightning-fast "platter chatter," to quote the inimitable Wolfman Jack. Some of Top 40's most colorful DJs (also known as "cooler rulers") rant and rave about pioneering radio history's greatest format. "Fifth Beatle" Murray the K, "the Real" Don Steele, Chuck Blore, Robert W. Morgan, B. Mitch Reed, Tom "Big Daddy" Donahue, Joe "Rockin' Bird" Niagara, and many others tell their exciting stories. A special chapter highlights the notorious Alan Freed, who coined the term "rock and roll" but was soon destroyed by practising pay-for-play and the subsequent congressional payola hearings of 1959. The book includes an exclusive CD with "airchecks" - rare recordings from actual Top 40 broadcasts - so that readers can hear the crazed, creative, and compelling voices that made Top 40 so memorable. Airchecks include DJs Gary Owens, Joey Reynolds, Bobby Dale, Casey Kasem, Bobby Ocean, and many more.

Radio's New Wave explores the evolution of audio media and sound scholarship in the digital age. Extending and updating the focus of their widely acclaimed 2001 book The Radio Reader, Hilmes and Loviglio gather together innovative work by both established and rising scholars to explore the ways that radio has transformed in the digital environment. Contributors explore what sound looks like on screens, how digital listening moves us, new forms of sonic expression, radio's convergence with mobile media, and the creative activities of old and new audiences. Even radio's history has been altered by research made possible by digital and global convergence. Together, these twelve concise chapters chart the dissolution of radio's boundaries and its expansion to include a wide-ranging universe of sound, visuals, tactile interfaces, and cultural roles, as radio rides the digital wave into its second century.

For the first time in print, celebrated storytelling phenomenon The Moth presents fifty spellbinding, soul-bearing stories selected from their extensive archive (fifteen-plus years and 10,000-plus stories strong). Inspired by friends telling stories on a porch, The Moth was born in small-town Georgia, garnered a cult following in New York City, and then rose to national acclaim with the wildly popular podcast and Peabody Award-winning weekly public radio show "The Moth Radio Hour."
Stories include: writer Malcolm Gladwell's wedding toast gone horribly awry; legendary rapper Darryl "DMC" McDaniels' obsession with a Sarah McLachlan song; poker champion Annie Duke's two-million-dollar hand; and A. E. Hotchner's death-defying stint in a bullring . . . with his friend Ernest Hemingway. Read about the panic of former Clinton Press Secretary Joe Lockhart when he misses Air Force One after a hard night of drinking in Moscow, and Dr. George Lombardi's fight to save Mother Teresa's life.
This will be a beloved read for existing Moth enthusiasts, fans of the featured storytellers, and all who savor well-told, hilarious, and heartbreaking stories.

Shortwave broadcasting originated in the 1920s, when stations used the new technology to increase their range in order to serve foreign audiences and reach parts of their own country that could not easily be covered by regular AM stations. The early days of shortwave radio were covered in On the Short Waves, 1923-1945: Broadcast Listening in the Pioneer Days of Radio, published by McFarland in 1999. This book picks up the story after World War II, focusing on the stations themselves and the environment in which they operated. A companion volume, Listening on the Short Waves, 1945 to Today, focuses on the shortwave listening community.] The heart of the book is a detailed, year-by-year account of the shortwave bands in each year from 1945 to the present. It reviews what American listeners were hearing on the international and domestic shortwave bands, describes the arrivals and departures of stations, and recounts important shortwave events. The book also introduces readers to the several categories of broadcasters--international, domestic, religious, clandestine and pirate--and to private shortwave broadcasting in the United States. It explains the impact of relay stations, frequency management, and jamming, and describes promising shortwave technologies. It also addresses the considerable changes in, and challenges to, shortwave broadcasting since the end of the cold war. The book is richly illustrated and indexed, and features a bibliography and extensive notes to facilitate further reading or research.

'Beautifully judged account of the Manchester scene . . . There is something of the fairy tale about Dave Haslam's sage joyful testament to the kind of life that nobody could ever plan, a happy aligning of a cultural moment and a young man who instinctively knew that it was his once upon a time' Victoria Segal, Sunday Times 'Witty, sometimes dark, revealing, insightful, everything one could hope for from one of those folk without whom independent music simply wouldn't exist' Classic Rock Sonic Youth Slept on My Floor is writer and DJ Dave Haslam's wonderfully evocative memoir. It is a masterful insider account of the Hacienda, the rise of Madchester and birth of the rave era, and how music has sound-tracked a life and a generation. In the late 1970s Dave Haslam was a teenage John Peel listener and Joy Division fan, his face pressed against a 'window', looking in at a world of music, books and ideas. Four decades later, he finds himself in the middle of that world, collaborating with New Order on a series of five shows in Manchester. Into the story of those intervening decades, Haslam weaves a definitive portrait of Manchester as a music city and the impact of a number of life-changing events, such as the nightmare of the Yorkshire Ripper to the shock of the Manchester Arena terror attack. The cast of Haslam's life reads like a who's who of '70s, '80s and '90s popular culture: Tony Wilson, Nile Rodgers, Terry Hall, Neneh Cherry, Tracey Thorn, John Lydon, Johnny Marr, Ian Brown, Laurent Garnier and David Byrne. From having Morrissey to tea and meeting writers such as Raymond Carver and Jonathan Franzen to discussing masturbation with Viv Albertine and ecstasy with Roisin Murphy, via having a gun pulled on him at the Hacienda and a drug dealer threatening to slit his throat, this is not your usual memoir.

'Jim Beaman's Interviewing for Radio is a classic and seminal practice text, brilliantly written and masterful in its content. Nobody working in professional radio can do without it. It is a must for all radio courses and I could not recommend it more highly' - Tim Crook, Head of Radio, Goldsmiths College, University of London, UK Interviewing for Radio is a thorough introduction to the techniques and skills of the radio interview. It offers advice on how to ask the right question and elicit a response, and guides the reader through the use of equipment, the mechanics of recording, the studio environment, live broadcasts, presentation and pronunciation, and editing material. Written by an experienced producer and instructor, Interviewing for Radio includes: the history of the radio interview and the importance of its role today practical exercises which introduce successful interview and technical skills case studies and hypothetical scenarios to help you prepare for potential difficulties a discussion of ethics, risk assessment, codes of conduct and regulations This second edition has been thoroughly updated and includes advice from a new range of practitioners, and examples of recent UK and international interviews. The author critically analyses these interviews and explains the preparation, organisation and expertise required in order to produce a successful radio broadcast. Interviewing for Radio references both new and existing regulations and guidelines for UK journalists, then offers a global perspective by drawing on the differences and similarities with those applicable to other countries. This invaluable book is supported by a companion website that includes audio interviews with practitioners accompanied by a range of student exercises, a comprehensive glossary in the form of interactive flashcards, and suggested links for further listening.

The discovery and development of shortwave technology during the 1920s and 1930s permitted radio stations throughout the world to transmit their programs over long distances, even worldwide, for the first time, and the thrill of hearing broadcasts from faraway places produced a dedicated American audience. Developments in shortwave broadcasting and shortwave listening from their inception through the war years were covered in On the Short Waves, 1923-1945: Broadcast Listening in the Pioneer Days of Radio, published by McFarland in 1999. This book picks up the story in 1945, describing the resumption of organized shortwave listening after the war and its development in the years since. The companion volume, Broadcasting on the Short Waves, 1945 to Today, focuses on the world's shortwave stations. Written from the standpoint of the serious shortwave enthusiast, this book begins with an examination of the broader shortwave listening audience. It then presents in detail the histories of the major North American shortwave clubs and reviews the professional and listener-generated shortwave literature of the era. It also covers the DX programs and other listening fare to which shortwave listeners were most attracted and the QSL-cards they sought as confirmation of their reception. The book presents a chronology of the shortwave receivers available and discusses how changes in receiver technology impacted the listening experience. It also addresses the important role that computers have played in the shortwave listening of recent decades. The book is richly illustrated and indexed, and features extensive notes to facilitate further reading or research.

The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in U.S. film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that would redefine dominant forms and experiences of popular audio entertainment. Focusing on broadcasting's initial expansion during the 1920s, Making Radio explores the forms of creative labor pursued for the medium in the period prior to the better-known network era, assessing their role in shaping radio's identity and identifying affinities with parallel practices pursued for conversion-era film and phonography. Tracing programming forms adopted by early radio writers and programmers, production techniques developed by studio engineers, and performance styles cultivated by on-air talent, it shows how radio workers negotiated a series of broader industrial and cultural pressures to establish best practices for their medium that reshaped popular forms of music, drama, and public oratory and laid the foundation for a new era of electric sound entertainment.

Comedy writer, journalist, radio DJ and screenwriter Danny Baker charts his 30 years in showbiz Danny Baker was born in Deptford, South East London in June 1957, and from an early age was involved in magazine journalism, with the founding of fanzine Sniffin' Glue, alongside friend Mark Perry. From there he moved to documentary series for LWT and over the years worked on a variety of quiz shows (Win, Lose or Draw, Pets Win Prizes, TV Heroes), as well two television commercials which made him a household name - Daz and Mars Bars. This book charts Danny's showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley ...

How did Philip Gault become ""The Whisperer""? What radio series was the proving ground for a motion picture? Who owned the Solomon Levy Department Store? The answers to these and many other questions can be found in this encyclopedic reference work to 1802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Hundreds of program openings and closings are included.

For more than sixty years, Bob Steele was the radio voice of Southern New England, entertaining listeners of WTIC AM with his wit, humor, and an inimitable style that kept listeners faithfully tuning in to his morning show. Capturing the nation's highest market share, the National Radio Hall of Fame inductee maintained an unparalleled popularity through the latter half of the twentieth century. This first ever biography of Bob Steele details both the home life and the award-winning broadcasting career of this Connecticut media legend, from his humble Midwestern roots to the pinnacle of radio fame. Steele and his "The Word for the Day" feature remain forever embedded in the memories of his many listeners.

This comprehensive guide to achieving success in the exciting and imaginative world of audio performance - including radio, voice-overs, commercials, live theater, and more - provides all the information that radio and audio novices need to get started and brush up on their skills. Topics covered in this title include: microphone acting techniques; tips for creating convincing vocal effects; writing tips for audio theater; ideas for creating and manipulating emotion through sound; beginning and intermediate level tips for directors; and, an extensive list of suggestions for creating frequently requested sound effects.

KQED Radio's Michael Krasny is one of the country's leading interviewers of literary luminaries, a maestro for educated listeners who prefer their discourse high and civil. He is a writer's interviewer.
But it didn't start out that way.
In "Off Mike," Krasny, host of one of public radio's most popular and intellectually compelling programs, talks of his strong desire to become a novelist in the footsteps of Bellow and Philip Roth, and then discovering his real talent as a communicator--a deft ability to draw others out as an interlocutor. Krasny remarks that, "Trying to meld life into art as I read and interpreted and taught and wrote about writers, I went on to talk and talk and talk with writers until I had interviewed more writers perhaps than anyone ever has or will or should. I was on the road. My own road to literary Damascus. More than ever, I wanted to live a life that could answer Bellow's primary question: How should a good man live."
In a mix of memoir and reportage, Krasny takes readers inside his world--his coming of age during the heady times of the 1960s with their blend of the civil rights movement and political activism, to the vivid description of his journey from a student of literature to a struggling novelist to an educator and--somewhat accidentally--a radio host. Krasny gives an account of the polarizing transformation of talk radio, from his early days at KGO commercial radio, through to his current role at NPR, where he manages to keep the flow of talk in his San Francisco based show animated and politically balanced.
"Forum" fans and lovers of literature will be riveted by the insightful and amusing vignettes and behind the scenes accounts. Theywill get a taste of the sharp commentary from his encounters with panels of experts, and interviews with cultural and political personalities as well as writers.

This fascinating book explores the tensions behind the greatest era in BBC radio broadcasting ? the Home Service. Despite evacuation, air-raids and the closure of the fledgling TV service, the BBC rose magnificently to the challenge of informing, entertaining and inspiring a nation at war.

The war years were to transform religious broadcasting beyond recognition. Under the persistent and innovative James Welch, the BBC began to invent new formats and take large risks in trying to communicate Christian truth to a generation whose faith was on the rack of war. Out of this came the broadcast talks of CS Lewis and the first ever dramatic portrayal of Christ in Dorothy L Sayers? Man Born to be King.

The response to C S Lewis? first broadcast was so overwhelming that a second programme had to be arranged to answer listeners? questions. Lewis? hugely popular BBC talks were published as Mere Christianity and have been a classic ever since, selling over 11 million copies worldwide.

As a layman, Lewis? critics initially claimed that he was not qualified to talk on Christian matters. For Lewis this was all part of the challenge of reaching a new audience. But his initial enthusiasm for broadcasting waned as it began to interfere with his work at Oxford, and he turned down many of the BBC?s invitations to appear on the radio, including a chance to be on The Brains Trust, the Any Questions of its day.

This is a chapter in Lewis? life which has received very little attention from biographers and commentators, who have focussed on his achievements as a writer and academic. Yet C S Lewis? work on the radio made him a household name.

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.

Hollenbeck began his career at the Lincoln, Nebraska "Journal" (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring "Omaha Bee-News." He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free "PM" newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow.

Hollenbeck's pioneering, prize-winning radio program, "CBS Views the Press" (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious "New York Times," the "Daily News" (then the paper with the largest circulation in America), and Hearst's flagship "Journal-American" and popular morning tabloid "Daily Mirror." For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, "CBS's Don Hollenbeck" is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities-discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography-a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls "the climb"-the stories of how they struggled and eventually prevailed. As he writes in the introduction, "If you're having trouble finding motivation in life and you're looking for that extra kick in the ass, you will find it in these pages." Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election-one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern insightfully notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

This reference work contains exhaustive histories of 31 of network radio's most durable soap operas on the air between 1930 and 1960. The soap operas covered are ""Aunt Jenny's Real Life Stories"", ""Backstage Wife"", ""Big Sister"", ""The Brighter Day"", ""David Harum"", ""Front Page Farrell"", ""The Guiding Light"", ""Hilltop House"", ""Just Plain Bill"", ""Life Can Be Beautiful"", ""The Light of the World"", ""Lora Lawton"", ""Lorenzo Jones"", ""Ma Perkins"", ""One Man's Family"", ""Our Gal Sunday"", ""Pepper Young's Family"", ""Perry Mason"", ""Portia Faces Life"", ""The Right to Happiness"", ""Road of Life"", ""The Romance of Helen Trent"", ""Rosemary"", ""The Second Mrs. Burton"", ""Stella Dallas"", ""This Is Nora Drake"", ""Today's Children"", ""Wendy Warren and the News"", ""When a Girl Marries"", ""Young Doctor Malone"", and ""Young Widder Brown"".Included for each series are the drama's theme and story line, an in-depth focus on the major characters, and a listing of producers, directors, writers, announcers, casts, sponsors, ratings, and broadcast dates, times and networks. Profiles of 158 actors, actresses, creators and others who figured prominently in a serial's success are also provided.

An instant New York Times bestseller! Charlamagne Tha God-the self-proclaimed "Prince of Pissing People Off," cohost of Power 105.1's The Breakfast Club, and "the most important voice in hip-hop"-shares his eight principles for unlocking your God-given privilege. In Black Privilege, Charlamagne presents his often controversial and always brutally honest insights on how living an authentic life is the quickest path to success. This journey to truth begins in the small town of Moncks Corner, South Carolina, and leads to New York and headline-grabbing interviews and insights from celebrities like Kanye West, Kevin Hart, Malcolm Gladwell, Lena Dunham, Jay Z, and Hillary Clinton. Black Privilege lays out all the great wisdom Charlamagne's been given from many mentors, and tells the uncensored story of how he turned around his troubled early life by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. These life-learned principles include: -There are no losses in life, only lessons -Give people the credit they deserve for being stupid-starting with yourself -It's not the size of the pond but the hustle in the fish -When you live your truth, no one can use it against you -We all have privilege, we just need to access it By combining his own story with bold advice and his signature commitment to honesty no matter the cost, Charlamagne hopes Black Privilege will empower you to live your own truth.

'The bombshell book everyone is talking about' DAILY MAIL 'A radio genius ... the maestro of the show' EVENING STANDARD As presenter of Radio 4's Today, the nation's most popular news programme, John Humphrys was famed for his tough interviewing. He has been at the heart of journalism for decades. Now, he offers his life story from the poverty of his post-war childhood in Cardiff, leaving school at fifteen, to the summits of broadcasting. Along the way, he recalls the experiences that have marked him most: being the first reporter at the terrible disaster in Aberfan, reporting from South Africa in the dying days of apartheid, from Ireland during the Troubles, and from the White House on Richard Nixon's historic resignation. With his trademark tenacity and no punches pulled, John also weighs in on the controversies of his career, the role and limitations of the BBC, and the broader health of political debate today. He hopes you'll tune in.

"An anecdotal and readable history."--"nthposition online magazine"

"The most fascinating parts of the book are the stories of offbeat radio operations, which Walker describes with humor and empathy."--"The Review of Communication"

"Both academics and radio enthusiasts will appreciate this book."
"--Library Journal"

"Without a doubt, this is the most detailed and well-researched book ever published on the history of free radio in America. This includes the most comprehensive history ever written on the modern microradio movement; culled from personal interviews, the writing is mostly engaging and fast-paced...A must read."
--"The About Guide"

"The book is a great addition to the literature of the ways in which the state uses regulatory edicts and strong-arm tactics to stifle people's freedom."
--George C. Leef, "Freedom Daily"

"Jesse Walker's lively book is the first to offer a thorough history of what's come to be known as alternative radio."
--"Time Out New York"

"The story of early radio broadcasting is a fascinating one and well told."--"Monitoring Times"

"Walker goes a long way toward showing the considerable creativity in nonmainstream radio, despite its lack of funds and other problems. The strongest part of the discussion is that dealing with the last thee decades. An interesting balance to the perceived story of American radio."
--"Choice"

Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull?

Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded tomonopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived.

Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers established broadcasters have erected to ensure their dominance. Using lively anecdotes drawn from firsthand interviews, Walker chronicles the story of the unsung heroes of American radio who, despite those barriers, carved out spaces for themselves in the spectrum, sometimes legally and sometimes not. Walker's engaging, meticulous account is the first comprehensive history of alternative radio in the United States.

From the unlicensed amateurs who invented broadcasting to the community radio movement of the 1960s and 1970s, from the early days of FM to today's micro radio movement, Walker lays bare the hidden history of broadcasting. Above all, Rebels on the Air is the story of the pirate broadcasters who shook up radio in the 1990sand of the new sorts of radio we can expect in the next century, as the microbroadcasters crossbreed with the even newer field of Internet broadcasting.

Here is a first-hand portrait of the flamboyant American genius who became a titanic figure in twentieth century popular culture. Orson Welles revolutionised theatre, terrified a nation of radio listeners, and made cinematic history with Citizen Kane, regarded by many as the greatest American film ever made.

Ruggedly handsome Jeff Chandler won over fans with his versatile acting in film, television, radio, and theatre. He was particularly respected for his roles in Westerns. Chandler got an Oscar nomination in 1950 for Broken Arrow, was involved in the production of 27 box-office champions, and worked with such stars as Orson Welles, Susan Hayward, and James Stewart. First, a biography covers Chandler's life: his birth in 1918; WWII service; the start of his radio career in 1946; his first film role soon after; and his success as a recording artist, song-writer, and owner of ""Chandler Music;"" his death in 1961 and the subsequent malpractice suit filed by his family. The work then covers his 54 films from The Invisible Wall (1947) to Merrill's Marauders (1962). Each chronologically arranged entry provides the studio name, month and year of release, the ad line, alternate titles, running times, format, genre, ratings, cast and crew credits, and a synopsis, plus such information as behind-the-scenes details and additional comments, review extracts, and quotes from Chandler and others about the film. A section on music and spoken word follows, listing all credits and statistics as above, plus program notes and quotes from Chandler. T he radio section gives the program and episode name, date, episode number, and credits. The next section lists television appearances with the same information as in the film section. Chandler's play (The Trojan Horse) with the troupe, dates, number of performances, cast and crew, synopsis and additional comments, is described last. A full bibliography concludes the work, which is illustrated with personal and professional photographs.

The now legendary character created by Leslie Charteris has survived nearly three-quarters of a century of perilous action and narrow escapes with nary a hair out of place nor the slightest jolt to his jauntily tipped halo. The guide includes plot synopses of the radio and television programs, with air dates and production credits, and more.

Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills.
Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews.
The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.
* A manual and handbook for working journalists and an ideal starter textbook for radio journalism and media students
* Written by two experienced journalists and trainers
* Includes the latest digital production techniques as well as scores of practical hints and tips covering the core skills of radio journalism

In One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another - theatre, radio, film, television, even, at one point, ballet - in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles' self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?