Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the media reform movement and clearinghouse the National Association of Educational Broadcasters (NAEB) in the drive to create what became the Public Broadcasting Service and National Public Radio. Founded in 1934, the NAEB began as a disorganized collection of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media coalition premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond.

When the pirate operator Oliver Smedley shot and killed his rival Reg Calvert in Smedley s country cottage on June 21, 1966, it was a turning point for the outlaw radio stations dotting the coastal waters of England. Situated on ships and offshore forts like Shivering Sands, these stations blasted away at the high-minded BBC s broadcast monopoly with the new beats of the Stones and DJs like Screaming Lord Sutch. For free-market ideologues like Smedley, the pirate stations were entrepreneurial efforts to undermine the growing British welfare state as embodied by the BBC. The worlds of high table and underground collide in this riveting history."

In Breaks in the Air John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.

Aspiring radio and TV presenters will benefit from the informative and entertaining guidance provided by accomplished presenter, Janet Trewin. Presenting on TV and Radio is packed with illustrations, practical exercises and insider tips for improving your presentation skills and breaking into this competitive industry.
Based on the principle that all successful presentation on TV and radio is dependent on uniform skills applicable to both mediums, the book begins by explaining basics such as appearance, authority, body language, diction, scriptwriting, deadlines, technology and working with a co-presenter. Valuable insights into key employment issues such as sexism, ageism, racism and disability are also offered. The different requirements of TV and radio presentation are then examined, focusing on each specialist area in detail and with tips from professionals in the business. These include: presenting news in the studio as an anchor and as a reporter on the road; current affairs and features involving live and recorded material; DJ'ing; light entertainment (e.g. game shows and personality programmes); sports presentation; children's programmes; foreign broadcasters and those broadcasting to worldwide audiences.
* Top presenters tell what it's really like and offer insider tips.
* Packed with practical exercises to improve your presentation skills and advice on how to get in and get on in the industry.
* Covers a vast range of presentation styles from hard news and sport to light entertainment, DJ'ing, and children's programmes.

Legendary cricket broadcaster Henry Blofeld takes the reader on a journey from A-Z through the world of cricket. In his trademark charming style, Blowers goes through the alphabet, explaining some of the puzzling cricket terminology and regaling his favourite anecdotes from his fifty years in the sport, covering the most important moments in the sport's history as well as the most entertaining and amusing. The book will also contain a glossary for those who want to make sure they know their googlys from their bouncers. This gift book is perfect for fans of cricket who want to understand the sport from Henry's unique point of view, it is a humorous and entertaining jaunt through the cricket landscape.

For the first time in print, celebrated storytelling phenomenon The Moth presents fifty spellbinding, soul-bearing stories selected from their extensive archive (fifteen-plus years and 10,000-plus stories strong). Inspired by friends telling stories on a porch, The Moth was born in small-town Georgia, garnered a cult following in New York City, and then rose to national acclaim with the wildly popular podcast and Peabody Award-winning weekly public radio show "The Moth Radio Hour."
Stories include: writer Malcolm Gladwell's wedding toast gone horribly awry; legendary rapper Darryl "DMC" McDaniels' obsession with a Sarah McLachlan song; poker champion Annie Duke's two-million-dollar hand; and A. E. Hotchner's death-defying stint in a bullring . . . with his friend Ernest Hemingway. Read about the panic of former Clinton Press Secretary Joe Lockhart when he misses Air Force One after a hard night of drinking in Moscow, and Dr. George Lombardi's fight to save Mother Teresa's life.
This will be a beloved read for existing Moth enthusiasts, fans of the featured storytellers, and all who savor well-told, hilarious, and heartbreaking stories.

The Radio Station offers a concise and insightful guide to all aspects of radio broadcasting, streaming, and podcasting. This book's tenth edition continues its long tradition of guiding readers to a solid understanding of who does what, when, and why in a professionally managed station. This new edition explains what "radio" in America has been, where it is today, and where it is going, covering the basics of how programming is produced, financed, delivered and promoted via terrestrial and satellite broadcasting, streaming and podcasting, John Allen Hendricks and Bruce Mims examine radio and its future within a framework of existing and emerging technologies. The companion website is new revised with content for instructors, including an instructors' manual and test questions. Students will discover an expanded library of audio interviews with leading industry professionals in addition to practice quizzes and links to additional resources.

Radio's New Wave explores the evolution of audio media and sound scholarship in the digital age. Extending and updating the focus of their widely acclaimed 2001 book The Radio Reader, Hilmes and Loviglio gather together innovative work by both established and rising scholars to explore the ways that radio has transformed in the digital environment. Contributors explore what sound looks like on screens, how digital listening moves us, new forms of sonic expression, radio's convergence with mobile media, and the creative activities of old and new audiences. Even radio's history has been altered by research made possible by digital and global convergence. Together, these twelve concise chapters chart the dissolution of radio's boundaries and its expansion to include a wide-ranging universe of sound, visuals, tactile interfaces, and cultural roles, as radio rides the digital wave into its second century.

'He played that so late, it was almost posthumous.' (John Arlott) For over fifty years, Test Match Special has provided the soundtrack to many cricket fans' lives - now this book collects its greatest hits. Here are all the witty sayings, bons mots, doubles entendres, wise words and priceless moments from the whole TMS team past and present, and of course their many and varied celebrity guests. Whether it's classic Test moments or hilarious asides from the boundary, you'll find the perfect line for every occasion. Collecting over half a century of quips and quotes, and beautifully illustrated throughout, The Wit and Wisdom of Test Match Special is a cricket fan's indispensable guide to bats, bowls, beards and bakes.

'The bombshell book everyone is talking about' DAILY MAIL 'A radio genius ... the maestro of the show' EVENING STANDARD As presenter of Radio 4's Today, the nation's most popular news programme, John Humphrys was famed for his tough interviewing. He has been at the heart of journalism for decades. Now, he offers his life story from the poverty of his post-war childhood in Cardiff, leaving school at fifteen, to the summits of broadcasting. Along the way, he recalls the experiences that have marked him most: being the first reporter at the terrible disaster in Aberfan, reporting from South Africa in the dying days of apartheid, from Ireland during the Troubles, and from the White House on Richard Nixon's historic resignation. With his trademark tenacity and no punches pulled, John also weighs in on the controversies of his career, the role and limitations of the BBC, and the broader health of political debate today. He hopes you'll tune in.

Why exactly would a nationally successful stand up comedian chuck in the exhilaration and freedom of life on the road for endless Coldplay singles, arguments with BBC management, incredibly expensive coffee, and an alarm clock set to 4:30am, five days a week? When the BBC decided to launch a brand new digital radio station that would play alternative music for truly passionate music fans, their first port of call was to elicit the services of Phill Jupitus. With a record collection that ran the gamut from calypso to techno, and a love of radio inspired by his childhood hero John Peel, Phill seemed the perfect choice to launch 6 Music. Phill readily accepted, determined to do something different with such an unexpected yet brilliant opportunity. Little did he know what lay ahead. With the weighty advice of such broadcasting behemoths as Terry Wogan, Steve Wright and Tony Blackburn ringing in his ears, Jupitus tried to shake up the world of breakfast radio for the better one tune at a time. Were the public ready for something new? But more importantly, did they even want it? In "Good Morning Nantwich," Phill Jupitus not only discovers the answer but finds out what really makes the listening nation tick first thing in the morning.

Regarded as the best radio and TV comic of his era, Tony Hancock was a man whose star burned brightly in the eyes and ears of millions before his untimely death in 1968. Now, forty years on, critically acclaimed biographer John Fisher brings the first fully authorised account of his life. Tony Hancock was one of post-war Britain's most popular comedians - his radio show 'Hancock's Half Hour' would clear the streets as whole families tuned in to listen. His peerless timing and subtle changes in intonation marked Hancock out as a comic genius. His character 'Anthony Aloysius St John Hancock' was an amplification of his own persona, a pompous prat whose dreams of success are constantly thwarted. The original British loser that we recognise in Victor Meldrew and Alan Partridge. Wonderfully supported by a cast including Sid James, Hattie Jacques and Kenneth Williams, and working with scripts from Ray Galton and Alan Simpson, Hancock became a huge star. The show was commisioned for TV, showcasing his talent for hilarious facial expression, and he became the first British comedian to earn a thousand pounds a week. Behind Tony Hancock's success however hid the self-destructive behaviour that plagued him all his life. Prone to self-doubt, and wanting to be the star of his own show, he got rid of James, and finally dismissed Galton and Simpson who had created the platform for his success. His private life was wracked by his ever increasing alcoholism and bouts of depression, and his relationships shattered by his capacity for violence. His ratings fell and, feeling washed up and alone after divorcing his second wife, he committed suicide in an Australian hotel room in 1968. Now, forty years after his death John Fisher explores the turbulent life of a man regarded by his peers as one of the greatest British comics to have ever lived.

Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills.
Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews.
The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.
* A manual and handbook for working journalists and an ideal starter textbook for radio journalism and media students
* Written by two experienced journalists and trainers
* Includes the latest digital production techniques as well as scores of practical hints and tips covering the core skills of radio journalism

The Radio Station offers a concise and insightful guide to all aspects of radio broadcasting, streaming, and podcasting. This book's tenth edition continues its long tradition of guiding readers to a solid understanding of who does what, when, and why in a professionally managed station. This new edition explains what "radio" in America has been, where it is today, and where it is going, covering the basics of how programming is produced, financed, delivered and promoted via terrestrial and satellite broadcasting, streaming and podcasting, John Allen Hendricks and Bruce Mims examine radio and its future within a framework of existing and emerging technologies. The companion website is new revised with content for instructors, including an instructors' manual and test questions. Students will discover an expanded library of audio interviews with leading industry professionals in addition to practice quizzes and links to additional resources.

Radio journalists have witnessed much of the history of the twentieth century. From early documentary recordings , to the ground-breaking war reporting of Ed Murrow and Richard Dimbleby, to the sophisticated commentaries of Alistair Cooke and reporters such as Fergal Keane, International Radio Journalism explores the way radio has covered the most important stories this century and the way in which it continues to document events in Britan, America, Europe and many other countries around the world.
International Radio Journalism is both a theoretical textbook and a practical guide for students of radio journalism, reporters, editors and producers. The book details training and professional standards in writing, presentation, technology, editorial ethics and media law in America, Britain, Australia and other English speaking countries and examines the major public sector broadcast networks such as the BBC, CBC, NPR and ABC as well as the work of commercial and small public radio stations.
Timothy Crook investigates the way in which news reporting has been influenced by governments and media conglomerates and identifies an undercurrent of racial and sexual discrimination throughout the history of radio news. There are chapters on media law for broadcast journalists, the implications of multi-media and new technologies, digital applications in radio news, and glossaries which cover the skills of voice presentaion, writing radio news and broadcast vocabulary.

Leading scholars combine their love of The Archers with their specialist subjects, in Custard, Culverts and Cake - a sometimes serious, but most often wry look at the people of Ambridge. A group of Archers Academics take on subjects such as food, geography, social media, faith. There is, naturally, an entire section dedicated to the Helen and Rob storyline. With contributions from members of the Academic Archers network, the book blurs the line between fact and fiction - The Archers as a BBC soap opera, and Ambridge as a real place in a county called Borsetshire. Each chapter is 'peer reviewed' by a different Ambridge inhabitant. Custard, Culverts and Cake gives the reader a deeper understanding of the real life issues covered in the programme, an insight into the residents of Ambridge, and validation that hours of listening to The Archers is, in fact, academic research.

Cold War Radio is a fascinating look at how the United States waged the Cold War through the international broadcasting of Voice of America (VOA) and Radio Free Europe/Radio Liberty (RFE/RL). Mark G. Pomar served in senior positions at VOA and RFE/RL from 1982 to 1993, during which time the Reagan and Bush administrations made VOA and RFE/RL an important part of their foreign policy. VOA is America's "national voice," broadcasting in more than forty languages, and is charged with explaining U.S. government policies and telling America's story with the aim of gaining the respect and goodwill of its target audience. During the Cold War, the VOA Russian Service broadcast twenty-four hours a day, seven days a week. RFE/RL is a private corporation, funded until 1971 by the CIA and afterward through open congressional appropriations. It broadcast in more than twenty languages of Central and Eastern Europe and Eurasia and functioned as a "home service" located abroad. Its Russian Service broadcast news, feature programming, and op-eds that would have been part of daily political discourse if Russia had free media. Pomar takes readers inside the two radio stations to show how the broadcasts were conceived and developed and the impact they had on the development of international broadcasting, U.S.-Soviet relations, Russian political and cultural history, and the dissolution of the Soviet Union. Pomar provides nuanced analysis of the broadcasts and sheds light on the multifaceted role the radios played during the Cold War, ranging from instruments of U.S. Cold War policy to repositories of independent Russian culture, literature, philosophy, religion, and the arts. Cold War Radio breaks new ground as Pomar integrates his analysis of Cold War radio programming with the long-term aims of U.S. foreign policy, illuminating the role of radio in the peaceful end of the Cold War.

This fascinating book explores the tensions behind the greatest era in BBC radio broadcasting ? the Home Service. Despite evacuation, air-raids and the closure of the fledgling TV service, the BBC rose magnificently to the challenge of informing, entertaining and inspiring a nation at war.

The war years were to transform religious broadcasting beyond recognition. Under the persistent and innovative James Welch, the BBC began to invent new formats and take large risks in trying to communicate Christian truth to a generation whose faith was on the rack of war. Out of this came the broadcast talks of CS Lewis and the first ever dramatic portrayal of Christ in Dorothy L Sayers? Man Born to be King.

The response to C S Lewis? first broadcast was so overwhelming that a second programme had to be arranged to answer listeners? questions. Lewis? hugely popular BBC talks were published as Mere Christianity and have been a classic ever since, selling over 11 million copies worldwide.

As a layman, Lewis? critics initially claimed that he was not qualified to talk on Christian matters. For Lewis this was all part of the challenge of reaching a new audience. But his initial enthusiasm for broadcasting waned as it began to interfere with his work at Oxford, and he turned down many of the BBC?s invitations to appear on the radio, including a chance to be on The Brains Trust, the Any Questions of its day.

This is a chapter in Lewis? life which has received very little attention from biographers and commentators, who have focussed on his achievements as a writer and academic. Yet C S Lewis? work on the radio made him a household name.

A practical handbook for programming directors, this guide focuses on achieving specific objectives in today's modern, competitive environment.

Radio Programming is designed to convey underlying principles and to assist the programmer in accomplishing specific objectives, without mandating exact implementation methods. Instead, it empowers station management and the PD to implement strategies that will work for the particular format and market niche.
Radio Programming will be helpful for neophytes in programming, experienced programmers seeking further growth, air talent seeking to develop skills, and general managers trying to understand programming and effectively manage program directors without stifling creativity. It will also help general managers hire effective programmers.
Eric Norberg is the editor and publisher of the Adult Contemporary Music Research Letter and a radio consultant. He has worked as a program director at several radio stations, as on-air talent and general manager, and has also operated a radio production company. For fourteen years he has written a weekly column on radio programming for The Gavin Report, a radio trade publication.
Shows radio programmers how to work toward acheiving specific objectives
Coveys the principles of agressive radio programming
Part of the Broadcasting & Cable series

Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills. Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews. The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.

An instant New York Times bestseller! Charlamagne Tha God-the self-proclaimed "Prince of Pissing People Off," cohost of Power 105.1's The Breakfast Club, and "the most important voice in hip-hop"-shares his eight principles for unlocking your God-given privilege. In Black Privilege, Charlamagne presents his often controversial and always brutally honest insights on how living an authentic life is the quickest path to success. This journey to truth begins in the small town of Moncks Corner, South Carolina, and leads to New York and headline-grabbing interviews and insights from celebrities like Kanye West, Kevin Hart, Malcolm Gladwell, Lena Dunham, Jay Z, and Hillary Clinton. Black Privilege lays out all the great wisdom Charlamagne's been given from many mentors, and tells the uncensored story of how he turned around his troubled early life by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. These life-learned principles include: -There are no losses in life, only lessons -Give people the credit they deserve for being stupid-starting with yourself -It's not the size of the pond but the hustle in the fish -When you live your truth, no one can use it against you -We all have privilege, we just need to access it By combining his own story with bold advice and his signature commitment to honesty no matter the cost, Charlamagne hopes Black Privilege will empower you to live your own truth.

Radio s influence can be found in almost every corner of new media. Radio in the Digital Age assesses a medium that has not only survived the challenges of a new technological age but indeed has extended its reach. This is not a book about digital radio, but rather about the medium of radio in its many analogue and digital forms in an age characterised by digital technologies. The context of the digital age reveals new insights about the nature of radio. In this important addition to the world of radio scholarship, Dubber provides a theoretical framework for understanding the medium - allowing for complexity and contradiction, while avoiding essentialism and technological determinism. Introducing radio as a series of practices and phenomena that can be understood through a range of discursive categories, this book explores the relationships between radio, music, politics, storytelling and society in a new and thoughtful way. This book will make essential reading for students of media, communication, broadcasting and the digital industries. It offers a timely and comprehensive introduction for anyone who wishes to understand the role of radio in today s media landscape.

'Melvyn not only makes you think ... he makes it enjoyable too. He's brilliant.' - John Humphrys, the Today Programme. 'In a troubled world where many sneer at experts, In Our Time is always a treat. Those who know what they're talking about, talk about it, and they do it under the benevolent if occasionally testy guidance of one who knows how to bring out the best in them. Listen, read, mark, and inwardly digest; agreeable glass of accompanying refreshment optional.' - Sir Diarmaid MacCulloch 'This beautifully produced and expertly edited book is a wonderfully rich and varied sample of 50 In Our Time programmes, from ancient Greek philosophy to dark matter via the gin craze. It will whet your appetite to visit or revisit the many hundreds of other programmes in this remarkable series.' - Professor Angela Hobbs 'Bragg gives short shrift to pretension of any kind, while remaining stalwart in his search for knowledge. His methodology in In Our Time is... not unlike that of a man throwing a stick at a dog: he chucks his questions ahead, and if the chosen academic fails to bring it right back, he chides them. He retains enough of his bluff Cumbrian origins not to be taken in by gambolling and tweedy high spirits.' - Will Self, from a February 2010 issue of London Review of Books In Our Time has been the cornerstone of broadcasting every Thursday morning on BBC Radio 4 for the past twenty years, with over 800 episodes since its launch in October 1998. Presented by one of Britain's greatest champions of the arts, Melvyn Bragg, the show explores ideas across history, religion, philosophy, science and culture. With a vast array of contributors from the world of academia, such as Mary Beard, Angie Hobbs and Diarmaid MacCulloch, it is one of Radio 4's most successful programmes, attracting a weekly live audience exceeding 2 million listeners, and, per episode, it is one of the world's most downloaded podcasts. To honour this major anniversary of BBC broadcasting, this beautifully illustrated book provides a lively and colourful guide to fifty of the most captivating discussions from the past two decades of In Our Time, as chosen by Melvyn and the producer Simon Tillotson, and, influenced by listeners who have recommended their favourite programmes from those years. Highlights include 'Romulus and Remus', 'The Death of Elizabeth I', 'Ada Lovelace', 'The Gin Craze', the 'Epic of Gilgamesh' and 'The Salem Witch Trials', and there are additional behind-the-scenes insights, peppered with Melvyn Bragg's remarks both on and off air. This is a captivating gift for all fans and a celebration of this iconic series.