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Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)

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Changing the Score - Arias, Prima Donnas, and the Authority of Performance (Hardcover) Loot Price: R1,778
Discovery Miles 17 780
Changing the Score - Arias, Prima Donnas, and the Authority of Performance (Hardcover): Hilary Poriss

Changing the Score - Arias, Prima Donnas, and the Authority of Performance (Hardcover)

Hilary Poriss

Series: AMS Studies in Music

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Loot Price R1,778 Discovery Miles 17 780 | Repayment Terms: R167 pm x 12*

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This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia.
The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Series: AMS Studies in Music
Release date: August 2009
First published: August 2009
Authors: Hilary Poriss (Professor of Music)
Dimensions: 242 x 163 x 18mm (L x W x T)
Format: Hardcover
Pages: 240
ISBN-13: 978-0-19-538671-4
Categories: Books > Arts & Architecture > Performing arts > Theatre, drama > Opera
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN: 0-19-538671-X
Barcode: 9780195386714

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