Recalling his role in the World War II sorties of the fabled Tuskegee Airmen. General Benjamin O. Davis Jr. describes it as a second front in the black aviators' war for dignity. In contrast to his bold decision-making as Secretary of Defense in the 1960s, Robert McNamara looks back on that era with regret, especially the misguided policies he had advanced during the Vietnam War. These are but two of the candid, deeply personal revelations in this collection of conversations from "dialogue," a weekly radio and television series from the Woodrow Wilson International Center for Scholars in Washington, D.C. "dialogue" is broadcast by about 150 U.S. radio stations, the MHz WORLDVIEW channel and MHz NETWORKS, National Public Radio Worldwide, the Armed Forces Radio Network, and the ichannel in Canada, reaching hundreds of thousands of listeners and viewers worldwide.

Whether the guests are celebrities like Lee Hamilton, Bill Bradley, or Shelby Foote, or lesser-known scholars, poets, diplomats, officials, and authors, the conversations are uniformly gripping and thoughtful. Presented as "conversations about ideas," the broad range of topics is emblematic of the scope of human endeavor in the arts, sciences, history, and culture. The twenty-four interviews selected for The Art of Conversation are favorites from among the 900 broadcast over the past twenty years. Guided by host George Liston Seay, the guests consistently display, he says, "the joy of people who take each other seriously." In solid, plainspoken fashion they demonstrate that there is an art of conversation and that even in this fragmented video age, it still flourishes.

Recalling his role in the World War II sorties of the fabled Tuskegee Airmen. General Benjamin O. Davis Jr. describes it as a second front in the black aviators' war for dignity. In contrast to his bold decision-making as Secretary of Defense in the 1960s, Robert McNamara looks back on that era with regret, especially the misguided policies he had advanced during the Vietnam War. These are but two of the candid, deeply personal revelations in this collection of conversations from "dialogue," a weekly radio and television series from the Woodrow Wilson International Center for Scholars in Washington, D.C. "dialogue" is broadcast by about 150 U.S. radio stations, the MHz WORLDVIEW channel and MHz NETWORKS, National Public Radio Worldwide, the Armed Forces Radio Network, and the ichannel in Canada, reaching hundreds of thousands of listeners and viewers worldwide.

Whether the guests are celebrities like Lee Hamilton, Bill Bradley, or Shelby Foote, or lesser-known scholars, poets, diplomats, officials, and authors, the conversations are uniformly gripping and thoughtful. Presented as "conversations about ideas," the broad range of topics is emblematic of the scope of human endeavor in the arts, sciences, history, and culture. The twenty-four interviews selected for The Art of Conversation are favorites from among the 900 broadcast over the past twenty years. Guided by host George Liston Seay, the guests consistently display, he says, "the joy of people who take each other seriously." In solid, plainspoken fashion they demonstrate that there is an art of conversation and that even in this fragmented video age, it still flourishes.

Written for broadcast on Minnesota Public Radio's "Good Evening", these memorable observations and reflections by the host of National Public Radio's "All Things Considered" are now published in a beautiful gift book.

A thrilling collection of episodes from the classic radio show "Suspense"

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, "Suspense" was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery series of the golden age. Often referred to as Radio s Outstanding Theater of Thrills, the show focused on suspenseful thrillers starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the Man in Black who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations with plots that, at the very end, usually had an unseen twist or two. Hollywood s finest actors jumped at the chance to appear on "Suspense," including Cary Grant, Jimmy Stewart, Alan Ladd, Henry Fonda, Humphrey Bogart, Bette Davis, and Orson Welles. Scripts were by John Dickson Carr, Lucille Fletcher, James Poe, Ray Bradbury, and many others.

Episodes include: The Cave of Ali Baba, The Hitchhiker, The Kettler Method, A Passage to Benares, One Hundred in the Dark, The Lord of the Witch Doctors, Will You Make a Bet with Death?, Menace in Wax, The Body Snatchers, The Doctor Prescribed Death, In Fear and Trembling, and Fire Burn and Cauldron Bubble.

Radio is the original mass electronic medium and it continues to be critical for audiences wanting news, information, music and entertainment. For over a century enthusiasts, scholars, practitioners, governments, businesses and listeners have developed and influenced radio, making it a fascinating medium to explore today. There is still no mass medium as ubiquitous as radio and the Internet has extended its geographical and temporal reach even further. Radio remains a key media form and technology, not only surviving the challenges of the screen and digital ages, but developing despite and because of them. This book is a collection of contemporary research by radio scholars from the United Kingdom, Canada, Australia and New Zealand. It explores different aspects of this both simple and complex medium, from early radio histories to the contemporary developments of radio on the Internet. Chapters engage with critical debates about the role of government, business and communities in how radio is used in our societies. Some chapters provide important new insights into making radio, and radio as a cultural force. Other chapters explore developments in research methodologies that enable deeper insights into contemporary radio and its audiences. This book provides a range of platforms for engaging with radio and radio research as a rich, vibrant and fruitful way to further our understandings of the media and ultimately, ourselves.

Facing redundancy from the BBC after 20 years as a reporter and news editor, Mike Curtis got a stay of execution. His salvation found him unexpectedly in charge of setting up a newsroom for the BBC radio station broadcasting to the Indian, Pakistani, Sri Lankan and Bangladeshi communities across the Midlands - the Asian Network. He stayed for 14 years. Asian Auntie-ji tells how this son of an Anglican clergyman, with a love of western music, was thrown into a new world of Bollywood and bhangra, Diwali and Vaisakhi, Mirpuri and mosques, and cricket and Kashmir. The book unravels how this unique radio station dealt with many controversial issues arising from the religious and cultural sensitivities of its audience and its staff. It reflects how the Asian Network covered riots, racism and terror, but also how it gave a voice to so many British Asians; from the geographically isolated listener on the phone-in to those who achieved fame in sport and entertainment. Mike Curtis follows the story of the Asian Network, from its roots in local radio to its UK-wide expansion - and its dealings with BBC bosses. The views of its champions and its critics are reported with honesty and good humour. The Queen, the Duchess of Cornwall, Sebastian Coe, Ravi Shankar, Jay Sean, Amir Khan, Greg Dyke, Meera Syal and Shah Rukh Khan are among those sprinkled throughout the saga, along with the Asian Network's own stars like Bobby Friction, Sonia Deol and Adil Ray. Mike Curtis describes how the team was moved around the managements of Radio 1, Radio 2 and Five Live - and how they regularly upset The Archers at Radio 4. Asian Auntie-ji is a fascinating autobiography that will appeal to an audience beyond the story of the radio station, embracing such names as Monty Python, TV's Big Brother, Brian Blessed, Carlos Santana, Boris Johnson, Judi Dench, David Blunkett, 1950s test pilot Roly Beamont and DJ Orifice Vulgatron. Those with an interest in the media, the BBC, politics, and ethnicity and the South Asian experience in the UK will find it particularly rewarding.